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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pentecost: Babel, Tongues, & Latin

Fr. David Friel · June 8, 2014

ANGUAGE is a major component of the feast of Pentecost. This is obvious from the readings appointed for both the Vigil Mass and the Mass during the Day. Within these Scripture selections, there is a message for us to learn about vernacular liturgy.

At the Vigil Mass, the first reading is taken from Genesis, chapter 11, where one finds the story of the Tower of Babel. The first line is striking: “The whole world spoke the same language, using the same words” (Genesis 11:1). The author seems mesmerized by the beautiful uniformity of this situation—a state of affairs that characterized the worship of the Roman Rite for many centuries. Later in the reading, on account of the people’s pride & rebellion, the Lord decides to “confuse their language, so that no one will understand the speech of another” (Genesis 11:7).

In the first reading from the Mass during the Day, the story of Pentecost day is recounted from Acts, chapter 2. Interestingly, in this case, the people become “confused” because “each one heard [the disciples] speaking in his own language” (Acts 2:6). By the power of the Holy Spirit and the gift of tongues, people of all nations were enabled to hear and understand the Gospel message that day.

Fifty years having passed since Sacrosanctum Concilium, it is difficult to understand how that document’s implementation happened the way it happened. This is the Vatican II Constitution that states: “the use of the Latin language is to be preserved in the Latin rites” (SC 36.1). Almost immediately after its release, however, the use of Latin in Catholic liturgy all but vanished.

I was impressed years ago by a bit of wisdom that I read in Letters to Malcolm, C.S. Lewis’ brief book on prayer:

“If you have a vernacular liturgy, you must have a changing liturgy: otherwise it will finally be vernacular only in name. The ideal of ‘timeless English’ is sheer nonsense. No living language can be timeless. You might as well ask for a motionless river.”

The Third Edition of the Roman Missal has made heroic strides towards a more “timeless English” for today’s worship in the Anglophone world, but Lewis’ point remains true. Shouldn’t liturgy be timeless? If so, then abundant use of vernacular languages will be a hindrance.

There is a special arrogance which asserts that “people can’t understand” the liturgy unless it is celebrated in the vernacular. Do we really “understand” the liturgy, even in the vernacular? This usage of “understand” seems to imply a sense of total control over the liturgy and a marked absence of mystery. At the same time, the insinuation that the faithful are incapable of grasping at least the ordinary in Latin is, to my mind, brash.

Some time ago, I published the story of how I came to love Latin liturgy, and this feast of Pentecost has brought those thoughts to the fore of my mind again. I never set out to love Latin; the conversion simply overtook me once I began to experience it. Do churchgoers of my generation—who, largely, have no experience of Latin in the liturgy at all—even recognize the gift that has been lost? Would they even understand the wonder & awe captured in the opening line of the Tower of Babel story?

As I stood in line last July, waiting for the opportunity to concelebrate Mass on Copacabana Beach, I remember wondering to myself what language Pope Francis would choose for offering the closing Mass of World Youth Day. On other occasions, I have been to Masses with similarly international congregations during which (presumably in order to make everyone feel welcome) the organizers arranged for twelve intercessions to be spoken each in a different language by a person in native dress. On these occasions, my natural response has invariably been to recall that the Church, in her long wisdom, has an answer for such occasions. Why is it taboo, verboten, anathema in so many places to make use of Latin, which is so highly praised & respected by the Second Vatican Council?

From the Tower of Babel, we can learn an appreciation for worldwide linguistic uniformity. Considering the story of Pentecost, we can gain admiration for a common language that people of diverse backgrounds can comprehend. Is it too much of a jump to recognize the value of Latin liturgy?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Latin, Liturgy of the Second Vatican Council, Roman Missal Third Edition, Sacrosanctum Concilium Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“I, (Name), do declare that I do believe that there is not any Transubstantiation in the Sacrament of the Lord’s Supper, or in the elements of the bread and wine, at or after the consecration thereof by any person whatsoever.”

— ‘From England’s Anti-Catholic Oath (1673)’

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