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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New Typesetting! • “Kyriale Supplement” (1934)

Jeff Ostrowski · October 21, 2019

ACK IN FEBRUARY (wow—time sure does fly!) we uploaded a rare “insert” from 1934, which contained additional chants for the KYRIALE. You can read all about it by visiting the February article. I certainly had never come across these versions before, and some of them sound quite peculiar. The chants were badly in need of re-typesetting, as you can see:

80989-Kyriale-1934


Mr. Andrew Hinkley emailed me this morning; he has completed this task! 1

    * *  PDF • Kyrie I (“Deus miserator”) Ex Cod Aemilianensi [11th century]

    * *  PDF • Kyrie II (“Rex Magne”) Ex Cod Aemilianensi [11th century]

    * *  PDF • Kyrie III (“Christe Patris”) Ex Cantatorio Silensi

    * *  PDF • Kyrie IV (“Conditor poli”) Ex Cod Aemilianensi [11th century]

    * *  PDF • Kyrie V (“Deus solus et immensus”) Ex Tropario Vicensi [10th century]

    * *  PDF • Kyrie VI (“Jesu Redemptor”) Ex Tropario Oscensi [11th century]

    * *  PDF • Kyrie VII Ex Tropario Dertusino [13th century]

    * *  PDF • Kyrie VIII Ex Tropario Dertusino [13th century]

    * *  PDF • Kyrie IX Ex Cantatorio Burgensi [13th century]

    * *  PDF • Kyrie X Ex Cantatorio Asturicensi [13th century]

    * *  PDF • Gloria I Ex Prosario Oscensi [9th century]

    * *  PDF • Gloria II Ex Antiphonario mozarabico Legionensi [10th century]

    * *  PDF • Credo I Ex quodam Graduali impresso

    * *  PDF • Credo II Ex cod Silensi mozarabico [11th century]

    * *  PDF • Sanctus I Ex Tropario Aemilianensi [11th century]

    * *  PDF • Sanctus II Ex Cantatorio Silensi

    * *  PDF • Sanctus III Ex Cantatorio Silensi

    * *  PDF • Sanctus IV Ex Tropario Oscensi [11th century]

    * *  PDF • Agnus I Ex Tropario Oscensi [11th century]

    * *  PDF • Agnus II Ex Tropario Oscensi [11th century]

Important Notice :

Before using those files, please compare them to the original:

    * *  PDF Download • Supplement to the Kyriale (1934)

Andrew Hinkley is the best there is…but even he makes mistakes.



NOTES FROM THIS ARTICLE:

1   Mr. Hinkley told us he plans on adding the GABC code to Mdme. GregoBase very soon.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

Far from dreading an encounter with the Iroquois, Fr. Garnier often told us he would be quite content to fall into their hands and remain their prisoner if—while they were torturing him—he at least had a chance of instructing them as long as his torments lasted. If they allowed him to live, it would afford him a golden opportunity to work for their conversion, which was now impossible, since the gateway to their country was closed as long as they were our enemies.

— Father Ragueneau (Jesuit Relations)

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