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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New Resource! • Chant Videos for Treble Voices

Fr. David Friel · February 23, 2019

OUNTLESS schola directors and choristers make regular use of the thousands of practice videos published freely here at Corpus Christi Watershed. Among the practice videos are recordings of the complete Kyriale (all 18 Gregorian Masses), the Ordinary of ICEL’s 2011 translation of the Roman Missal, the Simple English Propers, as well as an astonishing collection of polyphonic pieces. The wealth of assistance now available to parish musicians is truly remarkable.

Thanks to the contributions of a start-up website that went live in early 2019, those resources continue to grow.

Entitled Chant for Trebles, this new site is the work of Mrs. Sipkje Price, a Catholic convert, music educator, and director of a women’s chant schola in Jackson, MI. Working with her singers, Sipkje found that many of them expressed difficulty matching pitch with practice videos featuring a male voice a full octave below their own. Thus was born the concept of Chant for Trebles.

The goal of the project is ambitious: to create practice videos for the full Gregorian chant Propers for each Sunday (and select feasts) of the liturgical year, based on the 1962 calendar. The videos will feature sound recordings paired with the printed version of each chant.

Sipkje has begun with the pre-Lenten season. The chants for Septuagesima, Sexagesima, and Quinquagesima are presently available on the site, and the plan is to add each week’s videos in time for local singers to rehearse with them. To see an example video, check out the communion chant for next Sunday (Quinquagesima) on YouTube:


The approach Sipkje takes to the musicality of these videos is closely considered. The recordings are being made with high quality equipment in a real acoustic, with no added reverberation and minimal editing. With respect to interpretation, she intends to take a relatively conservative approach, aiming for solid pitches and straightforward rhythmic readings, in order to allow schola directors to shape the chant phrases as they wish.

OT TERRIBLY LONG ago, resources to assist parish musicians in singing the treasury of Catholic sacred music were often crude, sometimes expensive, rarely accessible, and otherwise non-existent. So much has changed in the last decade or two. The Internet, alone, boasts a richness of resources that are free, easily available, and often of exceptional quality, for both the Ordinary and Extraordinary Forms of the Roman Rite.

Chant for Trebles fills a need and expands these resources. We look forward to the completion of the full year of videos!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs, Extraordinary Form 1962 Missal, Gregorian Chant, Liturgy For Children, Resources for training in Church music Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“The only really effective apologia for Christianity comes down to two arguments: namely, the _saints_ the Church has produced and the _art_ which has grown in her womb.”

— Josef Cardinal Ratzinger (Interview, 1985)

Recent Posts

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  • How Does The Vatican “Rhythm” Actually Sound?
  • Simplified Accompaniment (Epiphany Hymn)
  • “Adeste Fideles” • Too Many Translations!

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