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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New Resource! • Chant Videos for Treble Voices

Fr. David Friel · February 23, 2019

OUNTLESS schola directors and choristers make regular use of the thousands of practice videos published freely here at Corpus Christi Watershed. Among the practice videos are recordings of the complete Kyriale (all 18 Gregorian Masses), the Ordinary of ICEL’s 2011 translation of the Roman Missal, the Simple English Propers, as well as an astonishing collection of polyphonic pieces. The wealth of assistance now available to parish musicians is truly remarkable.

Thanks to the contributions of a start-up website that went live in early 2019, those resources continue to grow.

Entitled Chant for Trebles, this new site is the work of Mrs. Sipkje Price, a Catholic convert, music educator, and director of a women’s chant schola in Jackson, MI. Working with her singers, Sipkje found that many of them expressed difficulty matching pitch with practice videos featuring a male voice a full octave below their own. Thus was born the concept of Chant for Trebles.

The goal of the project is ambitious: to create practice videos for the full Gregorian chant Propers for each Sunday (and select feasts) of the liturgical year, based on the 1962 calendar. The videos will feature sound recordings paired with the printed version of each chant.

Sipkje has begun with the pre-Lenten season. The chants for Septuagesima, Sexagesima, and Quinquagesima are presently available on the site, and the plan is to add each week’s videos in time for local singers to rehearse with them. To see an example video, check out the communion chant for next Sunday (Quinquagesima) on YouTube:


The approach Sipkje takes to the musicality of these videos is closely considered. The recordings are being made with high quality equipment in a real acoustic, with no added reverberation and minimal editing. With respect to interpretation, she intends to take a relatively conservative approach, aiming for solid pitches and straightforward rhythmic readings, in order to allow schola directors to shape the chant phrases as they wish.

OT TERRIBLY LONG ago, resources to assist parish musicians in singing the treasury of Catholic sacred music were often crude, sometimes expensive, rarely accessible, and otherwise non-existent. So much has changed in the last decade or two. The Internet, alone, boasts a richness of resources that are free, easily available, and often of exceptional quality, for both the Ordinary and Extraordinary Forms of the Roman Rite.

Chant for Trebles fills a need and expands these resources. We look forward to the completion of the full year of videos!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs, Extraordinary Form 1962 Missal, Gregorian Chant, Liturgy For Children, Resources for training in Church music Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

I feel the greatest destroyer of peace today is abortion, because it is a direct war, a direct killing—direct murder by the mother herself. And we read in the Scripture, for God says very clearly: “Even if a mother could forget her child, I will not forget you: I have carved you in the palm of my hand.”

— Mother Theresa (11 Dec 1979)

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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