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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New Resource! • Chant Videos for Treble Voices

Fr. David Friel · February 23, 2019

OUNTLESS schola directors and choristers make regular use of the thousands of practice videos published freely here at Corpus Christi Watershed. Among the practice videos are recordings of the complete Kyriale (all 18 Gregorian Masses), the Ordinary of ICEL’s 2011 translation of the Roman Missal, the Simple English Propers, as well as an astonishing collection of polyphonic pieces. The wealth of assistance now available to parish musicians is truly remarkable.

Thanks to the contributions of a start-up website that went live in early 2019, those resources continue to grow.

Entitled Chant for Trebles, this new site is the work of Mrs. Sipkje Price, a Catholic convert, music educator, and director of a women’s chant schola in Jackson, MI. Working with her singers, Sipkje found that many of them expressed difficulty matching pitch with practice videos featuring a male voice a full octave below their own. Thus was born the concept of Chant for Trebles.

The goal of the project is ambitious: to create practice videos for the full Gregorian chant Propers for each Sunday (and select feasts) of the liturgical year, based on the 1962 calendar. The videos will feature sound recordings paired with the printed version of each chant.

Sipkje has begun with the pre-Lenten season. The chants for Septuagesima, Sexagesima, and Quinquagesima are presently available on the site, and the plan is to add each week’s videos in time for local singers to rehearse with them. To see an example video, check out the communion chant for next Sunday (Quinquagesima) on YouTube:


The approach Sipkje takes to the musicality of these videos is closely considered. The recordings are being made with high quality equipment in a real acoustic, with no added reverberation and minimal editing. With respect to interpretation, she intends to take a relatively conservative approach, aiming for solid pitches and straightforward rhythmic readings, in order to allow schola directors to shape the chant phrases as they wish.

OT TERRIBLY LONG ago, resources to assist parish musicians in singing the treasury of Catholic sacred music were often crude, sometimes expensive, rarely accessible, and otherwise non-existent. So much has changed in the last decade or two. The Internet, alone, boasts a richness of resources that are free, easily available, and often of exceptional quality, for both the Ordinary and Extraordinary Forms of the Roman Rite.

Chant for Trebles fills a need and expands these resources. We look forward to the completion of the full year of videos!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs, Extraordinary Form 1962 Missal, Gregorian Chant, Liturgy For Children, Resources for training in Church music Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

The effectiveness of liturgy does not lie in experimenting with rites and altering them over and over, nor in a continuous reductionism, but solely in entering more deeply into the word of God and the mystery being celebrated. It is the presence of these two that authenticates the Church’s rites, not what some priest decides, indulging his own preferences.

— Liturgicae Instaurationes (1970)

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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