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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Are Canonisations Infallible?

Guest Author · March 12, 2018

ONCERNING the veneration of departed members of the faithful, modern Catholic practice distinguishes beati (“blessed” to whom only a restricted public veneration is permitted) and sancti (who are entitled to public cult throughout the entire Church). In the early Church this distinction was “almost, if not quite, unknown.” In the era of the “Enlightenment,” during the course of the XVIIIth century, the detailed procedures leading to what we know today as “canonization” were collected by the learned scholar or private “doctor” PROSPERO LAMBERTINI OF BOLOGNA (1675/1758) in his classic four-volume work De servorum Dei Beatificatione et Beatorum Canonizatione (Bologna 1734/38). Later, the author reigned as Pope Benedict XIV from 1740 to 1758. Two centuries later, the lengthy legal process of determining heroic virtue, the truth of two miracles, consultation of witnesses, medical and theological experts etc. set forth in Lambertini’s tomes was reformed by the will of Papa Wojtyla, indeed the very concept of “sanctity” was changed by the Apostolic Constitution Divinus perfectionis Magister of 29 January 1983 = AAS 75 (1983) 349/55.

It is important to note that though both Benedict XIV (whilst merely a private doctor) and John Paul II (whilst reigning Pope) issued administrative norms, none of these is of creedal stature, as an article of faith. Analogously to the case of “limbo” for unbaptized infants, canonization is not an article of Catholic faith which must be believed by all who would be Catholic. Both are in fact simply theological opinions.

The First Vatican Council in 1870 solemnly defined papal primacy of jurisdiction and the infallible Magisterium of the Pope under specific conditions which if not completely fulfilled render a pope’s teachings non-infallible, meaning not that they say something that is wrong or deceitful, but that they are subject to the possibility of error. The dogmas defined by Vatican I call for fides divina, and we must believe them by divine faith. Non-infallible acts, however, such as canonisations, call for fides ecclesiastica, ecclesiastical faith, meaning belief on the basis of the principle that the Church as a whole cannot err in matters of faith and morals. Here, as elsewhere, exceptions do not cancel the rule! Canonisations are NOT dogmas, because they do not propose a truth of faith or morals contained in Revelation which is a necessary condition for infallibility. Dogmatic definitions never involve a new doctrine of faith or morals, since whatever a Pope defines must be contained in Holy Writ or in Tradition in order to be infallible. This is not the case with canonization. It also explains why Canon Law (both 1917 and 1983 Codes) does not contain the “doctrine” of canonization, nor do the Catechisms of the Catholic Church both old and new. Canonisation aims at and deals with FACTS concerning human belief and action, which are facts connected (at best) only indirectly with dogma. Note par. 2 of the Instruction Ad tuendam fidem of the CDF dated 18 May 1998!

These considerations scarcely lead to a rational conclusion that one should “leave the Church” in response to the 27 April 2014 canonisations. * To do so would be dashing, but supremely witless: God is Truth Itself, and so faith transcends reason, and elevates it without contradicting it. O Lord, increase our faith!

***        

 

*   Original Title: The Thoughtful Theologian reflects on the canonisations of 27 April 2014 — originally published on 14 April 2014. Reprinted here without alterations.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Are Canonizations Infallible Last Updated: September 7, 2025

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President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

If the homily goes on too long, it will affect two characteristic elements of the liturgical celebration: its balance and its rhythm. The words of the preacher must be measured, so that the Lord, more than his minister, will be the center of attention.

— Pope Francis (11/24/2013)

Recent Posts

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  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”

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