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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Scientia Linguæ Latinæ Voluptatem Et Gaudium Affert!

Dr. Lucas Tappan · June 6, 2017

LMT Latin Manuscript DON’T PROFESS to have anything more than a rudimentary knowledge of Latin, but even I can apprehend something of its beauty and usefulness, whether from the religious perspective, the historical perspective or any other perspective for that matter. Therefore, I am at a lost to explain why the Latin language engenders such fits of rage and anger in mainstream Catholic “intellectual” circles, whether they include the clergy, educators or “enlightened” laymen.

The most comical expressions of anti-Latin thought emanate from the mouths of young children who inform me in rehearsal that Vatican II said we are supposed to worship in English (admittedly this happens less and less as the years go by). Am I to believe that these 9 year old children have read, discussed and prayed about Sacrosanctum concilium? How did I miss the line in SC that ordered the entire Church, for example the Church in Germany or Brazil, to worship in English?

Unfortunately my avocation of church musician doesn’t allow me to sidestep the Latin vs. vernacular issue any more than a house painter is able to avoid paint. To sing Roman Catholic music is to sing in the Latin tongue. To worship in the Roman Catholic Liturgy is to worship in a way formed by the Latin language (this is true even in the vernacular translation of the modern Roman Rite).

Leaving religion aside for the moment and turning to the more mundane task of education in general, Dorothy Sayers, in her exceptional essay The Lost Tools of Learning, admits that “the best grounding for education is the Latin grammar. I say this, not because Latin is traditional and medieval, but simply because even a rudimentary knowledge of Latin cuts down the labor and pains of learning almost any other subject by at least fifty percent. It is the key to the vocabulary and structure of all the Teutonic languages, as well as to the technical vocabulary of all the sciences and to the literature of the entire Mediterranean civilization, together with all its historical documents.” Anyone who has ever read Sayers would agree that the study of Latin didn’t stunt her intellectual prowess. So why is this tool, as Sayers described it, so despised?

I ask this question because of an article by Deacon Jim Russell that appeared recently at Crisis Magazine, which claimed that the the loss of Latin has had disastrous effects on Roman Catholic sacred music. To be honest, music isn’t the only thing the loss has affected (I think of theology especially), but let’s keep to the subject of music for the moment. Where do we see today the likes of Prudentius, Fortunatus, Ambrose or even Blessed John Henry Cardinal Newman? Now that our society has severed itself from the great tradition of Western Civilization, which is intimately bound to the Latin language, the only lyrics we are left with are catchy little ditties foisted on us from the pen of every musician who feels the need to “express himself.” (I am reminded here of the lyrics from such a “hymn” from my Catholic school days—Great Things Happen when God Mixes with Us, from the Glory and Praise hymnal).

Funnily enough, I am not opposed to the use of vernacular in the Holy Mass or the Divine Office. Neither am I against the true inculturation of the Faith into various local communities. But I am mightily opposed to the ridiculous notion that having cut ourselves free from the moorings of Latin we are now in possession of a better understanding of God or our Faith than anyone before 1965.  Such a mentality cheapens the lives of countless men, women and children, ordained and lay, old and young, rich and poor, important and unimportant who lived and died over the last 1500 years to bring the light of Christ to a world in such need of His Love and Mercy. Remember that those same men and women were formed in a time when the Sacred Liturgy was entirely in Latin. Would they have given their lives to Christ if they hadn’t known Him or loved Him? I doubt it. And here we arrive at the crux of the issue. I find that those who are so opposed to the use of Latin in our worship (especially when coupled with ad orientem worship) are generally opposed to the traditional belief that worship is about God, and instead desire to circle their wagons (literally) and turn their thoughts in on themselves as an assembly. Worship becomes group therapy and entertainment rather than an encounter with the living God.

It is time that we leave behind this “hermaneutic of discontinuity” and awake from our religious amnesia and embrace our Faith in its fullness. It is time that we break from the shackles that would have us believe that the Church began in the 1960s. It is time to remember that our heavenly family has a history encompassing 2000 years of the greatest saints, poets, lovers, fighters, evangelizers and men and women who had their eyes set on the heavenly city, the New and Eternal Jerusalem. Recovery of Latin alone won’t do this, but it would symbolically and intellectually open a breach in what seems to be an impregnable wall that keeps us from seeing the hand of God alive in His Church in every age.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms — especially from Gregorian chant — a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.

— Pope John Paul II (June 1980)

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