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Views from the Choir Loft

PDF Download • Rare Hymnal by Organist at the Birmingham Oratory (1913)

Jeff Ostrowski · October 24, 2016

726 Samuel Gregory Ould Hymnal ILLIAM SEWELL was organist and choirmaster about 100 years ago at the Birmingham Oratory. In 1913, he collaborated with Benedictine FATHER SAMUEL GREGORY OULD to produce a hymnal.  Ould—a chant enthusiast who converted to the “Mocquereau method”—served as chaplain to the Canonesses of the Holy Sepulchre, located in Boreham (a village in Essex, England).

Peter Meggison had a copy of this extremely rare hymnal, and Watershed scanned it:

    * *  PDF • LONDON BOOK OF HYMNS (572 pages)

The most interesting pages are toward the end. You will find SATB settings of the Rosary, which would surely require hours to pray!

YOU WILL ALSO FIND a setting of Newman’s “Lead, Kindly Light” (one I’ve never seen before) which is interesting because the cardinal lived at that place. You will find a section with “Hymns for Low Mass”—typical at the time—including a setting of the CREED and OUR FATHER sung to one note. Most interesting to me, however, are the plainsong accompaniments, such as the Missa de Angelis setting:

724 Organ Masses


Father Gregory Ould (1865-1939) also edited splendid & clever interludes based upon Gregorian themes:

    * *  PDF Download • The Latin Organist (65 pages)

According to Thomas Muir, Fr. Ould left several “massive volumes of manuscript plainchant accompaniments” at the New Hall archives in Essex.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Jean de Brebeuf Hymnal, Roman Catholic Hymnals Last Updated: March 27, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt

Random Quote

“Each of our sins was one more thorn in our Lord’s crown; one blow the more to His scourging.”

— Cardinal Merry Del Val (shortly before his death)

Recent Posts

  • “Hybrid” Chant Notation?
  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)
  • Urgent! • We Desperately Need Funds!
  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)

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