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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Video • Most Pure Heart of Mary Schola Cantorum

Dr. Lucas Tappan · May 17, 2016

491 Schola Singing UR PARISH in 2011 founded the Most Pure Heart of Mary Schola Cantorum to answer the Church’s call to establish schools of music to train young people the art of sacred music. Each year we have seen the program expand, and we look forward to working with more than 60 students next year from six local Catholic schools and home school programs.

Even though the Schola Cantorum is primarily attached to our parish, its work reaches far beyond. Several years ago one of our high school boys became one of our archdiocesan seminarians. While I don’t take credit for his vocation, he once told me that singing in the choir gave him a much better understanding of the Mass.

This year, one of our high school girls is graduating and moving on to study organ at the university. Her plan is to finish her Master Degree and then apply for the Organ Scholar position at 490 Schola Cantorum Westminster Cathedral in London. If anyone has the drive to make that happen, she is the one.

One of our 8th grade students, who plans to sing in the Schola Cantorum through high school, has fallen in love with sacred music and has told me many times before (as have her parents) that the Schola Cantorum has helped her grow much deeper not only in the knowledge of her Faith, but in her practice of it. These are not isolated instances.

The Most Pure Heart of Mary Schola Cantorum has obviously grown beyond any normal parish music program, and as part of our work to provide a solid financial basis for the program and to expand its outreach, we are asking individuals to consider making the Schola Cantorum part of their monthy giving, whatever that amount might be.

Please take a few minutes watch this short short video about the Schola Cantorum and consider helping our choristers, who might one day be bringing great sacred music to your parish:

Please note: When our Schola Cantorum sings for the Sacred Liturgy, we always use the organ. The music on this video was recorded during one of our daily rehearsals, so the piano is used.


Feel free to share this video with everyone you know! Thank you!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Lucas Tappan Schola Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “5th Sunday of Easter” (Year A)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the 5th Sunday of Easter Sunday—a.k.a. “Dominica V Paschae”—which is 3 May 2026. Please feel free to download it as a PDF file if such a thing interests you. The COMMUNION (“Tanto Témpore Vobíscum Sum”) is rather somber, with awesome fauxbourdon psalm verses. The ENTRANCE CHANT is bright and happy.
    —Jeff Ostrowski
    PDF Download • Communion for Sunday
    The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?
    —Jeff Ostrowski
    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

A hymn verse need not be a complete sentence, but it must have completed sense as a recognisable part of the complete sentence, and at each major pause there would be at least a “sense-pause.” Saint Ambrose and the early writers and centonists always kept to this rule. This indicates one of the differences between a poem and a hymn, and by this standard most of the modern hymns and the revisions of old hymns in the Breviary stand condemned.

— Fr. Joseph Connelly

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  • PDF Download • Communion for Sunday
  • “Translating the Bible” • Msgr. Ronald Knox (1953)
  • Season’s End Repertoire

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