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Views from the Choir Loft

Parish Lenten Programs • 15 Suggestions

Fr. David Friel · March 6, 2016

ANY PARISHES spend a great deal of time and energy planning their Lenten program for the year. More often than not, this planning resorts to creative ways of spicing up the Sunday liturgical celebrations.

By all means, it is good for parishes to offer extra opportunities during Lent: additional Bible studies, group almsgiving initiatives, adult faith formation series, special opportunities for performing the Works of Mercy, etc. These are all good and wonderful.

Liturgically, however, the Church already has a “Lenten program,” and it is better than anything a liturgy committee can or will come up with. The truth is that we don’t have to “plan” anything special for our Lenten liturgies; we simply need to “prepare” the liturgies as they are laid out in the liturgical books.

What does the Church’s liturgical “Lenten program” look like? In no specific order:

1. No flowers in the sanctuary and simpler altar cloths

2. Withholding of the Gloria and Alleluia

3. No instrumental music & use of the organ only to support the singing

4. Violet vestments

5. Rose vestments, along with moderate use of flowers & instrumental music, to mark the special significance of Laetare Sunday

6. Offer extra times for Confessions

7. Veiling of statues & images throughout Passiontide

8. Special devotions, such as the Stations of the Cross

9. Public recitation of the Divine Office during the Sacred Triduum

10. Tenebrae services

11. Exercising the option to read the Sunday Gospels from Year A in all three years of the Lectionary cycle

12. Use of the solemn entrance during the principal Mass on Palm Sunday

13. Silencing of the bells and use of the strepitus during the Sacred Triduum

14. Careful celebration of the Sacred Triduum liturgies according to the rubrics and the Circular Letter Concerning the Preparation and Celebration of the Easter Feasts

15. Use of the Prayers Over the People appointed for the final blessing each day at Mass

There are probably other items that could be added to this list. The point is this: simply adhering to the tradition of the Church in these matters would be a wonderful Lenten program for every parish.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Holy Week, Liturgy Wars, Passing on Tradition Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“These French offices represent a new case of the old tendency towards local modification—which the Council of Trent had meant to repress. They are commonly attributed to Gallican ideas and are supposed to be not free from Jansenist venom. Some of these local French uses survived almost to our own time. They were supplanted by the Roman books in the 19th century, chiefly by the exertions of Dom Prosper Guéranger (d. 1875).”

— Dr. Adrian Fortescue (d. 1923)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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