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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Mother Angelica, How Bad Was It?

Jeff Ostrowski · March 29, 2016

628 Mother Angelica OTHER ANGELICA of EWTN has passed away, and an astounding number of people—from quarters I’d never expect—have been praising her life and accomplishments. This has infuriated the so-called “progressive” liturgists, to whom she was an enemy. They do not like to see her virtues praised, and many are using the internet to demean her with vile comments. 1

I am too young to remember Mother Angelica, but I do have vague memories of my mother watching her on television. She took exception to a document written by Roger Cardinal Mahony in 1997.

So how bad was this document? Did Mother Angelica overreact?

Here are some excerpts: 2

THE PRESIDER RESPECTS SYMBOL.  What we do at liturgy takes us beyond the literalness that dominates our lives. To preside, a person must live from the rich ambiguity of symbolic reality.

Respect for the power of symbol does not come easily. Even in the Church, we are afraid of symbol. We want the facts, the dimensions. We want a literal truth, but the literal can never be “the way and the truth and the life.” Symbols get beneath the surfaces and are true and real. The symbols we live by are large, ambiguous, and always engaging us anew. One who would preside at liturgy must be practiced in reverence for the symbolic reality of the deeds done by the Church at liturgy. […] Is that Baptismal font a pool of water, a womb, or a tomb? Is this a marriage bath, or a funeral bath, or a birth bath?  It is all!

Doing their symbols, Christians form Christians. […] A priest may know the Bible from a scholarly perspective, but still need to discover how it sounds and what it means when its words are spoken powerfully in the midst of the Church and attended to by an assembly.

When people ask if she went too far, I suppose the only logical answer would be: “It’s not about whether Mother Angelica’s reaction was disproportionate. It’s about living deeply from the vibrant realities of ambiguities beneath the surface of our bird bath.”

P.S.

Even though I never watched Mother Angelica, the excerpts I have seen [01 02] were spectacular! Moreover, EWTN was one of the networks which broadcast our documentary on Sacred music.

Requiem aeternam dona ei, Domine…



NOTES FROM THIS ARTICLE:

1   Mother Angelica seems to evoke strong emotions. I remember an Irish bishop who wouldn’t even mention her name, instead referring to her as “the nun on television.”

2   I posted some reflections on that 1997 document here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“If we continue to tolerate sad examples of liturgical abnormalities, experimentation, abuse, and simply poor-quality liturgies, why should we single out those connected to the ancient rites of the Church for special vigilance? It just doesn’t seem right.”

— An Example of a response (sent to Pope Francis) Re: the TLM

Recent Posts

  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)
  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)

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