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Views from the Choir Loft

My New Assignment—Part 2

Andrew Leung · October 15, 2015

CTL Good Pastor FEW WEEKS AGO, I posted about my new assignment. Well, I made it to Ohio and I am now serving Blessed Sacrament Parish in Wintersville, OH. The bishop assigned me to this parish so I will have some pastoral experience before I enter the seminary next fall. I am very blessed to be able to serve and live at this parish! There are three priests-in-residence here, and all three of them are musicians. My pastor, who is also the Vicar General of the diocese, is a Monsignor who plays the organ. The Parochial Vicar, who is also the Vocation Director, plays the guitar and saxophone. The third priest, who is retired and my spiritual director, was an organist and he says the Traditional Latin Mass privately almost everyday. And the congregation here sings out loud for the hymns. I really thank God for sending me here!

My new duties are very different from the ones I had as a music director. I am still involving in music, just not as focus as a full-time musician. I was also asked to serve as an acolyte at Masses. I am teaching a Religious Education class for some children in Steubenville and helping with the parish RCIA program. My other duties include visiting the sick and bringing them communion. I am also serving the poor through the Society of St. Vincent de Paul.

I have been enjoying these new ministries that I am involve in. They are all important parts of the life of a priest. The picture above is my former pastor at St. Pius X, Fr. Randy Mattox, and me. It is impossible to have good Sacred Music without the support of wonderful priests. One of the things I learned this past year was to maintain good relationships with pastors. Communicate with them on the Liturgy and the music. The collaboration between priests, musicians and liturgists is necessary for the Reformation of the Roman Liturgy. Please keep praying for me as I continue on my formation.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

At the Council of Trent, the subject was raised whether it was correct to refer to the unconsecrated elements of bread and wine as “immaculata hostia” (spotless victim) and “calix salutaris” (chalice of salvation) in the offertory prayers. Likewise the legitimacy of the making the sign of the cross over the elements after the Eucharistic consecration was discussed.

— ‘Fr. Uwe Michael Lang, Cong. Orat.’

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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