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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Basking in Beauty’s Glow

Fr. David Friel · March 1, 2015

NE OF MY FAVORITE subjects for consideration on this blog is beauty. I would like to turn to this theme again today, since the readings & orations for Mass today relate to the topic.

In the Transfiguration, Jesus appears in all His radiant beauty. He reveals Himself to his closest friends, allowing them to see the splendor that He customarily reserves from sight. Bishop Sheen once shared a great insight concerning the radiance of the Transfiguration: “It was not so much a light that was shining from without as the beauty of the Godhead that shone from within. . . . Divinity shone through humanity.” 1

This is what so often happens—beauty shines through humanity, by God’s grace.

Upon seeing our Lord transfigured on Mount Tabor, Peter says, “Rabbi, it is good that we are here!” He then suggests the building of three tents, so as to prolong the experience.

So often, Peter’s impulse here is disparaged. Scripture scholars make a big deal of how petulant Peter can be. Preachers take up the theme of how “you can’t stay on the mountaintop.” All of that has its value. But, viewed another way, isn’t Peter’s impulse perfectly natural? We desire quite intuitively, after all, to be in the presence of beauty. Once we are in beauty’s presence, why should it be judged unreasonable to want to remain there?

Peter’s desire that the Transfiguration be prolonged is a wholesome longing. We all share similar experiences, every time we attend a concert that we hope will never end or when we stall our departure so as to sneak in extra time visiting with nieces or nephews or grandkids. Beauty begets within our hearts a desire for further exposure to that beauty.

True beauty inspires within us a hunger for more, a longing for time spent beholding the beauty. This pondering is the essence of contemplation, and it’s a quality I admire in St. Peter.

One of the gifts of the third edition of the Roman Missal is its inclusion of solemn Prayers over the People for each day of Lent. The prayer of blessing appointed for the Second Sunday of Lent is an eloquent reflection of the beauty surrounding the Transfiguration:

Bless Your faithful, we pray, O Lord, with a blessing that endures for ever, and keep them faithful to the Gospel of Your Only Begotten Son, so that they may always desire and at last attain that glory whose beauty He showed in His own Body, to the amazement of His Apostles.

The beauty of our transfigured Lord did, indeed, inspire “amazement” in the Apostles. May the glory of the Lord elicit a similar “amazement” in each of us!




NOTES FROM THIS ARTICLE:

1   Fulton J. Sheen, Life of Christ (Garden City, NY: Image Books, 1977), 158-9.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty, Bishop Fulton J Sheen, Roman Missal Third Edition Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

The “Nova Organi Harmonia” demanded from each of us an unusual commitment; we have dedicated to it the best of our energies. Would it be, therefore, presumptuous on our part to be satisfied with the result and to expect its welcome reception in the musical world?

— Msgr. Jules Van Nuffel (circa 1940)

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  • “In Paradisum” • Gregorian Chant

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