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Views from the Choir Loft

A hymnal in e-book format

Veronica Brandt · June 6, 2015

Gloria a Latin Hymnal OU MAY HAVE ALREADY SUNG from an electronic copy of the Liber Usualis. It was most likely a PDF, or perhaps you have the fancy Liber Pro app from iTunes.

Or you may have a collection of electronic copies of old hymnbooks already lying around the corners of your computer’s hard drive.

Most PDF books are simply scanned images. They can be slow to load and clunky to navigate. A better way might be to combe images of the music with regular text which can set out section headings, translations and explanations.

Enter the Gloria Latin Hymnal: 100 Traditional Latin Hymns in Gregorian Notation with English Translations by Patrimonium Publishing. It is a regular ebook available through Amazon combining images of Gregorian chant typeset with gregorio following each piece with an English translation in plain text.

There are lots of old favorites as well as a surprising number of pieces I have never heard before. How many of you have sung the Memorare? How about O Sanctissima in Gregorian notation? The sources include Cantus Mariales from 1903 by Dom Pothier, which must be where many of these gems come from.

If you are a blithe owner of a Kindle or not concerned with the details of typographical layout, feel free to stop reading here and go check out a free sample from Amazon.

The really impressive thing here is the technical juggling involved in preparing music for such a limited medium. It is crazy enough to try formatting a hymnal for a printed page, but for a format designed for flowing pages of uninterrupted text is quite a challenge.

The compiler, Michael Phillips, carefully tailored the book for a regular Kindle device. He chose the breaks in the music to allow enough space for the translation to fit on a 6” screen. That is probably a good median size to cater for, but on other devices the page dimensions change and the pictures and text act differently to fill the new space.

Here is how it looks on my cell phone:


laguentibus small text A page from the Gloria Hymnal on a phone.

Turning the phone on its side enlarges the music, but leaves no room for the translation, which overflows into its own page.

On the big screen the music becomes much clearer, but the translation shrinks relative to the music.


languentibus one page The same hymn on a large computer monitor.

You can change the text size setting in your ebook viewer as you wish. My picky side wants to fiddle with the default margin around the images, but I know this could upset how it works on other devices. Maybe, with time, Amazon will adjust their Cloud Reader to better adapt their ebooks for desktops. I don’t know, but I think I can live with it, especially as I get more absorbed in the actual content of the hymnal.

The reviews claim that all these hymns can be listened to by searching for recordings online. I’m not in a position to test that claim properly, but I would love to try.

I will be dipping into this little book for many months to come.

Maybe I’ll even get myself a Kindle.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Abbot Joseph Pothier of Solesmes, Cantus Mariales, Dom Pothier Cantus Mariales, Gregorio, Hymnbooks Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

St Ambrose had to be “corrected” by Pope Urban VIII. The ‘Iste confessor’ was greatly altered and the hymn for the Dedication of a Church—which no one ought to have touched—was in fact completely recast in a new meter. Singular demand, made by the taste of that particular epoch!

— Re: The hymn revisions of Pope Urban VIII (d. 1644)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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