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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What to Do with Musicam Sacram

Fr. David Friel · January 11, 2015

N THE ONE HAND, Musicam Sacram (MS) is a post-conciliar document, published two years after the close of the Second Vatican Council in 1965. On the other hand, it came two years before the publication of the revised Missal of Paul VI, which was promulgated in 1969. So, what should be done with it? Does it have any relevance or binding force today?

I received this question by email recently, and it prompted me to do a bit of thinking and researching. This is a difficult matter to address, and it is a question likely to elicit different answers from different authorities.

First, it should be established that MS is an “Instruction on Music in the Liturgy” published by the Sacred Congregation of Rites. An “Instruction” is a text that stands not so much on its own, but as a complement to another document. In this case, MS is meant as a companion to Sacrosanctum Concilium, the Council’s Constitution on the Sacred Liturgy. Thus, it is clear that MS is a document with a high level of authority.

Yet, while the document has never been formally abrogated, there are countless scholars and liturgical musicians who consider its teachings no longer applicable. The publication of the new Roman Missal in 1969, they believe, made MS obsolete. Is this true?

I would say not. After all, in the GIRM, which is a companion document to the revised Roman Missal, Musicam Sacram is cited 11 times. If MS had no binding force on the reformed liturgy, then these citations would not exist.

ERHAPS A BETTER approach, then, would be to say that certain specifics contained with MS no longer apply. For example, the former distinction between solemn, sung, and read Masses has not been retained in what we now call the Ordinary Form. Still, the general principles outlined in MS remain quite valid and very much in force.

Especially in the Ordinary Form, which allows for so many options and so much leeway, it is hard to make an argument against incorporating the principles of MS. If the principles of a more recent, non-authoritative document (such as Sing to the Lord) can be taken into account, who is to say, in the OF, that the principles of MS cannot also be taken to heart? To my mind, it seems quite laudable to apply the guidelines of MS to our present celebration of Mass.

If you are interested in a fuller treatment of this topic, there is something you should read that comes from an unlikely source. Available online is a TRANSCRIPT of five separate presentations given during the 2007 NPM Convention which (believe it or not) addressed this topic. The five lectures represent rather disparate points of view. Each lecture is worth reading, but I would say that the lecture by Dr. Ed Schaefer deserves special notice.

What to do with Musicam Sacram remains a thorny issue. Trying to reconcile, for example, the principle of “progressive solemnity” in SttL with the three-tiered structure of singing given in MS is difficult work. At the very least, the principles of MS must not be discounted outright. They should, instead, be welcomed—even studied—so as to improve our celebration of the sacred liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Authentic Liturgical Renewal Reform, Liturgy of the Second Vatican Council, Progressive Solemnity, Sacrosanctum Concilium, USCCB Sing to the Lord Document on Music Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

An Indult of the “Commission for Russia” (25 November 1929) authorizes Bishops and Administrators Apostolic in Russia to permit the celebration of Mass and the reception of Holy Communion in the afternoon or evening, on condition that a Eucharistic fast of four hours from noon be observed.

— Sacred Congregation of Rites, 25 nov 1929

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)
  • Music List • (5th Sunday of Lent)
  • Music List • (Holy Thursday, 2026)
  • “O Escam Viatorum” • (Holy Thursday)

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