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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download: 1896 “Liber Usualis” • Extremely Rare

Jeff Ostrowski · February 19, 2015

252 Abbat Joseph Pothier HANKS to Margaret Coats—who generously loaned her copy for scanning—everyone in the world can finally download the 1896 “Liber Usualis” of Solesmes.

Starting in 2008, Watershed released a whole slew of books which remain of supreme importance to Gregorian scholars. Historic releases included such books as Mocquereau’s Liber Usualis (1904); Abbot Pothier’s Graduals & Antiphonary; Father Hermesdorff’s Graduale (both versions); and the Nova Organi Harmonia (Flor Peeters & Jules Van Nuffel). This 1896 book is not quite as significant as our 2008 releases, since much of it is contained in Pothier’s other books. On the other hand, it contains a tremendous amount of fascinating & rare chants:

      * *  PDF Download • 1896 “Liber Usualis” (1,479 pages)   {203MB}

If you’re like me, you will have a glorious time perusing this stupendous book. There’s no reason to describe it, since you can download the entire thing. However, I would mention:

1. The book was published in a very small format, which made it difficult to recognize morae vocis and angered Pope Pius X, who preferred the larger size of the Graduale.

2. The book contains many rare chants and especially local French feasts which seldom appear in any other book.

3. There is almost no artwork in the book, whereas Pothier’s 1884 Graduale had lush artwork. Most chants of the Temporale match Pothier’s earlier versions note-for-note.

4. The official title of the book above is:

Paroissien Romain
Contenant La Messe Et L’office Pour Tous Les Dimanches Et Fêtes Doubles
Chant Grégorien • Solesmes Imprimerie Saint-Pierre 1896

5. We are accustomed to the term Liber Usualis (“Useful Book”) which doesn’t translate very well. In fact, what the French call a “Paroissien Romain”—when it contains music—is very similar. They used many titles in those days, such as Manuale Missae et Officiorum . Most people don’t realize the Solesmes monastery published a special version of the Liber Usualis with complete English translations five years before the Second Vatican Council began. The reason nobody knows it has to do with the title (“Mass & Vespers”), which most people fail to recognize as the Liber Usualis.

The titles for this 1896 book are in French, but everything else is written in Latin:

255 Liber

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 1896 Liber Usualis by Solesmes Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The following question is asked by the Most Reverend Lord Bishop of the Diocese of Chur: May this Diocese’s ancient custom be continued of having the Celebrant in Sung Masses (excepting more solemn Masses) intone the Credo and when he is finished reciting it going on immediately to the offertory and finishing it while the credo is being sung by the choir?” (Dubium of Dec 1909)

— 11 December 1909

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