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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sing Prayerfully

Andrew Leung · February 12, 2015

323 Andrew Leung T HAS BEEN SAID: “He who sings prays twice.” However as church musicians, we don’t always feel prayerful and peaceful when we are singing and playing during the Liturgy. Recently, I heard from some friends that singing at Mass was never a peaceful and prayerful experience for them, but a stressful one. A lot of times, we worry about whether the choir is singing too slow, pronunciation of the text, messing up the rhythm, missing an entrance in a polyphonic piece, making mistakes on a melody or harmony, etc. Should the Mass be a prayerful experience for the musicians?

YES! I am sure that most of you will agree that singing the Mass is not just a performance, but a prayer. The music at Mass should be for the glorification of God and the sanctification of the faithful. Musicians, as part of the faithful, should be sanctified by the Liturgical Music too. When we sing at Mass, it is understandable that there might be a little nerve just like what we would experience in other performances. However, this nerve shouldn’t affect us too much spiritually.

If Liturgical Music is a prayer, when do we begin praying? The prayer should start way before the Mass. In fact, we should make our personal practices and group rehearsals part of the prayer. It is a long process of prayer that the congregation will never experience. It is like saying the rosary. A rosary is formed by many “Our Father”, “Hail Mary”, “Glory be” and other prayers and devotions. Before Mas, we practice the pieces over and over again just like how we say the “Hail Mary” fifty times in a rosary. Each “Hail Mary” is a short and simple prayer, but when they are all linked together, they become part of a long prayer, the rosary. Similarly, we make a lot of mistakes and pauses during rehearsals. And when we put all our works and efforts together at Mass, the prayer is finally completed. That is why preparations and practices are very important for church musicians.

HERE ARE A FEW THOUGHTS and suggestions on how one can make “church singing” more prayerful.

First, Spiritually:

1. Understand the idea of “Sing the Mass, not Sing at Mass.” To “Sing at Mass” would be to make our singing a performance only. On the other hand, to “Sing the Mass” is to make our singing a prayer. Always starts and ends the rehearsal or the “performance” with a prayer to remind ourselves to make the music a prayer to God.

2. Know the text. A good piece of Sacred Music should have a scriptural text, or sometimes the text would be taken from other traditional prayers. In order to sing prayerfully, we need to make sure we know what we are singing, especially when the text is in a foreign language.

3. Observe sacred silence, especially in our own prayer time. As musicians, we are constantly participating the Mass externally through singing or playing. It is important that we do not forget the internal participation and to listen to God through silent prayer and meditation.

And now, more Technical:

1. Know the Strengths and Weaknesses. As choir directors, we need to know our choirs’ strengths and weaknesses; and as singers, we need to know our own strengths and weaknesses too. If singing the Mass is a stressful experience for you, you should try to find out what is stressing you out.

2. Find the Right Repertoire. One of the main reasons why singing the Mass is so stressful for some people is because repertoire is too difficult. For example, the Tract might be too long and hard for a choir. Then maybe you would like to consider singing it in psalm tone until your choir is comfortable with long and melismatic chant. It is more important to sing well and pray well than to sing a challenging piece.

3. Use your Rehearsal Time Wisely. If singing the Mass is a stressful experience for you, consider lengthening your rehearsal time so that you can spend more time learning and practicing. In order to master a piece of music, you will need to be able to sing the piece comfortably during rehearsal. You might also want to consider spending some time during rehearsals on solfege exercises and other vocal exercises to increase your skill level.

I hope my suggestions help to make singing the Mass a prayerful and peaceful experience for you.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“A father cannot introduce mistrust and division among his faithful children. He cannot humiliate some by setting them against others. He cannot ostracize some of his priests. The peace and unity that the Church claims to offer to the world must first be lived within the Church. ”

— Cardinal Sarah (14 August 2021)

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)
  • Music List • (5th Sunday of Lent)
  • Music List • (Holy Thursday, 2026)
  • “O Escam Viatorum” • (Holy Thursday)

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