• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Jaw-Dropping Liturgical Manuscripts (7,055 Pages)

Jeff Ostrowski · April 6, 2015

998 Holy Sacred MSS HY DO WE LOVE our liturgical history? Does this love of ours truly make us “partakers of idolatry,” as the founder of the Mundelein Liturgical Institute recently asserted?

I don’t believe so. Our desires are natural and pleasing to God. We wish to pray using the exact same words—on the exact same days—as so many saints did. 1

Many now recognize that the innovations of Bugnini’s Consilium have impoverished the Roman Rite and were not faithful to the decrees of Sacrosanctum Concilium. This is due in large part to the internet, which has made available ancient manuscripts. Catholics can now see with their own eyes the antiquity of our liturgy.

Download 7,055 pages of ancient manuscripts below. They were made available 2 by Heinrich Heine University, and you can obtain high resolution versions by searching. The EF liturgy matches these manuscripts 98% of the time; whereas the OF liturgy sometimes 3 does not match.

Whenever possible, we have an obligation 4 to provide excerpts of ancient manuscripts for our choirs and congregations. Remember, the books below are just the tip of the iceberg!


MS-D-1 • Sacramentary … circa 867AD

506 pages.   Click here for a screenshot showing part of a page. That green circular thing is the famous “Vere Dignum Et Justum Est” monogram.


MS-D-3 • Missale … circa 955AD

621 pages.   Click here for a screenshot. Notice the drawing of Saint Augustine, as well as the famous monogram featured in the Jogues Lectionary.


MS-D-5 • Missale … circa 1507AD

267 pages.   Click here for a screenshot.


MS-D-6 • Cistercian Graduale … circa 1173AD

377 pages.   Click here for a screenshot.


MS-D-10A • Graduale … circa 1285AD

436 pages.   Click here for a screenshot.


MS-D-10B • Book of Hours … circa 1466AD

285 pages.   Click here for a screenshot.


MS-D-11 • Graduale … circa 1372AD

1,397 pages.   Click here for a screenshot.


MS-D-12 • Graduale … circa 1424AD

705 pages.   Click here for a screenshot.


MS-D-14 • Antiphonale/Graduale (Winter Section) … circa 1573AD

439 pages.   Click here for a screenshot.


MS-D-19 • Cistercian Graduale … circa 1491AD

317 pages.   Click here for a screenshot.


MS-D-20 • Graduale … circa 1507AD

241 pages.   Click here for a screenshot.


MS-D-27 • Graduale (Summer Section) … circa 1481AD

189 pages.   Click here for a screenshot.


MS-D-30 • Graduale (Winter Section) … circa 1502AD

427 pages.   Click here for a screenshot.


MS-D-32 • Cistercian Graduale (Winter Section) … circa 1552AD

431 pages.   Click here for a screenshot.


MS-D-35 • Graduale (Winter Section) … circa 1545AD

417 pages.   Click here for a screenshot.


UPDATE •   From a reader:

Bayerische Staatsbibliothek has made much available. Go to bsb-muenchen.de and search for e.g. Graduale, limit the search to “online resources” time to before 1600 (or whatever pleases you), and go wild. They have a wonderful policy in that whoever first asks for a digitalization of a particular manuscript pays for it and afterwards they put it online for free. Sample screenshot.

As I mentioned, this is just the tip of the iceberg. The Saint Gall library also has thousands of online images.



NOTES FROM THIS ARTICLE:

1   Moreover, our hearts and minds are lifted to God by the glorious artwork & melodies of our Catholic heritage.

2   The language and website—based in Düsseldorf—can be intimidating for Americans, so a former student kindly created the Google links you see on this page. Be sure to obey usage regulations posted on the Heinrich Heine website.

3   For instance, the Ordinary Form uses the Gradual antiphons for sung Masses, but uses the Missal antiphons for spoken Masses. The Gradual antiphons are ancient, whereas many of the “spoken” propers were created in 1969.

4   The Jogues Lectionary provides stunning manuscripts for the congregation to enjoy—as does the Campion Hymnal—both in full color. Congregations love seeing these!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Graduale Romanum Roman Gradual Propers, Medieval Manuscripts, Sung Vs Spoken Propers Novus Ordo Last Updated: May 6, 2021

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Today the Church has made a big mistake, turning the clock back 500 years with guitars and popular songs. I don’t like it at all. Gregorian Chant is a vital and important tradition of the Church and to waste this—by having guys mix religious words with profane, Western songs—is hugely grave, hugely grave.”

— Maestro Ennio Morricone (10 Sept 2009)

Recent Posts

  • “Translations Approved for Liturgical Use”
  • “Sacred Music Pilgrimage to Italy” with Grace Feltoe
  • Dr. Mahrt explains the ‘Spoken’ Propers
  • PDF • “Music List” (1st Sunday of Advent)
  • Kid’s Repertoire • “Jeffrey’s 3 Recommendations”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.