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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Three Years Later

Fr. David Friel · November 30, 2014

HE SEASON OF ADVENT arrives today, bringing with it a whole new “Year of Grace.” Perhaps we should use this phrase, “Year of Grace,” more frequently, as I think it is fuller & richer than simply speaking about the start of a new “liturgical year.” It’s not that there is anything wrong with the idea of the liturgical year and its various cycles; it’s just that “Year of Grace” sounds so less calendar-based.

At any rate, today we call to mind the words of Isaiah, the great Advent prophet: “Oh, that You would rend the heavens and come down!” This is a sentiment that so many people in history have shared: the people of Israel, your ancestors, my ancestors, probably even the cavemen. They have all cried out to God, saying, “Oh, Lord, if you would just come down here!” It’s a human desire that is universal to every time & place: the desire to have God come down and be close to us.

The extraordinary thing for us, as Christians, is that God has done just that. He has “come down” here to Earth. That is the unbelievable reality we will celebrate on Christmas—what we might call Christ’s coming in history. But, it is important to remember that God’s coming down to Earth was not a once-and-done deal. The Lord comes to us in prayer, in the Sacraments, in the ordinary affairs of our daily lives, does He not? That is what we might call Christ’s coming in mystery. And, we believe, the Lord will come back to Earth at the end of time to judge the living and the dead. That is what we might call Christ’s coming in majesty. So, the fact that we weren’t alive at the time Jesus walked the Earth does not put us at a disadvantage. Christ came once in history, but He comes to us in mystery all the time, and He promises us that He is coming again in majesty.

It was three years ago today that the Roman Church in the Anglophone world began using the Roman Missal, Third Edition. To commemorate this occasion, I would like to reflect on how the three comings of Christ parallel three blessings I have experienced in the new Roman Missal.

IRST, this new translation has put us in touch with our history. There is no question that the words we now pray are more faithful to the Latin original than the texts of previous editions. Why is this important? Because these words & sentiments & images have been prayed by generations & generations of Catholics. These new prayers connect us with our great-great-great-great-great-great-grandparents in a new and deeper way. They also connect us with all our brothers & sisters throughout the world who pray the same words & sentiments & images—just in other languages.

ECOND, this new translation has put us in touch with mystery. Some of the new words and phrases might not have been immediately understood by all Catholics worshippers at first glance. But that is not a bad thing. If anything in the Mass causes us to ask a question or wonder about what we mean—can that possibly be a bad thing? It is not necessary, for example, to understand at the outset and in completeness every Scriptural allusion made by the ordinary & proper prayers. There is a role for personal & group study, so that these texts can be understood more deeply. Everything that may have seemed at first mysterious has really been nothing more than an invitation—an invitation to greater, deeper understanding.

HIRD this new translation has certainly put us in touch with God’s majesty. We have all heard in the proclamation of these texts how sacred the new language is. And that, too, is good. The language we use at Mass should not be ordinary or everyday, pedestrian or colloquial. Our private prayer can be in informal, everyday language. But, when we gather as a community to celebrate the sacred liturgy, our language, too, should be sacred. The language of this Missal is beautiful, and the world is in dire need of true beauty. The beauty of these new prayers is a definite reminder to us of God’s majesty.

I have made no secret of my support for this Missal. In an article for Homiletic & Pastoral Review (Roman Missal 3.0: Updates Installed) and in numerous blog posts (for example, HERE, HERE, & HERE), I have praised, defended, & explored this new Missal. It is not, of course, above critique; there are changes I would make. On the whole, however, it is such a vast improvement over the previous Sacramentary that my overwhelming response is one of gratitude.

I am grateful to those who labored to bring us this Missal, and I am grateful to the Holy Spirit, Who guided their work. May Christ continue to come to us through these sacred words!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Authentic Liturgical Renewal Reform, Beauty, Bishop Arthur J Serratelli Vox Clara, ICEL New Translation of the Roman Missal, Reform of the Reform, Roman Missal Third Edition Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Rarely indeed,” asserted Pope Benedict XV (2 October 1921), “has the idealism of art and the glory of the faith been joined in such perfect harmony” as in the works of Palestrina and fellow polyphonists.

— Quoted by Gerard Ellard SJ (Church history professor at St. Mary’s College, KS)

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