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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Three Years Later

Fr. David Friel · November 30, 2014

HE SEASON OF ADVENT arrives today, bringing with it a whole new “Year of Grace.” Perhaps we should use this phrase, “Year of Grace,” more frequently, as I think it is fuller & richer than simply speaking about the start of a new “liturgical year.” It’s not that there is anything wrong with the idea of the liturgical year and its various cycles; it’s just that “Year of Grace” sounds so less calendar-based.

At any rate, today we call to mind the words of Isaiah, the great Advent prophet: “Oh, that You would rend the heavens and come down!” This is a sentiment that so many people in history have shared: the people of Israel, your ancestors, my ancestors, probably even the cavemen. They have all cried out to God, saying, “Oh, Lord, if you would just come down here!” It’s a human desire that is universal to every time & place: the desire to have God come down and be close to us.

The extraordinary thing for us, as Christians, is that God has done just that. He has “come down” here to Earth. That is the unbelievable reality we will celebrate on Christmas—what we might call Christ’s coming in history. But, it is important to remember that God’s coming down to Earth was not a once-and-done deal. The Lord comes to us in prayer, in the Sacraments, in the ordinary affairs of our daily lives, does He not? That is what we might call Christ’s coming in mystery. And, we believe, the Lord will come back to Earth at the end of time to judge the living and the dead. That is what we might call Christ’s coming in majesty. So, the fact that we weren’t alive at the time Jesus walked the Earth does not put us at a disadvantage. Christ came once in history, but He comes to us in mystery all the time, and He promises us that He is coming again in majesty.

It was three years ago today that the Roman Church in the Anglophone world began using the Roman Missal, Third Edition. To commemorate this occasion, I would like to reflect on how the three comings of Christ parallel three blessings I have experienced in the new Roman Missal.

IRST, this new translation has put us in touch with our history. There is no question that the words we now pray are more faithful to the Latin original than the texts of previous editions. Why is this important? Because these words & sentiments & images have been prayed by generations & generations of Catholics. These new prayers connect us with our great-great-great-great-great-great-grandparents in a new and deeper way. They also connect us with all our brothers & sisters throughout the world who pray the same words & sentiments & images—just in other languages.

ECOND, this new translation has put us in touch with mystery. Some of the new words and phrases might not have been immediately understood by all Catholics worshippers at first glance. But that is not a bad thing. If anything in the Mass causes us to ask a question or wonder about what we mean—can that possibly be a bad thing? It is not necessary, for example, to understand at the outset and in completeness every Scriptural allusion made by the ordinary & proper prayers. There is a role for personal & group study, so that these texts can be understood more deeply. Everything that may have seemed at first mysterious has really been nothing more than an invitation—an invitation to greater, deeper understanding.

HIRD this new translation has certainly put us in touch with God’s majesty. We have all heard in the proclamation of these texts how sacred the new language is. And that, too, is good. The language we use at Mass should not be ordinary or everyday, pedestrian or colloquial. Our private prayer can be in informal, everyday language. But, when we gather as a community to celebrate the sacred liturgy, our language, too, should be sacred. The language of this Missal is beautiful, and the world is in dire need of true beauty. The beauty of these new prayers is a definite reminder to us of God’s majesty.

I have made no secret of my support for this Missal. In an article for Homiletic & Pastoral Review (Roman Missal 3.0: Updates Installed) and in numerous blog posts (for example, HERE, HERE, & HERE), I have praised, defended, & explored this new Missal. It is not, of course, above critique; there are changes I would make. On the whole, however, it is such a vast improvement over the previous Sacramentary that my overwhelming response is one of gratitude.

I am grateful to those who labored to bring us this Missal, and I am grateful to the Holy Spirit, Who guided their work. May Christ continue to come to us through these sacred words!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Authentic Liturgical Renewal Reform, Beauty, Bishop Arthur J Serratelli Vox Clara, ICEL New Translation of the Roman Missal, Reform of the Reform, Roman Missal Third Edition Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“[Saint Jerome’s Latin] fairly frequently represents a purer text than does the existing Hebrew, sometimes yielding a plain sense when the Massoretic text fails to do so, and quite often providing a working interpretation of a passage where the Hebrew is doubtful.”

— Sebastian Bullough, O.P. (June 1949)

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