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Views from the Choir Loft

Parish May Crownings

Fr. David Friel · May 4, 2014

RE YOU INVOLVED in your parish May Crowning? Planning for such festivities falls to a variety of people in different parishes and institutions. In some places, the event is planned directly by the local clergy, while in other places it is the purview of a liturgy planner, youth group, volunteer parent, or music director.

Many devotions fell out of favor for a time—Forty Hours, the rosary, novenas, etc. Mercifully, many of these devotions, including the May Crowning, have made and continue to make a strong resurgence. The May Crowning is a beautiful yearly opportunity to renew our love for Mary and to enlist her prayers. A strong devotional life in the parish church will naturally support and strengthen its liturgical vitality.

In most situations, preparations for this beloved annual tradition probably begin with a familiar question: What did we do last year? Since the May Crowning is a devotion with no specific, mandated form, that question is a fair place to begin. Some elements are widely incorporated: the presentation of a crown of roses by a selected lady, May poles, prayers seeking Mary’s protection, and hymns sung in honor of the Blessed Virgin. Inasmuch as a May Crowning is not a liturgical occasion, there is great freedom concerning what might constitute the ceremony. There can be songs, flowers, processions, a children’s choir, a litany, a sermon, and other celebratory components.

The National Conference of Catholic Bishops (NCCB) published a special volume in 1987, entitled, Order of Crowning an Image of the Blessed Virgin Mary. The title of this document can be misleading. Its purpose is not actually to provide a script for the May Crowning devotion, but rather to furnish a ritual for the one-time coronation of a special Marian statue with a bejeweled gold or silver crown. Ideally, the document envisions that this rite would be carried out by the diocesan bishop, or at least by another deputed bishop or priest.

Although the Order of Crowning an Image of the Blessed Virgin Mary does not specifically apply to the annual May Crowning ceremony, it may still serve as a useful resource in planning the yearly parish celebration of Mary. The structure of the rite, and even some of the prayers, readings, & intercessions provided, can serve as a starting point for formulating a parish May Crowning ceremony.

Not least among the many aspects of a good May Crowning is the musical dimension. The Order of Crowning suggests the singing of antiphons and hymns, including several Marian chants: Salve Regina, Sub Tuum Praesidium, Ave, Regina Caelorum, Alma Redemptoris Mater, Regina Caeli. American Catholics have a notably strong tradition of vernacular Marian hymns, too, which might well accompany the annual celebration.

Building up devotional celebrations and celebrating them well is an easy way for the parish church to foster greater love among its parishioners for Jesus, Mary, the Eucharist, and the Church universal.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs, USCCB Secretariat of Divine Worship Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

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