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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Should Catholics Kneel At Mass?

Jeff Ostrowski · March 2, 2014

OT LONG AGO, I wrote an article exploring what Msgr. Schuler often called “piccoluomini logic,” but several email messages accused me of creating “straw man” arguments.

Consider the video on the upper right. This was excerpted from a 2013 promotional film for a Catholic church 1 and has been garnering tons of internet attention. In case you have difficulty playing the video, here’s an audio recording:

      * *  Deacon Sandy: “Kneeling At Mass” — Mp3 Audio File

I doubt I could find a better example of piccoluomini logic. It is faulty reasoning which seemingly “proves” the worth of some liturgical practice. But what does the President of the United States have to do with the Holy Eucharist? Our President is not our God. Besides, after the President walks into a classroom, the children sit down while he speaks. They do not remain standing.

When I was in fifth grade, there was a movement in our parish to remove the kneelers. We were told that standing was a sign of respect “in some Asian cultures.” At that point in my life, the theory sounded fresh and exciting, but now I think it’s misguided. More importantly, it’s unbiblical and ignores our tradition — whereas Catholics are called to respect liturgical tradition for weighty reasons. Moreover, kneeling is only natural when man enters into the presence of God.

On 24 February 2014, Deacon Sandy clarified his church’s lack of kneelers:

“The fact that we do not have kneelers dates back to when the church was built in 1957. Canon law allows for an exception for a Catholic Church to not have kneelers in certain circumstances, including ours when there is a period of 30 or more consecutive years when kneelers have not been present. We have permission from our prior archbishop citing the expense that we — a parish facing financial hardship — would incur, and loss of worship space seating that would be caused by adding kneelers.”

In my humble opinion, this video wouldn’t have received so much attention if Deacon Sandy had simply said, “We don’t have kneelers because we can’t afford them.”

PLEASE NOTE: I unequivocally condemn mean-spirited, venomous, and/or needless attacks on liturgies of our fellow Catholics. Usually such attacks indicate that the “attacker” has too much time on his hands. Besides, our world already has enough hatred and division. However, when it comes to public statements about the Catholic liturgy, we have an obligation to stand up for the truth.

I believe the issues at stake here are serious, and I sense a troubling “disconnect” between, on one hand, a purported canonical “loophole” owing to a financial situation, and, on the other, “bragging” about the practice of no kneelers.

I cannot shake the mental image of Archbishop Bugnini, who was able to contravene clear directives from Rome (saying Latin must be included alongside all vernacular Missals) by arguing that Asian printers were too dumb to print Latin characters adequately. One could ask, “Why did the Consilium go along with such a dubious proposal?” Reading a book by Cardinal Antonelli, I’m beginning to understand the answer, and hope to explain more in future posts. In a nutshell, this well-informed Cardinal was shocked by the Consilium’s haphazard procedures. Time and again, he lobbied for rules of order, but even basic ones — like properly recording votes — were lacking. He was also severely distressed by the speed at which Church laws were changing. I’ve mentioned that this was also worrisome to Fr. Georg May, a distinguished Canon lawyer. More on this at later date …



NOTES FROM THIS ARTICLE:

1   Could this be the same Church I visited as a child, when our family was on vacation in Wisconsin? That church also lacked kneelers.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Inter Oecumenici, Reform of the Reform Last Updated: September 30, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms — especially from Gregorian chant — a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.

— Pope John Paul II (June 1980)

Recent Posts

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  • PDF Download • “Quasi Modo Sunday”
  • ‘German’ Introductions for Hymns
  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)
  • PDF Download • “Sprinkling Rite” + Psalm Verses

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