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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Homily: Most Holy Trinity (Year A)

Guest Author · June 14, 2014

0319_charge_to_Peter-crp He said to him the third time, “Simon, son of John, do you love me?” HENEVER someone lets us know intimate and deep secrets about them, it shows that they must have great trust in us and that we must be very dear and special to them. We just don’t share intimate and deep secrets about ourselves at random and without a good reason.

The nature of God. Our reason tells us that we can come to the knowledge of the existence of a God, of some supreme being who is ultimately responsible for the making of the world. Our Catholic faith also teaches us that this is possible. But our unaided reason would never be able to come to the knowledge of the fact that God is a Triune God, that is, that the One God is also the Father, Son, and Holy Spirit. We only know this primarily through the revelation of Jesus, the Second of these persons. We know this through what has been written in the inspired writings of what we call the New Testament and what the Church has defined and explained for us in its authentic teaching of Tradition.

A Mystery: In spite of all we might know, much still remains a mystery, in other words, something that we cannot explain. We accept it on Faith by the Divine gift of Faith. We accept the Catholic Church’s authentic exposition or presentation of this, especially as it is presented in its infallible Creeds. The best presentation or way of expressing this teaching is simply to say that in the One God there are Three Persons Who are equally God, equally sharing or being all the Divine attributes that we can think of ascribing to them. And yet we know that we will never fully understand this Divine nature. Really only a Divine nature could understand a Divine Nature. And by definition a Divine nature can only be one.

We are privileged: And yet as I said at the beginning we are privileged to know of this great mystery because God deemed us worthy to let us in on this great mystery about Him. He certainly didn’t have to. Actually in the entire Old Testament, God never explicitly or clearly revealed His Triune nature. From what we know from the New Testament, we might see some veiled references in the Old Testament. But that is about all they are. We can conjecture as to why God waited till New Testament times clearly to reveal this aspect of Himself. Many saints and Christian writers have done so. That is well and good, but they still remain conjectures.

Today’s Feast. Today we are given the opportunity in a special way to honor and adore the Holy Trinity by celebrating this Feast. (Actually we do this especially in the Traditional Mass on most Sundays when we use the preface of the Most Holy Trinity.) Each sign of the Cross, each Gloria Patri that we say or sing is in honor of the Holy Trinity. We should consider it a real privilege and honor to be able and allowed to honor and praise the Holy Trinity. Without actually saying so, I sometimes think some people almost think they are doing God a favor when they pray or go to Mass. It’s as if they are taking one of their hours and giving it back to God. They don’t seem to realize that it is God that gives us all one hundred and sixty-eight hours every week. We are not really being that generous if all we are willing to give is one hour, plus a few minutes here and there for a few scattered prayers.

Conclusion: God did not have to let us know that He is a triune God. Notice the Introit for today where it tells us to bless and praise the Trinity. What does it give as the reason? “Because He has shown His mercy to us.” Yes, when we sin, we are offending the Most Holy Trinity. Perhaps the amount of forgiveness we will receive will depend on how much we have honored the Most Holy Trinity.


We hope you enjoyed this homily by Fr. Valentine Young, OFM.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“H. E. Cardinal Newman has permitted the Translator the use of all his published hymns. The hymn for Prime has never been published before, except in a little book printed by the present Translator a few years ago, and for which he obtained it from the illustrious writer. H. E. has also had the goodness to prepare the doxologies, altering with the Office, belonging to his own hymns.”

— John Crichton-Stuart (27 June 1879)

Recent Posts

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  • PDF Download • “Holy, Holy, Holy”
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  • “Samaritánæ” (3rd Sunday of Lent)

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