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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Catholic Youth Choir Releases CD, Prepares For Tour

Guest Author · January 15, 2014

865 Cardinal HEN MY OLDEST SON was nearing his eighth birthday back in 2011, I felt that it was important for him to start learning Gregorian Chant as part of a good Catholic children’s choir. Searching all of the parishes surrounding my home in the western suburbs of Boston, I could not find a single chant-centered program for children, except for the magnificent Choir of Men and Boys at St. Paul’s in Harvard Square, Cambridge, well over an hour away on a typical weekday morning.

So I asked the pastor of my local church, St. Brendan’s Parish in Bellingham, MA, if I could form a youth choir dedicated to the study of Gregorian chant, traditional hymnody, and sacred choral music. He agreed, encouraged me to creatively package the group in a manner that would not seem to be in competition with the parish children’s choir, and invited me to prepare music for the Traditional Latin Mass offered every second Sunday of the month at 12:30 p.m. I expected three or four kids to show up.

To my amazement, a number of Catholic families from a dozen surrounding communities expressed interest in the group, and today there are well over thirty young people enrolled in the Blackstone Valley Catholic Youth Choir. The children have performed at concerts, liturgies, and choir festivals, at several area churches and cathedrals, as well as Boston-area venues such as Fanueil Hall and the Hynes Convention Center. In March 2014, the choir plans to visit several churches in Connecticut and New York during a cultural tour/pilgrimage culminating with the Pueri Cantores Festival Mass to be held at St. Ignatius, New York City, with Cardinal Dolan presiding.

As a fundraiser for the tour/pilgrimage, the children have released a CD recording entitled, “Clothed With the Sun: Music for the Solemnities of the Immaculate Conception and Assumption.” The recording features Gregorian Chant, Marian motets, and relevant passages from the Simple English Propers and the Parish Book of Psalms. To learn more about the choir, order a copy of the CD, or to make a donation of any amount to help the children raise the $15,000 needed for the tour/pilgrimage, please visit the choir website:

      * *  Blackstone Valley Catholic Youth Choir

The CD also features recordings of two of the movements of the “Mass in Honor of the Blessed Virgin Mary, Star of the Sea,” a Mass setting which I composed in 2010, dedicated to Cardinal Sean O’Malley on the 40th anniversary of his ordination to the priesthood. The Kyrie is designed to follow the recitation of the Confiteor and flow effortlessly into the Gloria, which borrows melodic material from the Gregorian “Ave Maris Stella” chant. The Sanctus, based on the preface tone, is an hommage to the simple English chant settings of the Sanctus by Theodore Marier found in his landmark hymnal, “Hymns, Psalms, and Spiritual Songs.” The simple Agnus Dei hearkens back to the melodic material for “you take away the sins of the world,” found in the Gloria. To download free copies of the score, simply click on the “Vatican II Hymnal” tab above, and find the link for downloading free Mass settings.


We hope you enjoyed this guest article by Michael Olbash.


864 Mich MICHAEL OLBASH, founder and director of the Blackstone Valley Catholic Youth Choir, is a homeschooling father of four residing in Bellingham, Massachusetts. He holds degrees in sacred music from Harvard University and St. Joseph’s College, as well as the Colleague (CAGO) and Choirmaster (ChM) certificates from the American Guild of Organists (AGO). In 2012, he was the recipient of the S. Lewis Elmer Award, a prize given to the person achieving the highest score in the nation on any of the upper-level examinations administered by the AGO.

Active in the American Federation Pueri Cantores, Michael currently serves as the Minister of Music at the United Church of Christ in Medfield, MA, chapel organist at the Carmelite Chapel in Peabody, MA, and staff organist at St. John the Evangelist Parish in Hopkinton, MA, as well as president of the Southeastern New England Chapter of Choristers Guild.

Contact by e-mail at:

olbash@post.harvard.edu

Contact by U.S. Mail at:

Michael Olbash, director
Blackstone Valley Catholic Youth Choir
P.O. Box 275
Millis, MA 02054

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs Last Updated: January 1, 2020

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Ordained a diocesan priest on 7 October 1827, Guéranger was quickly named a canon (a member of the cathedral chapter of Tours). Around 1830, he demonstrated his interest in the liturgy when he began to use the Roman Missal and texts for the Divine Office, unlike many of his colleagues, who still made use of the diocesan editions commonly in use in pre-Revolutionary France.”

— Source unknown

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