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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Catholic Youth Choir Releases CD, Prepares For Tour

Guest Author · January 15, 2014

865 Cardinal HEN MY OLDEST SON was nearing his eighth birthday back in 2011, I felt that it was important for him to start learning Gregorian Chant as part of a good Catholic children’s choir. Searching all of the parishes surrounding my home in the western suburbs of Boston, I could not find a single chant-centered program for children, except for the magnificent Choir of Men and Boys at St. Paul’s in Harvard Square, Cambridge, well over an hour away on a typical weekday morning.

So I asked the pastor of my local church, St. Brendan’s Parish in Bellingham, MA, if I could form a youth choir dedicated to the study of Gregorian chant, traditional hymnody, and sacred choral music. He agreed, encouraged me to creatively package the group in a manner that would not seem to be in competition with the parish children’s choir, and invited me to prepare music for the Traditional Latin Mass offered every second Sunday of the month at 12:30 p.m. I expected three or four kids to show up.

To my amazement, a number of Catholic families from a dozen surrounding communities expressed interest in the group, and today there are well over thirty young people enrolled in the Blackstone Valley Catholic Youth Choir. The children have performed at concerts, liturgies, and choir festivals, at several area churches and cathedrals, as well as Boston-area venues such as Fanueil Hall and the Hynes Convention Center. In March 2014, the choir plans to visit several churches in Connecticut and New York during a cultural tour/pilgrimage culminating with the Pueri Cantores Festival Mass to be held at St. Ignatius, New York City, with Cardinal Dolan presiding.

As a fundraiser for the tour/pilgrimage, the children have released a CD recording entitled, “Clothed With the Sun: Music for the Solemnities of the Immaculate Conception and Assumption.” The recording features Gregorian Chant, Marian motets, and relevant passages from the Simple English Propers and the Parish Book of Psalms. To learn more about the choir, order a copy of the CD, or to make a donation of any amount to help the children raise the $15,000 needed for the tour/pilgrimage, please visit the choir website:

      * *  Blackstone Valley Catholic Youth Choir

The CD also features recordings of two of the movements of the “Mass in Honor of the Blessed Virgin Mary, Star of the Sea,” a Mass setting which I composed in 2010, dedicated to Cardinal Sean O’Malley on the 40th anniversary of his ordination to the priesthood. The Kyrie is designed to follow the recitation of the Confiteor and flow effortlessly into the Gloria, which borrows melodic material from the Gregorian “Ave Maris Stella” chant. The Sanctus, based on the preface tone, is an hommage to the simple English chant settings of the Sanctus by Theodore Marier found in his landmark hymnal, “Hymns, Psalms, and Spiritual Songs.” The simple Agnus Dei hearkens back to the melodic material for “you take away the sins of the world,” found in the Gloria. To download free copies of the score, simply click on the “Vatican II Hymnal” tab above, and find the link for downloading free Mass settings.


We hope you enjoyed this guest article by Michael Olbash.


864 Mich MICHAEL OLBASH, founder and director of the Blackstone Valley Catholic Youth Choir, is a homeschooling father of four residing in Bellingham, Massachusetts. He holds degrees in sacred music from Harvard University and St. Joseph’s College, as well as the Colleague (CAGO) and Choirmaster (ChM) certificates from the American Guild of Organists (AGO). In 2012, he was the recipient of the S. Lewis Elmer Award, a prize given to the person achieving the highest score in the nation on any of the upper-level examinations administered by the AGO.

Active in the American Federation Pueri Cantores, Michael currently serves as the Minister of Music at the United Church of Christ in Medfield, MA, chapel organist at the Carmelite Chapel in Peabody, MA, and staff organist at St. John the Evangelist Parish in Hopkinton, MA, as well as president of the Southeastern New England Chapter of Choristers Guild.

Contact by e-mail at:

olbash@post.harvard.edu

Contact by U.S. Mail at:

Michael Olbash, director
Blackstone Valley Catholic Youth Choir
P.O. Box 275
Millis, MA 02054

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs Last Updated: January 1, 2020

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The chapter decides that henceforth neither singers nor instrumentalists may be loaned to any outside individual or organization, any more than can the chalices or copes owned by the cathedral. This prohibition applies to all those days of the church calendar for which polyphony is designated.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (13 June 1561)

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