About this blogger:
Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.
Connect on Facebook:
Connect on Twitter:
“Since the ability of Francisco Guerrero is now abundantly known to all […] he shall henceforth act as master of the boys so long as: ( 1) he must teach them to read, write, and to sing the responsories, versicles, antiphons, lessons, and kalends, and other parts of divine service; (2) he shall teach them plainchant, harmony, and counterpoint, his instruction in counterpoint to include both the art of adding a melody to a plainsong and to an already existing piece of polyphonic music; (3) he shall always clothe them decently and properly, see that they wear good shoes, and ensure that their beds are kept perfectly clean; (4) he shall feed them the same food that he himself eats and never take money from them for anything having to do with their services in church or their musical instruction…” [cont’d]
— Málaga Cathedral Document (11 September 1551)

ABOUT US  |  OUR HEADER  |  ARCHIVE
Mass of the Angels | Congregational Mass Setting in English
published 11 April 2014 by Richard J. Clark

ASS OF THE ANGELS is based on the popular and familiar Missa VIII (De angelis), which was the standard chant Mass sung in many parishes immediately prior to Vatican II. It includes Gospel acclamations and the Credo using the familiar incipit from Credo III. It is set for cantor, congregation and optional SATB choir. This setting may also be sung in unison with cantor or schola.

• It is available exclusively through CanticaNOVA Publications.
• For ordering details click here.
PDF samples are available here.
• See below for YouTube recordings.

Adam Wood calls it “one of the best congregational settings of the new texts.” Furthermore, the mass was influenced by Theodore Marier and Richard Proulx in two areas:

I wanted to adapt these beautiful chant melodies in an accessible manner and to be mostly in English.

That the piece could translate well liturgically, whether in the grand setting of a choir of forty with a fifty rank organ of French Romantic design in a European acoustic OR with the austerity of an eight rank organ and a single voice or unison schola


Here are some sample recordings by the St. Cecilia Choir, Boston with the 1999 Smith & Gilbert Organ.

      YouTube:  Penitential Act C | Kyrie [video]
      YouTube:  Gloria (Refrain version) [video]
      YouTube:  Gloria (Through-composed/cantor version) [video]
      YouTube:  Gospel Acclamations (Alleluia and Lenten options) [video]
      Credo (response in Latin)
      YouTube:  Sanctus [video]
      Mystery of Faith A, B, C
      Amen
      YouTube:  Agnus Dei [video]