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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“It wasn’t supposed to happen this way.”

Jeff Ostrowski · October 8, 2013

E COULD STOP sending out CCW fundraising letters if I had a dime for every time someone said:

Latin is not important. After all, Christ didn’t say the first Mass in Latin. Did you know that?

Obviously, in a short blog entry, I can’t adequately address all the reasons that statement is false. For instance, there are the “typical” responses, like pointing out that if we really believe what we claim about the Mass, a natural human instinct is to “clothe” it in a lingua sacra. Then, there are the not so apparent reasons. For instance, one reason such hatred for Latin exists in certain quarters has to do with hatred for the Church of the Middle Ages. In other words, they’re correct that Christ didn’t say the first Mass in Latin (although He did use a linga sacra). However, it just so happens that a large part of Salvation History was revealed to us in the Latin Rite. So many saints belonged to the Latin Rite! So much of what we believe comes from the development of doctrine in the (Latin) Middle Ages, and that is what is often being attacked and rejected covertly when folks denigrate Latin. Certainly, God could have chosen a different language if He wished. St. Thomas Aquinas, St. Bonaventure, St. Augustine, St. Francis, and all the rest could have (conceivably) had their liturgies in Polish or Portuguese or Tagalog. But, as a matter of fact, they didn’t.

ANYWAY, ENOUGH OF ALL THAT. Let’s take a look at something positive. Young Catholics everywhere are waking up and discovering they’ve been robbed of their inheritance:

      * *  Diary of a Latin Mass Wedding (Regina Magazine)

Here’s an excerpt:

I’ve been attending the Traditional Latin Mass since 2009. I took Latin in school, and one day someone told me, “Did you know that in the Middle Ages the Mass used to be in Latin?” I thought, “I wish that still happened, somewhere on earth.” Then, I found out there was a traditional Latin Mass at St. Agnes in New York City, so I started taking the train from Connecticut to attend. I had no idea there were any Traditional Latin Masses anywhere else, much less any in Connecticut.

The story comes from an sensational Catholic women’s magazine called Regina. I’d never heard of this magazine before, but more than seven thousand people subscribe (based on their Facebook page). The writing, photography, and “professionally done” layouts are to be commended. Please let your female friends know about this!!!

By the way, my wife and I also had a 1962 Tridentine Wedding (back in 2007) and the celebrant was none other than Bishop René H. Gracida, who wore a special chasuble that had belonged to a canonized saint:

350 Tridentine Wedding

Someday, God-willing, I hope to share more information about the music we had at this Mass. The men’s Schola had nineteen men, and the polyphonic choir had fifty mixed voices.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Latin Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

It was thought important that the song should actually accompany the distribution of Communion. A Carolingian explanation of the Mass remarks that during the Communion “soft melody should touch the ear [of the faithful] so that hearing this sound they would busy themselves less with distracting thoughts and … their hearts would be moved to humble love for that which they receive.”

— Father Josef Andreas Jungmann

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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