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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“It wasn’t supposed to happen this way.”

Jeff Ostrowski · October 8, 2013

E COULD STOP sending out CCW fundraising letters if I had a dime for every time someone said:

Latin is not important. After all, Christ didn’t say the first Mass in Latin. Did you know that?

Obviously, in a short blog entry, I can’t adequately address all the reasons that statement is false. For instance, there are the “typical” responses, like pointing out that if we really believe what we claim about the Mass, a natural human instinct is to “clothe” it in a lingua sacra. Then, there are the not so apparent reasons. For instance, one reason such hatred for Latin exists in certain quarters has to do with hatred for the Church of the Middle Ages. In other words, they’re correct that Christ didn’t say the first Mass in Latin (although He did use a linga sacra). However, it just so happens that a large part of Salvation History was revealed to us in the Latin Rite. So many saints belonged to the Latin Rite! So much of what we believe comes from the development of doctrine in the (Latin) Middle Ages, and that is what is often being attacked and rejected covertly when folks denigrate Latin. Certainly, God could have chosen a different language if He wished. St. Thomas Aquinas, St. Bonaventure, St. Augustine, St. Francis, and all the rest could have (conceivably) had their liturgies in Polish or Portuguese or Tagalog. But, as a matter of fact, they didn’t.

ANYWAY, ENOUGH OF ALL THAT. Let’s take a look at something positive. Young Catholics everywhere are waking up and discovering they’ve been robbed of their inheritance:

      * *  Diary of a Latin Mass Wedding (Regina Magazine)

Here’s an excerpt:

I’ve been attending the Traditional Latin Mass since 2009. I took Latin in school, and one day someone told me, “Did you know that in the Middle Ages the Mass used to be in Latin?” I thought, “I wish that still happened, somewhere on earth.” Then, I found out there was a traditional Latin Mass at St. Agnes in New York City, so I started taking the train from Connecticut to attend. I had no idea there were any Traditional Latin Masses anywhere else, much less any in Connecticut.

The story comes from an sensational Catholic women’s magazine called Regina. I’d never heard of this magazine before, but more than seven thousand people subscribe (based on their Facebook page). The writing, photography, and “professionally done” layouts are to be commended. Please let your female friends know about this!!!

By the way, my wife and I also had a 1962 Tridentine Wedding (back in 2007) and the celebrant was none other than Bishop René H. Gracida, who wore a special chasuble that had belonged to a canonized saint:

350 Tridentine Wedding

Someday, God-willing, I hope to share more information about the music we had at this Mass. The men’s Schola had nineteen men, and the polyphonic choir had fifty mixed voices.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Latin Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

The Sacrifice is celebrated with many solemn rites, none of which should be deemed useless or superfluous. On the contrary, all of them tend to display the majesty of this august sacrifice, and to excite the faithful, when beholding these saving mysteries, to contemplate the divine things which lie concealed in the Eucharistic Sacrifice.

— Catechism of the Council of Trent (1566)

Recent Posts

  • “Reminder” — Month of Febr. (2026)
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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.