• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“On this day O Beautiful Mother” … Blacklisted?

Jeff Ostrowski · March 2, 2013

ELOW, I quote from an article [pdf] by Fr. Francis Brunner. I will explain why a little later. First, a quick word about the background. The article was published in the 1953 Caecilia Magazine (Vol. 80, No. 4). During those years, the editorial staff for Caecilia included many “big names” like Theodore Marier, Fr. Elmer F. Pfeil, Fr. Francis Brunner, and others. These days, Brunner is remembered primarily for his English translation of Missarum Sollemnia (“The Mass of the Roman Rite: Its Origins and Development”) by Fr. Josef Jungmann, S.J. This is a two volume set, and each page has a whole bunch of footnotes. I am told that some joker actually published this book as a single volume . . . by leaving out all the footnotes! How incredible! How reprehensible! The primary value of Jungmann’s work these days is found in the footnotes.

Years ago, Jungmann was taken very seriously, in spite of some embarrassing episodes, such as the one I describe in this article [url]. However, when “the dust settled” on his scholarship, it was found that he fell into the same trap as so many other historians. Jungmann would find evidence of a liturgical practice in some ancient manuscript and assume that the practice was widespread and/or universal in the Catholic Church at that time. This is an unfortunate trap to fall into, because the responsible historian realizes that the mere fact that some practice is described in one manuscript or another does not necessarily mean the practice was universal. In fairness to Jungmann, his scholarship was incomplete, because when he got close to publication, he was chased out of his city by the Nazi armies. As you might imagine, Jungmann was not able to carry with him all the books he needed, which made it very difficult for him to complete his “masterpiece” in an adequate way. That being said, his work is still very valuable on account of the footnotes (as I’ve already mentioned), and Fr. Francis Brunner did the world a great service by making an English translation of Jungmann’s German text.

Anyway, getting back to Fr. Francis Brunner, here’s what he wrote in 1953:

Q. According to the “White List” the “St. Basil’s Hymnal” is on the list of disapproved hymnals; however, it is the only hymnbook which contains “On this day O Beautiful Mother”, which is much loved hereabouts. Would you tell me whether that piece is suitable?

A. The whole question of hymnody is so tangled and twisted, that it is generally difficult to give a straightforward answer regarding particular hymns. There is the problem of the verse — some of it atrocious as to form, some of it equally atrocious as to content. There is the question of melody — sometimes unsingable, sometimes worldly in tone, sometimes trite and inartistic. Catholics in America have been the heirs of a sentimental and subjective hymn tradition that, for some reason or other, has taken a deep and fast hold on the fancy of the average person. And no one has yet had the courage to do anything about the problem that is thus created. However, in the case of the piece mentioned in the question, this writer would venture an unqualified “unsuitable, unfit.” The verse is the sort that is unsubstantial and sugary. The musical setting is waltzy. Read the words and tell me what they convey to you. Then dance to the tune, and you’ll understand what I mean.

In several rather long articles regarding the Campion Missal [url], I have spoken about this problem. If you go visit the Campion website and scroll to the bottom, you will find several of those articles. Therefore, when I find a quote like this by a respected priest like Brunner:

Catholics in America have been the heirs of a sentimental and subjective hymn tradition that, for some reason or other, has taken a deep and fast hold on the fancy of the average person.

I rejoice, because these words by Fr. Brunner are in accord with the other authors I have quoted. After all, when somebody “tosses out” statements like that, it can be difficult to believe, unless many authors say the same thing.

We worked very hard to choose ONLY the finest hymns for the Campion Hymnal [url], and I could not be happier with the final results. Laudetur Jesus Christus in vitam aeternam!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Father Francis Brunner Hymns Last Updated: April 25, 2024

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski
    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Much of the reordering [in 1970] of the pieces of the Roman Gradual seems arbitrary and useless; nevertheless, with some exceptions, it does not affect the shape of the service, since like pieces are exchanged for like.”

— Dr. William Peter Mahrt

Recent Posts

  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?
  • Little Encouragement?
  • Children’s Repertoire • Mueller’s Recommendations
  • PDF Download • “Marian Antiphon Booklet” (4 pages) + Five Rhythmic Considerations

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.