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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Gather Hymnal

Jeff Ostrowski · June 24, 2013

ROWING UP in the 1990s, I missed a lot of the “liturgy wars.” I will forever be grateful to my parents who remained faithful to the Church, no matter how many scandals they witnessed along the way. It’s no secret that a great many people tried to harm the Church from within following the Council. What I am only just now beginning to realize is how creative some of these people were! Perhaps “creative” is not the right word. Let me describe a few instances, and the reader can devise his own word.

Just think about the very title, the very name, of one of the most popular Catholic hymnals: “Gather.” Without going into conspiracy theories, ponder that title. Is the emphasis not obvious? Mass is all about us. Our “gathering” is what’s important. Forget about the Sacrifice of Calvary, forget about the presence of our Lord Jesus Christ. The main emphasis is placed on the fact that we, the important, highly-evolved, 21st-century people are taking time to “gather” with other important, highly-evolved, 21st-century people.

Perhaps I’m the odd man out here. Perhaps I’m the one whose religious sense is skewed. But let me be clear: growing up, especially on those occasions we attended the Extraordinary Form, I never thought about the act of “gathering.” I thought about Christ. I thought about my sins. I thought about the precious gift of the Mass. I engaged in silent reflection and adoration of God. I thought about how transient life’s pleasures are. I thought about many things, but not “gathering.”

I suppose the enlightened “piccoluomini” will be tempted to chime in and explain Matthew 18:20 (“Where two or three are gathered together . . .”), but such an explanation is not needed. I fully believe and accept Matthew 18:20, a truly beautiful and important verse, as the Catholic Church explains it, but here I am speaking of emphasis.

LET US CONSIDER another example: kneeling. When I was little, I heard my parents talk about people trying to “get rid of kneeling during Mass.” I said to myself, “Yeah, right. Take a chill pill. Who would ever get rid of kneeling at Church? C’mon.”

Well, it turns out this movement is still alive. I received via Email (from a reader who will remain anonymous) the following comment, made on 30 May 2013, by the former president of Universa Laus, an organization specifically requested to “dissolve itself” by Pope Paul VI:

The desire to get people onto their knees shows a one-sided view of history, both liturgical and general. Standing is a sign of respect, whereas kneeling is a sign of self-abasement. We don’t kneel down when the President or the Queen enters the room, we stand out of respect. Yes, we bow to both of those, and ladies curtsey when presented, but we don’t kneel or kiss feet. If Jesus entered the room, we’d be on our feet in an instant. I have little time for a mediaeval posture which is to a large extent a distortion of the traditional prayer postures of the Church.

LET ME SAY AGAIN: I couldn’t even dream up some of this stuff! Another piccoluomini movement I remember hearing about in the 1990s was NAAC (“No Adoration At Communion”). It turns out NAAC is also still around. One of the signers of the Snowbird Statement on Catholic Liturgical Music wrote on 12 October 2012:

There are fourteen hymns contained in the section titled “Blessed Sacrament.” These hymns are meant to be sung at communion and/or Benediction. I see this as a major theological gaffe. Hymns that memorialize the sacrificial meal of Jesus should be distinct from those intended for adoration of the Blessed Sacrament. The communion bread at Mass is not appropriately called the Blessed Sacrament, [Huh?!!] a term reserved for the adoration of the element in the context of Benediction. The two are indissolubly linked, of course, but they are two distinct moments in Catholic liturgical life and devotion. The editors should have made a clear distinction between the two.

AS A CHILD, I was taught about the transcendence of God. At Mass, time seemed to stop. It was all about peaceful prayer and adoration. It was contemplative. Statements like the following, by Fr. William Bauman (former Chairman of the Music Committee of the Federation of Diocesan Liturgical Commissions) would never occur to me:

These would not be destined to go into a hymnal, for by their very nature as popular music, they finally pass out of popularity. They would, however, be able to be quickly used by those who make their own hymnals, quickly printed in periodical publications while they are still fresh and useful. [source]

More strange quotes can be found here. One such quote:

The hootenanny Mass can give explicit eucharistic and christological specification to youth’s intense involvement in the movements for racial justice, for control of nuclear weapons, for the recognition of personal dignity.

IN THE WORDS OF VANESSA WILLIAMS, I have “saved the best for last.” The winner is Fr. Frederick McManus, who once made the following claim. Note in particular the mental gymnastics necessary to twist the clear meaning of the Second Vatican Council (Sacrosanctum Concilium, §36):

“Although it is not the original language of the Roman rite by any means, [Excuse me, but who EVER made such a claim??] the Latin language is here acknowledged to have the first or principal place, and as such it is to be retained. It may be that in some areas the retention will simply mean employing the Latin texts as the basis for translating into the vernacular [!!!!!], at least in the case of those parts of the Roman rite which are themselves original, such as the collects.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: GIA Worship IV Hymnal, Heretical GIA Hymns Last Updated: July 7, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Gerard Manley Hopkins once argued that most people drank more liquids than they really needed and bet that he could go without drinking for a week. He persisted until his tongue was black and he collapsed at drill.”

— A biography of Fr. Gerard M. Hopkins (d. 1889)

Recent Posts

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  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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