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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

How Does One Use The Ordo Cantus Missæ?

Jeff Ostrowski · July 29, 2013

597 Gregorian Missal Gregorian Missal by Solesmes INALLY, HOW DOES ONE USE the pages of the Ordo Cantus Missæ? To repeat what has been said in the documents, the Ordo Cantus Missæ normally simply points to the official 1908 Graduale and says “take the chants from this Sunday.” For instance, in the sample page we’re about to examine, you can see that the “15th Sunday in Ordinary time” says, “Take the chants from the 10th Sunday after Pentecost”:

      * *  Example page from the Ordo Cantus Missae

But what about the “B” circled in pink and the “I” and “II” circled in green? What in the world do those mean? Steven Van Roode explains:

This is explained in the Praenotanda, n. 20 (p. 11) of the Ordo Cantus Missae. In the section ‘Proprium tempore’ the chants for each week are listed. Your scan is from this section. These chants are to be sung on Sunday and all weekdays, except for the days indicted by the indented characters at the end of the week’s list: letters A, B and C indicate that there are other chants for the Sunday of Year A, B or C (which are specified on pp. 62-64), and roman numerals indicate that there are other chants for weekdays in Year I or II, with the Arabic numerals indicating the weekday (2 = feria secunda = Monday, etc.); these are specified on pp. 65-74.

So, for the fifteenth week in Ordinary Time (n. 112) we have the chants of the Tenth Sunday after Pentecost from the 1961 Graduale Romanum:
      IN Dum clamarem
      GR Custodi me
      OF Ad te levavi
      AL Te decet hymnus

. . . except for the Communion:
      CO Passer invenit

. . . and ad libitum options:
      IN Ego autem cum iustitia
      CO Qui mandicat

So far, so good. Now we come to the “B” circled in pink. Apparently, there are other chants for Sunday of Year B (specified on p. 63):
      GR Ostende nobis

And there are other chants for Year I (Monday and Thursday) and Year II (Thursday) (specified on p. 70; note the arrangement of the data: left for Year I, right for Year II and centre for Year I ánd II):
      Year I (Monday): GR Anima nostra
      Year I and II (Thursday): AL Venite ad me

All these different chants match the readings of the Sunday or weekday and are duly given in the 1974 Graduale Romanum. I hope this explanation made clear how the OCM indicates alternative chants for Sundays and weekdays.

OK . . . SO WHAT?  What’s the lesson here?  What is my point, precisely?

My point should be obvious. The Ordo Cantus Missæ is incredibly difficult to use. It almost couldn’t be more confusing than it is. It is totally unhelpful.

The good news is that the hard work has been done for us already with the Solesmes 1974 Graduale, the Solesmes Gregorian Missal (2012), the Lalemant Propers, the Simple English Propers (CMAA), and many other collections. Therefore, you don’t have to fool around with the Ordo Cantus Missæ . . . which is probably why very few people own this book!

This article is part of a series:

Part 1   •   Part 2

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ordo Cantus Missae Last Updated: October 12, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“We want to say something very plainly to those whose shallow minds or unthinking passion for the new lead them to the idea that the Latin language must be totally spurned by the Latin Church. To them we say that it is absolutely clear that Latin must be held in high honor and especially for the excellent and serious reasons that we have mentioned.”

— Pope Saint Paul VI (26 April 1968)

Recent Posts

  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination
  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass
  • Pipe Organ “Answers” in Plainsong?

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