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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Aren’t Altar Missals Required To Print The Latin Alongside The English?

Jeff Ostrowski · December 31, 2013

904 Camp An image from the Campion Missal EVERAL DAYS AGO, I received an email asking why today’s Missals no longer include Latin. You may recall that many directives following the Council required 100% of the Altar Missals to include the Latin, since the Council fathers wanted Latin to be retained in the Liturgy. For example, Inter Oecumenici (26 September 1964) decreed: “Missals to be used in the liturgy, however, shall contain besides the vernacular version the Latin text as well.”

Doing some research, I found several sources explaining matters. It seems a decree printed on 10 November 1969 in Notitiae reversed the 1964 mandate. Bugnini says this was due to “difficulties” and gives the example of printers in faraway countries [!!!] who don’t know how to print Latin characters. As Susan Benofy has noted, this was a favorite technique of the reformers. First, ask permission for a particular (rare) circumstance … then apply that permission everywhere, even in countries which have been Christian for centuries. However, I’m getting away from my subject.

In fact, it’s not impossible to include both Latin & English. One example would be the 1965 Missal, which we recently placed online (and can be freely downloaded by everyone). If this principle had been followed, there’s no way horrible atrocities like the following would have been tolerated:

      * *  Ash Wednesday (Old, discredited ICEL)

      * *  Holy Saturday Exsultet (Old, discredited ICEL)

WHENEVER BUGNINI CITES “DIFFICULTIES,” I inwardly cringe. Certain reformers use and abuse the notion of “difficulties.” After all, to completely change and remake a liturgy developed over a period of 1500+ years was not considered “too difficult” by the reformers. Yet, following a basic instruction about including the official Latin was considered “too difficult.” This is piccoluomini logic: it just doesn’t make sense! It leads to things like omitting the wedding garment from the Parable of the Wedding Garment in our current Lectionary.

Sadly, piccoluomini logic has been in style for a long time. One of the most scathing explanations ever was penned by Amy Welborn on 19 June 2007, entitled Note to John and Mary Catholic: You’re Stupid. Again.  She asked a question that was never answered (because there can be no answer!):

This “John and Mary Catholic” who haunt Bishop Trautman’s conscience are a worrisome pair because of what they imply about a cleric’s view of the laity. As I have blogged and written before, clerics and those in the church bureaucracy need to get their stories straight. Are we “the most highly educated laity in the history of the church” capable of making our moral decisions all on our own, without substantive Church guidance … or are we idiots who can’t figure out what “dew” is? Make up your minds.

Let us consider another example. The reformers suppressed the beautiful, ecumenical, and traditional pre-Lenten time of preparation (Septuagesima, Sexagesima, & Quinquagesima) because they said, “The penitential character of the time of Septuagesima or pre-Lent is difficult for the faithful to understand without many explanations.” (You can learn more about these discussions by reading this remarkable book by Dr. Lauren Pristas.)

I’m no genius, yet I never had the slightest problem understanding the season of Septuagesima. The “difficulties” here seem to be related to the “difficulties” in printing Latin characters mentioned above … but none of that really matters, because the liturgical reformers operated by means of the following principle:

It’s much easier to ask for forgiveness than permission.

Whoever thought of that phrase is a genius!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Inter Oecumenici, Reform of the Reform Last Updated: September 30, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Angularis fundamentum” is typically sung at the dedication or consecration of a church and on church anniversaries. For constructions too numerous to list in recent generations, it would be more appropriate to sing that Christ had been made a temporary foundation. A dispirited generation built temporary housing for its Lord, and in the next millnenium, the ease of its removal may be looked back upon as its chief virtue.

— Fr. George Rutler (2016)

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