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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Aren’t Altar Missals Required To Print The Latin Alongside The English?

Jeff Ostrowski · December 31, 2013

904 Camp An image from the Campion Missal EVERAL DAYS AGO, I received an email asking why today’s Missals no longer include Latin. You may recall that many directives following the Council required 100% of the Altar Missals to include the Latin, since the Council fathers wanted Latin to be retained in the Liturgy. For example, Inter Oecumenici (26 September 1964) decreed: “Missals to be used in the liturgy, however, shall contain besides the vernacular version the Latin text as well.”

Doing some research, I found several sources explaining matters. It seems a decree printed on 10 November 1969 in Notitiae reversed the 1964 mandate. Bugnini says this was due to “difficulties” and gives the example of printers in faraway countries [!!!] who don’t know how to print Latin characters. As Susan Benofy has noted, this was a favorite technique of the reformers. First, ask permission for a particular (rare) circumstance … then apply that permission everywhere, even in countries which have been Christian for centuries. However, I’m getting away from my subject.

In fact, it’s not impossible to include both Latin & English. One example would be the 1965 Missal, which we recently placed online (and can be freely downloaded by everyone). If this principle had been followed, there’s no way horrible atrocities like the following would have been tolerated:

      * *  Ash Wednesday (Old, discredited ICEL)

      * *  Holy Saturday Exsultet (Old, discredited ICEL)

WHENEVER BUGNINI CITES “DIFFICULTIES,” I inwardly cringe. Certain reformers use and abuse the notion of “difficulties.” After all, to completely change and remake a liturgy developed over a period of 1500+ years was not considered “too difficult” by the reformers. Yet, following a basic instruction about including the official Latin was considered “too difficult.” This is piccoluomini logic: it just doesn’t make sense! It leads to things like omitting the wedding garment from the Parable of the Wedding Garment in our current Lectionary.

Sadly, piccoluomini logic has been in style for a long time. One of the most scathing explanations ever was penned by Amy Welborn on 19 June 2007, entitled Note to John and Mary Catholic: You’re Stupid. Again.  She asked a question that was never answered (because there can be no answer!):

This “John and Mary Catholic” who haunt Bishop Trautman’s conscience are a worrisome pair because of what they imply about a cleric’s view of the laity. As I have blogged and written before, clerics and those in the church bureaucracy need to get their stories straight. Are we “the most highly educated laity in the history of the church” capable of making our moral decisions all on our own, without substantive Church guidance … or are we idiots who can’t figure out what “dew” is? Make up your minds.

Let us consider another example. The reformers suppressed the beautiful, ecumenical, and traditional pre-Lenten time of preparation (Septuagesima, Sexagesima, & Quinquagesima) because they said, “The penitential character of the time of Septuagesima or pre-Lent is difficult for the faithful to understand without many explanations.” (You can learn more about these discussions by reading this remarkable book by Dr. Lauren Pristas.)

I’m no genius, yet I never had the slightest problem understanding the season of Septuagesima. The “difficulties” here seem to be related to the “difficulties” in printing Latin characters mentioned above … but none of that really matters, because the liturgical reformers operated by means of the following principle:

It’s much easier to ask for forgiveness than permission.

Whoever thought of that phrase is a genius!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Inter Oecumenici, Reform of the Reform Last Updated: September 30, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion for Sunday
    The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?
    —Jeff Ostrowski
    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The current Ordo Missae, which has grown up in the course of the centuries, certainly is to be retained.” (Hodiernus Ordo Missæ, qui decursu saeculorum succrevit, certe retinendus est.)

— Clarification from a bishop on the Council’s Liturgical Commission (11-5-1962)

Recent Posts

  • PDF Download • Communion for Sunday
  • “Translating the Bible” • Msgr. Ronald Knox (1953)
  • Season’s End Repertoire
  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant

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