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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Aren’t Altar Missals Required To Print The Latin Alongside The English?

Jeff Ostrowski · December 31, 2013

904 Camp An image from the Campion Missal EVERAL DAYS AGO, I received an email asking why today’s Missals no longer include Latin. You may recall that many directives following the Council required 100% of the Altar Missals to include the Latin, since the Council fathers wanted Latin to be retained in the Liturgy. For example, Inter Oecumenici (26 September 1964) decreed: “Missals to be used in the liturgy, however, shall contain besides the vernacular version the Latin text as well.”

Doing some research, I found several sources explaining matters. It seems a decree printed on 10 November 1969 in Notitiae reversed the 1964 mandate. Bugnini says this was due to “difficulties” and gives the example of printers in faraway countries [!!!] who don’t know how to print Latin characters. As Susan Benofy has noted, this was a favorite technique of the reformers. First, ask permission for a particular (rare) circumstance … then apply that permission everywhere, even in countries which have been Christian for centuries. However, I’m getting away from my subject.

In fact, it’s not impossible to include both Latin & English. One example would be the 1965 Missal, which we recently placed online (and can be freely downloaded by everyone). If this principle had been followed, there’s no way horrible atrocities like the following would have been tolerated:

      * *  Ash Wednesday (Old, discredited ICEL)

      * *  Holy Saturday Exsultet (Old, discredited ICEL)

WHENEVER BUGNINI CITES “DIFFICULTIES,” I inwardly cringe. Certain reformers use and abuse the notion of “difficulties.” After all, to completely change and remake a liturgy developed over a period of 1500+ years was not considered “too difficult” by the reformers. Yet, following a basic instruction about including the official Latin was considered “too difficult.” This is piccoluomini logic: it just doesn’t make sense! It leads to things like omitting the wedding garment from the Parable of the Wedding Garment in our current Lectionary.

Sadly, piccoluomini logic has been in style for a long time. One of the most scathing explanations ever was penned by Amy Welborn on 19 June 2007, entitled Note to John and Mary Catholic: You’re Stupid. Again.  She asked a question that was never answered (because there can be no answer!):

This “John and Mary Catholic” who haunt Bishop Trautman’s conscience are a worrisome pair because of what they imply about a cleric’s view of the laity. As I have blogged and written before, clerics and those in the church bureaucracy need to get their stories straight. Are we “the most highly educated laity in the history of the church” capable of making our moral decisions all on our own, without substantive Church guidance … or are we idiots who can’t figure out what “dew” is? Make up your minds.

Let us consider another example. The reformers suppressed the beautiful, ecumenical, and traditional pre-Lenten time of preparation (Septuagesima, Sexagesima, & Quinquagesima) because they said, “The penitential character of the time of Septuagesima or pre-Lent is difficult for the faithful to understand without many explanations.” (You can learn more about these discussions by reading this remarkable book by Dr. Lauren Pristas.)

I’m no genius, yet I never had the slightest problem understanding the season of Septuagesima. The “difficulties” here seem to be related to the “difficulties” in printing Latin characters mentioned above … but none of that really matters, because the liturgical reformers operated by means of the following principle:

It’s much easier to ask for forgiveness than permission.

Whoever thought of that phrase is a genius!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Inter Oecumenici, Reform of the Reform Last Updated: September 30, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“It is the same Church which has introduced the vernacular into the sacred liturgy for pastoral reasons, that is, for the sake of people who do not know Latin, which gives you the mandate of preserving the age-old solemnity, beauty and dignity of the choral office, in regard both to language, and to the chant.”

— Pope Saint Paul VI (15 August 1966)

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  • “Dies Irae” • A Monstrous Translation

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