• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Ministerial Creativity” by Bishop Donald Trautman

Jeff Ostrowski · December 19, 2013

921 Trautman Inculturation URING HIS LONG career, Bishop Donald Trautman published a whole host of liturgical articles, and most are available online. As Chairman of the USCCB Committee on Liturgy, he was a major proponent of the following:

“inclusivity” & “pastoral considerations”

“cultural sensitivity” & “inculturation” *

“ministerial creativity”

avoidance of “rubrical rigidity”

For the average Catholic in the pews, what have the results been? To mention just one, 99% of today’s Catholic parishes can lawfully use horrible song texts set to secular tunes instead of the ancient Propers assigned by the Church. Sometimes, the hymns are heretical, but not all are. Usually, they’re just colloquial, lamentably uninspired rubbish, like these typical examples from modern hymnals like GIA’s Worship IV.

ON THE OTHER HAND, BISHOP TRAUTMAN had absolutely no tolerance for the Extraordinary Form or the Ordinary Form said in Latin, no matter how ardently certain members of the faithful desired it. He even issued a special set of incredibly rigid rules in an attempt to prevent his priests from celebrating the Extraordinary Form. I’m probably the last person in the world Bishop Trautman would have consulted, but if asked, here’s what I would have said:

Bishop Trautman, your efforts should not be spent persecuting priests and faithful Catholics who ardently desire a more reverent form the Mass, allowed by the Church. These are venerable rites. With regard to the Extraordinary Form, it nourished so many saints over the centuries. With regard to the Ordinary Form in Latin, the Second Vatican Council specifically ordered that Latin be preserved. You’ve said we must be “pastorally sensitive to the liturgical assembly.” You’ve condemned “rigid uniformity in matters that do not involve the faith.” Shouldn’t your rules be applied equally to all Catholics?

BISHOP TRAUTMAN HAS MADE STATEMENTS which conflict with official statements by the Second Vatican Council:

      * *  Verified Statements • Most Rev. Donald Trautman, Bishop Emeritus of Erie

Why were such bizarre statements made? Some have suggested that “his generation” could get away with it, since average Catholics had no access to the conciliar documents — after all, the internet only became popular in the 1990s. I suppose that’s possible. Another possibility would be that he never studied the documents of Vatican II. After all, his writings are full of errors. For example, Bishop Trautman implied the first Mass was in the vernacular — it wasn’t! — and seems unaware of the “Pauline” origin of et cum spiritu tuo.

Here’s the bottom line: we shouldn’t assume that, because a person is elected to chair the USCCB Committee on Liturgy, he automatically knows everything. For instance, consider these recent words by the former Executive Director of the USCCB Committee on Divine Worship, who served just two decades after the liturgical reforms. The reason he can’t find that musical setting is rather simple … the Prayers at the Foot of the Altar were never sung!


* Unfortunately, when Bishop Trautman cites “inculturation,” he ignores the specific requirements given in Sacrosanctum Concilium, interpreting it in warped, one-sided way.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers, Reform of the Reform Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

To end an impropriety, noticed particularly at orchestral Vespers, when two or three Psalms are sung with full orchestra, and then the other Psalms and the Hymn are rapidly hurried through with organ accompaniment only […] we order that at Mass all portions of the text, including “Agnus Dei,” be sung with orchestral accompaniment. […] Moreover, the musicians are not allowed to put the instruments away and leave their places before the conclusion of the sacred function.

— Cardinal Patrizi (18 November 1856)

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.