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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Ministerial Creativity” by Bishop Donald Trautman

Jeff Ostrowski · December 19, 2013

921 Trautman Inculturation URING HIS LONG career, Bishop Donald Trautman published a whole host of liturgical articles, and most are available online. As Chairman of the USCCB Committee on Liturgy, he was a major proponent of the following:

“inclusivity” & “pastoral considerations”

“cultural sensitivity” & “inculturation” *

“ministerial creativity”

avoidance of “rubrical rigidity”

For the average Catholic in the pews, what have the results been? To mention just one, 99% of today’s Catholic parishes can lawfully use horrible song texts set to secular tunes instead of the ancient Propers assigned by the Church. Sometimes, the hymns are heretical, but not all are. Usually, they’re just colloquial, lamentably uninspired rubbish, like these typical examples from modern hymnals like GIA’s Worship IV.

ON THE OTHER HAND, BISHOP TRAUTMAN had absolutely no tolerance for the Extraordinary Form or the Ordinary Form said in Latin, no matter how ardently certain members of the faithful desired it. He even issued a special set of incredibly rigid rules in an attempt to prevent his priests from celebrating the Extraordinary Form. I’m probably the last person in the world Bishop Trautman would have consulted, but if asked, here’s what I would have said:

Bishop Trautman, your efforts should not be spent persecuting priests and faithful Catholics who ardently desire a more reverent form the Mass, allowed by the Church. These are venerable rites. With regard to the Extraordinary Form, it nourished so many saints over the centuries. With regard to the Ordinary Form in Latin, the Second Vatican Council specifically ordered that Latin be preserved. You’ve said we must be “pastorally sensitive to the liturgical assembly.” You’ve condemned “rigid uniformity in matters that do not involve the faith.” Shouldn’t your rules be applied equally to all Catholics?

BISHOP TRAUTMAN HAS MADE STATEMENTS which conflict with official statements by the Second Vatican Council:

      * *  Verified Statements • Most Rev. Donald Trautman, Bishop Emeritus of Erie

Why were such bizarre statements made? Some have suggested that “his generation” could get away with it, since average Catholics had no access to the conciliar documents — after all, the internet only became popular in the 1990s. I suppose that’s possible. Another possibility would be that he never studied the documents of Vatican II. After all, his writings are full of errors. For example, Bishop Trautman implied the first Mass was in the vernacular — it wasn’t! — and seems unaware of the “Pauline” origin of et cum spiritu tuo.

Here’s the bottom line: we shouldn’t assume that, because a person is elected to chair the USCCB Committee on Liturgy, he automatically knows everything. For instance, consider these recent words by the former Executive Director of the USCCB Committee on Divine Worship, who served just two decades after the liturgical reforms. The reason he can’t find that musical setting is rather simple … the Prayers at the Foot of the Altar were never sung!


* Unfortunately, when Bishop Trautman cites “inculturation,” he ignores the specific requirements given in Sacrosanctum Concilium, interpreting it in warped, one-sided way.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers, Reform of the Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Père Joseph Gelineau represented everything that had gone wrong with the Church since the new liturgists had gained control.”

— Jean Langlais

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