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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Ministerial Creativity” by Bishop Donald Trautman

Jeff Ostrowski · December 19, 2013

921 Trautman Inculturation URING HIS LONG career, Bishop Donald Trautman published a whole host of liturgical articles, and most are available online. As Chairman of the USCCB Committee on Liturgy, he was a major proponent of the following:

“inclusivity” & “pastoral considerations”

“cultural sensitivity” & “inculturation” *

“ministerial creativity”

avoidance of “rubrical rigidity”

For the average Catholic in the pews, what have the results been? To mention just one, 99% of today’s Catholic parishes can lawfully use horrible song texts set to secular tunes instead of the ancient Propers assigned by the Church. Sometimes, the hymns are heretical, but not all are. Usually, they’re just colloquial, lamentably uninspired rubbish, like these typical examples from modern hymnals like GIA’s Worship IV.

ON THE OTHER HAND, BISHOP TRAUTMAN had absolutely no tolerance for the Extraordinary Form or the Ordinary Form said in Latin, no matter how ardently certain members of the faithful desired it. He even issued a special set of incredibly rigid rules in an attempt to prevent his priests from celebrating the Extraordinary Form. I’m probably the last person in the world Bishop Trautman would have consulted, but if asked, here’s what I would have said:

Bishop Trautman, your efforts should not be spent persecuting priests and faithful Catholics who ardently desire a more reverent form the Mass, allowed by the Church. These are venerable rites. With regard to the Extraordinary Form, it nourished so many saints over the centuries. With regard to the Ordinary Form in Latin, the Second Vatican Council specifically ordered that Latin be preserved. You’ve said we must be “pastorally sensitive to the liturgical assembly.” You’ve condemned “rigid uniformity in matters that do not involve the faith.” Shouldn’t your rules be applied equally to all Catholics?

BISHOP TRAUTMAN HAS MADE STATEMENTS which conflict with official statements by the Second Vatican Council:

      * *  Verified Statements • Most Rev. Donald Trautman, Bishop Emeritus of Erie

Why were such bizarre statements made? Some have suggested that “his generation” could get away with it, since average Catholics had no access to the conciliar documents — after all, the internet only became popular in the 1990s. I suppose that’s possible. Another possibility would be that he never studied the documents of Vatican II. After all, his writings are full of errors. For example, Bishop Trautman implied the first Mass was in the vernacular — it wasn’t! — and seems unaware of the “Pauline” origin of et cum spiritu tuo.

Here’s the bottom line: we shouldn’t assume that, because a person is elected to chair the USCCB Committee on Liturgy, he automatically knows everything. For instance, consider these recent words by the former Executive Director of the USCCB Committee on Divine Worship, who served just two decades after the liturgical reforms. The reason he can’t find that musical setting is rather simple … the Prayers at the Foot of the Altar were never sung!


* Unfortunately, when Bishop Trautman cites “inculturation,” he ignores the specific requirements given in Sacrosanctum Concilium, interpreting it in warped, one-sided way.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers, Reform of the Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion for Sunday
    The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?
    —Jeff Ostrowski
    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The following few hints on the selection of voices may be useful: (1) Reject all boys who speak roughly, or sing coarsely; (2) Choose bright, intelligent-looking boys, provided they have a good ear; they will much more readily respond to the choirmaster’s efforts than boys who possess a voice and nothing more; therefore, (3) Reject dull, sulky, or scatter-brained boys, since it is hard to say which of the three has the most demoralizing effect on his more willing companions.”

— Sir Richard Runciman Terry (1912)

Recent Posts

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  • Season’s End Repertoire
  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant

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