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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“Pius X Hymnal” (1953) by Ted Marier … free online!

Jeff Ostrowski · December 13, 2013

945 Pius X Hymn Book HEODORE MARIER’S beautiful hymn book, the PIUS X HYMNAL, is now available online. You can freely download the complete PDF using the link below.

Published in 1953, it was edited by the faculty of the Pius Tenth School of Liturgical Music (Manhattanville College of the Sacred Heart, NY). Note: a different 1950s book called “Pius X Hymnal” was published by a group in Australia.

      * *  Organist & Choir Edition • 536 pages

      * *  Congregational Edition • 51 pages

IT’S INTERESTING TO NOTE that Marier’s Pius X Hymnal has just 58 metrical hymns for the congregation, whereas the Campion Hymnal has 140 metrical hymns for the congregation, which you can see by viewing the fact sheet.

The St. Edmund Campion Hymnal, a congregational book, cannot substitute for crucial choir materials like the Liber Usualis, Cantus Selecti, and so forth. However, those who consider 140+ English Hymns and 20+ Latin Hymns insufficient should consider the words of Msgr. Richard Schuler (1984):

“How many hymns does a parish need? Certainly not the vast number crowded into so many modern hymnbooks. If a parish has twenty-five good hymns, it can develop a great enthusiasm for singing. The people don’t mind repetition of good music; in fact, the more they sing the great hymns the more they love them.”

View a video of Dr. Marier conducting Gregorian chant by clicking here. I’m told that a DVD wherein Marier explains how to sing chant can be purchased here.


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Pius X Hymn Book by Dr Theodore Marier Last Updated: January 13, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Thus, by the celebration of a single Mass (in which he offers Jesus Christ in sacrifice), a priest gives greater honor to the Lord than if all men by dying for God offered to him the sacrifice of their lives. By a single Mass, he gives greater honor to God than all the angels and saints—along with the Blessed Virgin Mary—have given or shall give to him; for their worship cannot be of infinite value, like that which the priest celebrating on the altar offers to God.”

— Saint Alphonsus Liguori

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