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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Hope and Prayer in this Valley of Tears

Richard J. Clark · April 19, 2013

ORGIVE ME for continuing upon this topic. The parish where I work is within a few hundred yards of the fatal bombings at the Boston Marathon. Now we awake this morning to a massive manhunt for one of the bombing suspects. All of Boston is shut down, and authorities have ordered people to stay home. Today our hearts bleed for the MIT Police officer killed in the line of duty. We pray events today are resolved peacefully.

The realities of a grieving city on lockdown have touched everyone. St. Cecilia Church is within the “crime scene” radius, so we have had to pass through Military Police security to even get to the church. (Pictured here is St. Cecilia Church on lockdown—next to the Berklee College of Music—at the corner of Massachusetts Ave. and Belvidere Street. In the background is the Prudential Tower on Boylston Street near the finish line of the Boston Marathon.)

Police and military presence is everywhere. People on the streets are grateful for the job the police and National Guard are doing. Today, everyone is a little more patient with each other and far more aware of the preciousness of life.

As I mentioned here this past Monday, the presence of God has been beautifully evident in the extraordinary kindnesses and selfless concern that countless people have shown. When the first explosion went off, so many people ran TOWARDS the explosion to help. The second explosion came twelve seconds later. Again, more people ran TOWARDS the explosions to help the grievously wounded, with no regard for their own safety.

People opened their homes to strangers to house them and comfort them. Faith in humanity is restored, with no question to the selfless charity and love strangers showed each other. The Gospel lives in Boston.

But reality sinks in. Among the anguishing pain in the news are those that perished. The eight-year-old boy who died was a student at Pope John Paul II Academy in Dorchester, a place I recently visited to learn about its extraordinary music program for children. His sister sings in the same music program as my daughter. She and her mother were gravely injured as they waited for their father to cross the finish line. Many people of Boston love and respect this remarkable family whose lives are forever changed with the cruel burden of loss and suffering. Yet, there are so many more whose lives are irrevocably changed.

For all those whose lives are changed forever, our prayer is essential. For all those who grieve along with them, prayer is essential. We need to cry out to the Lord from the depths of our being. The Lord hears our anguish. Only from the depths can we find faith to rely upon God fully and completely for our existence—faith that He hears our call—faith that He will lift us up again.

And so, all the churches of Boston are open for prayer—including our Cathedral of the Holy Cross—for healing and for hope in this valley of tears.

So why is the sacred liturgy essential at the time, more than ever? The liturgy is not, what Pope Benedict XVI describes as “…not just a liturgical ‘game.’ It is meant to be indeed a logike latreia, the ‘logicizing’ of my existence, my interior contemporaneity with the Pasch of Christ and assimilated to God.” (Spirit of the Liturgy)

Pope Benedict XVI also describes how liturgy takes hold of our lives, and makes us “contemporary” with the Pasch of Christ.:

“In the first stage the eternal is embodied in what is once-for-all. The second stage is the entry of the eternal into our present moment in the liturgical action. And the third stage is the desire of the eternal to take hold of the worshipper’s life and ultimately of all historical reality. The immediate event—the liturgy—makes sense and has a meaning for our lives only because it contains the other two dimensions.” (ibid.)

Then, in a most profound reality, Pope Benedict writes: “Mankind’s movement towards Christ meets Christ’s movement toward men.” (ibid.)

So, in Boston, we send up our sighs, our mourning, and our weeping in this valley of tears. We find hope in the encounter of the Gospel being lived out. Great suffering compels us to move towards Christ, and Christ in turn embraces us lovingly in his comforting embrace.

On a side note, I am proud of my choir that came to sing on short notice for a mass of Healing and Hope at St. Cecilia. I am profoundly proud of my choir that arrived early to pray the rosary before rehearsal before mass.

Please pray for those in need of great comfort, courage, and healing.

John 14:18 “I will not leave you comfortless: I will come to you.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“It is the same Church which has introduced the vernacular into the sacred liturgy for pastoral reasons, that is, for the sake of people who do not know Latin, which gives you the mandate of preserving the age-old solemnity, beauty and dignity of the choral office, in regard both to language, and to the chant.”

— Pope Saint Paul VI (15 August 1966)

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