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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Hope and Prayer in this Valley of Tears

Richard J. Clark · April 19, 2013

ORGIVE ME for continuing upon this topic. The parish where I work is within a few hundred yards of the fatal bombings at the Boston Marathon. Now we awake this morning to a massive manhunt for one of the bombing suspects. All of Boston is shut down, and authorities have ordered people to stay home. Today our hearts bleed for the MIT Police officer killed in the line of duty. We pray events today are resolved peacefully.

The realities of a grieving city on lockdown have touched everyone. St. Cecilia Church is within the “crime scene” radius, so we have had to pass through Military Police security to even get to the church. (Pictured here is St. Cecilia Church on lockdown—next to the Berklee College of Music—at the corner of Massachusetts Ave. and Belvidere Street. In the background is the Prudential Tower on Boylston Street near the finish line of the Boston Marathon.)

Police and military presence is everywhere. People on the streets are grateful for the job the police and National Guard are doing. Today, everyone is a little more patient with each other and far more aware of the preciousness of life.

As I mentioned here this past Monday, the presence of God has been beautifully evident in the extraordinary kindnesses and selfless concern that countless people have shown. When the first explosion went off, so many people ran TOWARDS the explosion to help. The second explosion came twelve seconds later. Again, more people ran TOWARDS the explosions to help the grievously wounded, with no regard for their own safety.

People opened their homes to strangers to house them and comfort them. Faith in humanity is restored, with no question to the selfless charity and love strangers showed each other. The Gospel lives in Boston.

But reality sinks in. Among the anguishing pain in the news are those that perished. The eight-year-old boy who died was a student at Pope John Paul II Academy in Dorchester, a place I recently visited to learn about its extraordinary music program for children. His sister sings in the same music program as my daughter. She and her mother were gravely injured as they waited for their father to cross the finish line. Many people of Boston love and respect this remarkable family whose lives are forever changed with the cruel burden of loss and suffering. Yet, there are so many more whose lives are irrevocably changed.

For all those whose lives are changed forever, our prayer is essential. For all those who grieve along with them, prayer is essential. We need to cry out to the Lord from the depths of our being. The Lord hears our anguish. Only from the depths can we find faith to rely upon God fully and completely for our existence—faith that He hears our call—faith that He will lift us up again.

And so, all the churches of Boston are open for prayer—including our Cathedral of the Holy Cross—for healing and for hope in this valley of tears.

So why is the sacred liturgy essential at the time, more than ever? The liturgy is not, what Pope Benedict XVI describes as “…not just a liturgical ‘game.’ It is meant to be indeed a logike latreia, the ‘logicizing’ of my existence, my interior contemporaneity with the Pasch of Christ and assimilated to God.” (Spirit of the Liturgy)

Pope Benedict XVI also describes how liturgy takes hold of our lives, and makes us “contemporary” with the Pasch of Christ.:

“In the first stage the eternal is embodied in what is once-for-all. The second stage is the entry of the eternal into our present moment in the liturgical action. And the third stage is the desire of the eternal to take hold of the worshipper’s life and ultimately of all historical reality. The immediate event—the liturgy—makes sense and has a meaning for our lives only because it contains the other two dimensions.” (ibid.)

Then, in a most profound reality, Pope Benedict writes: “Mankind’s movement towards Christ meets Christ’s movement toward men.” (ibid.)

So, in Boston, we send up our sighs, our mourning, and our weeping in this valley of tears. We find hope in the encounter of the Gospel being lived out. Great suffering compels us to move towards Christ, and Christ in turn embraces us lovingly in his comforting embrace.

On a side note, I am proud of my choir that came to sing on short notice for a mass of Healing and Hope at St. Cecilia. I am profoundly proud of my choir that arrived early to pray the rosary before rehearsal before mass.

Please pray for those in need of great comfort, courage, and healing.

John 14:18 “I will not leave you comfortless: I will come to you.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“A theologian who does not love art, poetry, music and nature can be dangerous since blindness and deafness toward the beautiful are not incidental: they are necessarily reflected in his theology.”

— Josef Cardinal Ratzinger (Interview, 1985)

Recent Posts

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  • Music List • (Holy Thursday, 2026)
  • “O Escam Viatorum” • (Holy Thursday)
  • PDF Download • Simplified Keyboard Accompaniments for Lenten Hymns
  • Ending Good Friday on “Mi” … ?

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