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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgy And Our Television Age

Jeff Ostrowski · November 2, 2012

HE OTHER DAY, I conceived of a theory (conclusion?) I wish to share. It was regarding the capacity of the modern Catholic to understand Liturgy. In particular, I asked myself whether we have reached a point of our “television culture” where everything is so informal and unstructured that any notion of dignified, proper Liturgical actions at Mass are lost. Perhaps the kind reader will allow me to explain.

First of all, we never discuss politics on the CCW Blog, because talking politics is not our calling: it is not something we focus on. When it comes to politics, all we really feel called to share is that the life issues are paramount for us. In other words, we must always promote what Pope John Paul II called a “Culture of Life” and do what we can to stop the murder of the innocent. This is very important.

In spite of this, I hope the reader will permit me to mention a small bit about politics, because it is impossible for me to make my point otherwise. I happened to see a section from one of the National Conventions on YouTube, where Cardinal Timothy Dolan was giving an important closing prayer for the convention. Hopefully my memory of the event is correct (my memory is not always reliable). To put it mildly, I was appalled.

First of all, the Cardinal was introduced by the Speaker of the House, who seemed to me (without question) to be drunk. For myself, I don’t drink, so I’m not an expert in this area, but I really felt that he was severely intoxicated, which I find scandalous. Drinking to excess is a sin. Furthermore, the Cardinal was trying to start the prayer, but the lights, sound, and special effects wouldn’t let him. (* Note this point) He just stood there, patiently waiting, and looking really foolish as balloons were coming down from the ceiling. Finally, he got sick of waiting (I, frankly, would have simply walked off the stage) and started the prayer. Nobody payed attention. Eventually, some of them stopped what they were doing and paid attention. It was a mess.

Why I am relating these events? Because I feel it gives us a clue why our liturgies have reached the point they have. We no longer seem to appreciate any sense of propriety, dignity, respectful behavior, “ordered movement” if you will. (In the liturgy, things must be done in a reverent, orderly way.)

I wonder if the constant and relentless “television society” has contributed to this. Have you noticed that absolutely everything is shown on television these days? Even the most intimate and private things are shown. Bad and ugly behavior is shown. Childish actions are glorified. There are even numerous shows that are “reality shows” or take you “behind the scenes,” so you see your favorite actors doing things that make you lose respect for them. Whose idea was this? It seems to me that in the old days they had a better sense of what types of things ought to be shown . . . and how they should be presented. I have reached a point where I will not watch television in public anymore: I’m just too embarrassed for the human race. In private I will watch Brother Cadfael movies, early episodes of Andy Griffith, documentaries about famous musicians, or other well-produced things. (And, ever since we started having kids, I cannot even remember the last time I watched anything!).

When people become accustomed to seeing sick, perverse, childish, ridiculous presented on the television screen, perhaps we should not be surprised that our liturgies are not dignified and reverent. Furthermore, showing intimate and special things on television really does “cheapen” life.

I hope that Corpus Christi Watershed can always continue to “build up” the culture, and be a real force for what is true, good, holy, and beautiful.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski
    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“One of his most cherished wishes was to promote congregational singing wherever possible, for he held it to be most instructive for people of all classes and a powerful means of arousing an intelligent interest in the beauties of our sacred liturgy, especially in regard to the holy Sacrifice of the Mass. He loved to dwell in this respect upon the remarkable results achieved in parishes where the congregation had been taught to sing correctly the different portions of the Mass in plain chant.”

— Cardinal Merry del Val, speaking of Cardinal Sarto

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.