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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgy And Our Television Age

Jeff Ostrowski · November 2, 2012

HE OTHER DAY, I conceived of a theory (conclusion?) I wish to share. It was regarding the capacity of the modern Catholic to understand Liturgy. In particular, I asked myself whether we have reached a point of our “television culture” where everything is so informal and unstructured that any notion of dignified, proper Liturgical actions at Mass are lost. Perhaps the kind reader will allow me to explain.

First of all, we never discuss politics on the CCW Blog, because talking politics is not our calling: it is not something we focus on. When it comes to politics, all we really feel called to share is that the life issues are paramount for us. In other words, we must always promote what Pope John Paul II called a “Culture of Life” and do what we can to stop the murder of the innocent. This is very important.

In spite of this, I hope the reader will permit me to mention a small bit about politics, because it is impossible for me to make my point otherwise. I happened to see a section from one of the National Conventions on YouTube, where Cardinal Timothy Dolan was giving an important closing prayer for the convention. Hopefully my memory of the event is correct (my memory is not always reliable). To put it mildly, I was appalled.

First of all, the Cardinal was introduced by the Speaker of the House, who seemed to me (without question) to be drunk. For myself, I don’t drink, so I’m not an expert in this area, but I really felt that he was severely intoxicated, which I find scandalous. Drinking to excess is a sin. Furthermore, the Cardinal was trying to start the prayer, but the lights, sound, and special effects wouldn’t let him. (* Note this point) He just stood there, patiently waiting, and looking really foolish as balloons were coming down from the ceiling. Finally, he got sick of waiting (I, frankly, would have simply walked off the stage) and started the prayer. Nobody payed attention. Eventually, some of them stopped what they were doing and paid attention. It was a mess.

Why I am relating these events? Because I feel it gives us a clue why our liturgies have reached the point they have. We no longer seem to appreciate any sense of propriety, dignity, respectful behavior, “ordered movement” if you will. (In the liturgy, things must be done in a reverent, orderly way.)

I wonder if the constant and relentless “television society” has contributed to this. Have you noticed that absolutely everything is shown on television these days? Even the most intimate and private things are shown. Bad and ugly behavior is shown. Childish actions are glorified. There are even numerous shows that are “reality shows” or take you “behind the scenes,” so you see your favorite actors doing things that make you lose respect for them. Whose idea was this? It seems to me that in the old days they had a better sense of what types of things ought to be shown . . . and how they should be presented. I have reached a point where I will not watch television in public anymore: I’m just too embarrassed for the human race. In private I will watch Brother Cadfael movies, early episodes of Andy Griffith, documentaries about famous musicians, or other well-produced things. (And, ever since we started having kids, I cannot even remember the last time I watched anything!).

When people become accustomed to seeing sick, perverse, childish, ridiculous presented on the television screen, perhaps we should not be surprised that our liturgies are not dignified and reverent. Furthermore, showing intimate and special things on television really does “cheapen” life.

I hope that Corpus Christi Watershed can always continue to “build up” the culture, and be a real force for what is true, good, holy, and beautiful.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“The Church, which so long had preserved Latin consciously as a bond of unity, had quite suddenly decided to discard it as a useless encumbrance. With this rejection, and as an almost inevitable consequence, went out the window also the whole magnificent musical heritage of the Church. For when you change your language you also change your song. The Jewish exiles hanging their harps beside the waters of Babylon, so long ago, made that discovery.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (26 October 1973)

Recent Posts

  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)

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