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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Folding One’s Hands At Mass

Jeff Ostrowski · November 11, 2012

E ARE FINALLY entering a period in the life of the Church where many canards that became popular (universal?) after the Second Vatican Council are finally going the way of the 1970’s leisure suit. It almost seems superfluous to mention them by name, since we’ve all heard them repeated a billion times. One of the more popular ones went something like this:

In the bad old days before Vatican II, all the emphasis was on externals, rather than what was in one’s heart. For instance, altar boys were taught to focus on folding their hands at a perfect 45 degree angle during Mass. How wonderful that Modern Man has evolved past such nonsense! How wonderful that such things are in the past!

For myself, I remember that we had terrific Seminarians who taught us altar boys how to hold our hands during Mass. For instance, when we sat, we were to place our hands right above our knees. When we held an object, the other hand was to be placed on one’s chest, and so on.

As a matter of fact, it turns out that all these externals were (and still are!) incredibly important, no matter how much these things were derided by some following the Council. It really does help me pray at Mass when all the servers, Sacred ministers, and everyone present take Mass very seriously. After all, we are not pure spirit: we are composed of both body & soul. Seeing other humans act respectfully and reverently during Mass absolutely does inspire me to praise God during Mass with my full attention. Seeing my brothers and sisters focused devoutly on the Sacrifice helps me focus on the awesome action that is happening before my eyes. These actions of reverence are very natural, if we truly believe what we claim to believe. As far as I’m concerned there can be no dispute over this. My prayer is that our Masses will become more and more reverent, with great throngs of fervent Catholics who are not embarrassed to give God their full attention at Mass.

Lest the reader worry I have erected a “straw man” only to knock him down, let me share a short paragraph that was brought to my attention via a recent Email. This appears in a fairly popular publication for priests whose author seems to be very much against the Holy Father’s motu proprio Summorum Pontificum, and, incidentally, contains numerous basic errors (for instance, regarding the Graduale Romanum). I’d rather not cite the author, because I have absolutely no interest in stirring up controvery or hard feelings. Here is the complete paragraph (I quote verbatim and leave nothing out, to be fair to the author):

People should avoid arriving late. In the past, Catholics were taught that they could arrive as late as the offertory and still fulfill their obligation. The liturgical documents issued since the Second Vatican Council never make such an allowance. “The intimate connection between the Liturgy of the Word and the Liturgy of the Eucharist in the Mass should prompt the faithful to be present right from the beginning of the celebration” (LM 48).

What a dishonest paragraph! How unfair of the author to pretend that “Catholics were taught” it was fine to arrive late to Mass. As a matter of fact, Catholics were taught to come early to Mass (to prepare) and stay afterward (for thanksgiving). They were also encouraged to come to Church for the Divine Office. To bring up the question of whether Catholics can fulfill their obligation if they are late to Mass is absurd. By the way, I am pretty sure no Theologian worth his salt would claim a Catholic who arrives a little late for Mass does not fulfill his obligation.

Alas, this is the standard “post-Conciliar” line. It basically implies that only “enlightened” Catholics after the Council realize that we ought not skip parts of the Mass. This notion is, of course, ludicrous and wrong.

We have to be honest. We are called to be honest. We cannot keep lying to ourselves, and that’s why I’m so glad these canards are finally dying (as I mentioned at the beginning of this Blog entry). It reminds me of a dear Franciscan friend of mine who was ordained a priest in the 1950’s. Currently, the size of his Franciscan Province is something like 14% of what it was in the 1950’s. There are no young vocations, and most of the priests have died or left the priesthood. I asked my friend if he saw any hope for his Province. He replied, “Jeff, I don’t expect to see any progress made until my fellow Franciscans stop talking about how wonderful everything is now, compared to before the Council.”

We have to be honest. We cannot sit around pretending everything is great now, and everything before the Council was horrible. Nor ought we publish books that imply that Catholics were taught they should come to Mass late until the Second Vatican Council declared this was wrong.

Getting back to my initial point, how admirable a thing it is for Catholics to give themselves body and soul to the worship of Almighty God! How magnificent it is for Catholics to “wear themselves out” in the Church liturgies, not only by prayer, meditation, and contemplation, but also by singing, bowing, genuflecting, serving at Mass, and performing all the actions required by the Sacred services! I spoke of some of these beautiful gestures in a recent Blog entry. However, in the final analysis we must be careful to realize that the minutiae are not ends in and of themselves. When it comes to Liturgy, I agree with Fr. Adrian Fortescue, who took the liturgy very seriously, and spent many hours carefully training his altar servers, especially for the Holy Week services. He was an expert on the Liturgy and knew the history of the Rites better than anyone. However, Fortescue was not a “rubrician.” He did not believe in obsessing over unimportant details excessively. Perhaps an excerpt from a letter will help make this clear.

N.B. I hope the reader will pardon some of the crude expressions Fr. Fortescue uses. It is actually motivated by his great respect for the Liturgy. Remember, this was a private correspondence, published recently by Fr. Aidon Nichols.

Fr. Adrian Fortescue, Letter to Stanley Morison, 24 November 1919:
“To them it is not the history nor the development of rites that matter a bit, it is the latest decision of the Congregation of Rites. These decisions are always made by a crowd of dirty little Monsignori at Rome in utter ignorance of the meaning or reason of anything. To the historian their decisions are simply disgusting nonsense, that people of my kind want simply to ignore. It is a queer type of mind that actually is interested in knowing whether the deacon should stand at the right or the left of someone else at some moment.”

We ought to make great efforts to do everything with great care, extreme reverence, and an orderly, edifying manner. That being said, we should not worry excessively about whether the Deacon stands “on the right or the left.”

As time goes on, I hope to quote more letters from the brilliant Fortescue (a triple doctorate!) and also comment on the level of communication that should exist between pastors and parish musicians.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“The chapter decides to penalize singers or instrumentalists who are tardy by a few minutes at the same rate as if they had been absent the whole hour.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (2 June 1563 )

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