• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

St. Joseph Triduum — Installment No. 1

Fr. David Friel · March 15, 2012

The Solemnity of Saint Joseph is for many Catholics (especially Italians) a beloved annual respite from the Great Fast of Lent. I would like to offer three reflections in the coming days as a sort of “triduum” as we approach this feast on March 19th.

How many men named Joseph would you guess are mentioned in the Bible? I was surprised that I was able to find at least twelve different Josephs.

1. Joseph, the husband of Mary (Luke 1:27)
2. Joseph, the son of Jacob (Genesis 37-50)
3. Joseph, the father of Igal (Numbers 13:7)
4. Joseph, son of Asaph, a musician of David (1 Chronicles 5:2, 9)
5. Joseph, a Jew who divorced his Gentile wife after the captivity (Ezra 10:42)
6. Joseph, a chief priest (Nehemiah 12:14)
7. Joseph, son of Mattathias (Luke 3:24)
8. Joseph, father of Judah (Luke 3:30)
9. Joseph of Arimathea, buried Jesus in his personal tomb (John 19:38)
10. Joseph, son of Juda (Luke 3:26)
11. Joseph Barsabas, also called Justus (Acts 1:23-25)
12. Joseph, a Levite of Cyprus (Acts 4:36)

The most obvious Joseph is the foster father of Jesus, but he is certainly not the only one. I propose that we may be able to learn from a closer inspection of two of the other Josephs. Thus, our first reflection will consider the man we shall call Joseph of Egypt, the son of Jacob who becomes a major character in the Book of Genesis. In the second reflection, we shall reflect upon Joseph of Arimathea, the man in whose tomb Jesus was buried. And finally, in the third reflection, we shall focus solely upon Joseph of Nazareth, the foster father of Jesus.

Most people know more about Joseph, the son of Jacob, than they might think. He is the Joseph who wore the “coat of many colors.” He is the Joseph who had wild dreams and could interpret other people’s dreams. He is the Joseph who was one of twelve brothers. So, things started out fairly well for this Joseph. He had a good background.

But things went rapidly downhill. His brothers all turned on him and decided to kill him. Then, rather than actually kill him, they decided to sell him into slavery in Egypt for twenty pieces of silver. While he was in Egypt, a woman named Potiphar tried to seduce him, but, when he resisted, she made a wrongful accusation against him. Then he was thrown into prison unjustly, all the while cut off from his home and family.

What caused everything to fall apart? Genesis 37:3 presents the ironic key to understanding this sudden turn of fate. In that verse, it is written that “Israel [Jacob] loved Joseph best of all his sons, for he was the child of his old age.” It is this love, strangely, that becomes the cause of Joseph’s downfall. Because Jacob had shown favoritism to his son Joseph, the other eleven brothers became jealous. They saw the way their father treated him better, and it became the key to his undoing.

Jacob, had he been a wiser father, could have approached his children differently. I have a brother and two sisters, for example, and we used to pester my mom when we were kids, asking her which one of us she loved best. My brother, who is the oldest, would claim to be “the one she loved first.” I, as the youngest, would claim to be “the one she loved most.” But, my mother, in her wisdom, has always given the same reply: “I love each of you equally.”

So, what does the Old Testament story of Joseph of Egypt have to teach us? It tells us something about the love of a father, which needs to be constant & fair & strong. Whereas Jacob made a mistake by favoring one son over his others, God the Father never makes that mistake. God the Father, to be sure, has an intense love for Jesus, His Son. But here is an unfathomable truth: God does not love us any less! All of us who have been baptized are God’s children by adoption—truly beloved sons & daughters. And He loves all of us with the same intensity with which He loves Jesus. What an incredible blessing: God the Father does not love us any less than He loves God the Son.

Saint Joseph was a good Jew who knew his Bible, so he would have known & loved & been inspired by this story of his namesake, Joseph of Egypt. Although Saint Joseph had only one son, not twelve, he is still a father to all of us, inasmuch as he is the “Patron of the Universal Church.” He would have learned from the mistake of Jacob, who “loved Joseph best of all his sons.” Centuries later, this story taught Saint Joseph how to love Jesus with constant, fair, and strong—fatherly—love.

And now, Saint Joseph, just like God the Father, looks upon us and says: “I love each of you equally.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Gloria, Credo, etc., may not be broken into detached fragments; it is wrong to omit or hurry over the Proper of the day; it is not permitted to substitute organ playing for the Proper; it is wrong to use, however briefly, themes from theatrical or dance music, from popular songs, love-songs, comic songs; drums, cymbals, piano, bag-pipes are too noisy for Church use .”

— Pope Leo XIII (25 September 1884))

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.