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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Roman Missal 3.0 — Installment No. 4

Fr. David Friel · February 16, 2012

The fourth “highlight” of the new Roman Missal I will give for our reflection regards the manner of translation itself.

In composing the new missal, the International Commission on English in the Liturgy (ICEL) embraced the school of translation known as “formal correspondence” over the “dynamic equivalence” school, which had been employed in crafting the 1973 Sacramentary. The result is that the thoughts, words, and sentiments of the original Latin are captured and conveyed with tremendous fidelity in the new English texts. This fidelity has revealed a wealth of theology and traditional piety in many of the new prayers that was either less clear or missing altogether in the former translation.

I shall present only two of the abundant examples—one from the Proper of the Mass, and one from the Ordinary of the Mass. The Proper prayers are those that change so as to pertain to the particular feast being celebrated. In the following table, compare the Latin original of the proper prayers for the memorial of the Most Holy Name of Jesus with the two different English translations:

As I prayed these prayers from the new missal for the first time on January 3rd, I was struck nearly dumb, literally. Not only their intrinsic elegance captivated me, but also the fantastic manner in which they demonstrate a form of traditional Catholic piety that is too often ignored.

What I mean is this. If you look closely at the Latin, you will notice that the prayers nowhere include the name, Iesu. This brilliant reservation of the Divine Name on its very feast is an expression of the piety that has inspired generations of Catholics to be solicitous in their use of the only Name that saves (cf., Acts 4:12). The prayers, themselves, teach us by their nuance to revere the Holy Name.

The translators who created the Sacramentary (actually, in this case, its companion “Supplement”) chose, as you see, to insert the Lord’s Name in each of the three orations. While there is nothing heinous nor heretical about this decision, it unfortunately did not allow the piety so beautifully intended by the Latin to be appreciated at English Masses. The 2011 Roman Missal, contrariwise, has carefully withheld the usage of the Divine Name in its translation of these prayers and so restored the practice and piety of so many years. I find this effort (and all such efforts) to reclaim our Catholic heritage praiseworthy.

The second example I shall present is a response that occurs as part of a dialogue with the priest (or bishop or deacon) five times during the course of Holy Mass. It is an ancient exchange, recorded at least as early as the Apostolic Tradition of St. Hippolytus in AD 215. In its original Latin, the response is:

Et cum spiritu tuo.

In the former Sacramentary, the phrase had been translated:

And also with you.

Now, in the newly translated Roman Missal, the response is given:

And with your spirit.

Herein, one can see a clear illustration of the difference between “dynamic equivalence” and “formal correspondence.” As small as this change in English may seem, it is a very important change.

By greeting the people with the words, “The Lord be with you,” the priest makes a profound statement. He expresses his desire that the dynamic activity of God’s Spirit be poured out on the people of God, enabling them to go about the work of transforming the world, which God has entrusted to them through Baptism.

The response of the people, “And with your spirit,” is equally profound. It refers specifically to the unique gift of the Spirit given to a bishop, priest, or deacon at ordination. This, then, is a prayer of the people for the celebrant. It asks that the priest might use the charismatic gifts he received at ordination and, in so doing, fulfill his ecclesial, prophetic role. Notably, therefore, this exchange is addressed only to an ordained minister. Whereas it may have seemed appropriate to respond, “And also with you,” to a lay person, the fidelity of the new translation helps to clarify that this call and response has always been and continues to be reserved for situations between an ordained minister and a congregation.

The orations for the memorial of the Most Holy Name of Jesus and the response, “And with your Spirit” are fine examples of translation by “formal correspondence.” This method of translation, we have endeavored to show, carries the benefit of preserving the wealth of theology and traditional piety inherent in the prayers of the Roman Rite. In these and similar instances, it is remarkably true that fidelity of translation reveals subtlety of theology.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Church officials frequently asked Tomás Luis de Victoria for his opinion on cathedral appointments because of his fame and knowledge. He was faithful to his position as convent organist even after his professional debut as an organist, and never accepted any extra pay for being a chapelmaster. Held in great esteem, his contract allowed him frequent travel away from the convent, and he attended Palestrina’s funeral (in Rome) in 1594.”

— ‘Dr. Robert Stevenson, 1961 (mod.)’

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