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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Seeking the Face of God

Fr. David Friel · August 12, 2011

Early August every year brings us the feast of the Transfiguration of the Lord, which was celebrated last Saturday. In reflecting on that scene over the last week, I’ve been thinking of it as the fulfillment of a foundational Christian desire and natural longing of the human heart. From the time of Moses onward, Scripture stresses the theme of people searching for the face of God. We see it particularly in the psalms: “Let Your face shine on us” (Ps 67:2), “Hide not Your face from me” (Ps 27:9), “When shall I go and behold the face of God?” (Ps 42:3). Our Holy Father, Pope Benedict XVI, has also embraced the theme, saying right on the back cover of Jesus of Nazareth: “This book is . . . my personal search ‘for the face of the Lord’” (Jesus of Nazareth, vol. 1, xxiii).

Now, in between Moses and Pope Benedict came the Incarnation, which drastically changed our approach to satisfying this basic desire to see the face of God. In the Incarnation, Jesus took a human form, a human face. During His life on Earth, the Apostles had the opportunity to see His face every day for three years. Even more, though, the saintly triumvirate of Peter, James, and John are privileged to see not just the human face of Christ, but the face of Christ transfigured in glory. Imagine: what must it have been like to be on that mountain? What did it look like? How did it affect those chosen three? Did it satisfy their desire to see Him more fully?

We don’t have the opportunity to see the face of Christ in the same way the Apostles did, so how can we satisfy our desire to see Him? I propose that, in order to see Him, we must listen; if we want to see, we have to hear. The Gospel says that the Father’s voice was heard at the Transfiguration, saying, “This is my beloved Son, in Whom I am well pleased; listen to Him” (Mk 9:7). Some Scripture scholars suggest that that one line—Listen to Him—is the climax of Mark’s entire Gospel. God the Father uttered almost exactly the same words at the Baptism of Jesus in the Jordan, which is another highpoint in his Gospel (Mk 1:11), and the entire narrative of Mark appears structurally to revolve around the scene of the Transfiguration. God the Father knows that we have to hear Jesus’ words before we can really see Who He is.

It’s a mixture of the senses, much like the game “Marco Polo.” In that game, one person stands blindfolded in the middle and says, “Marco!” to which the others respond, “Polo!” Then, the blindfolded person tries to catch one of the others by following the sound of their voices. He has to hear their voices before he takes off his blindfold to see them. It’s the same with us: we need to hear the Word of God before we can see Him.

It was the same for the people of Israel, who first heard the words of God through the prophets in the days of the Old Testament. Only later did they see Jesus in the Incarnation. Another example comes from St. Paul, who was blinded at his conversion. He heard the Father’s voice, “Saul, Saul, why do you persecute me?” (Acts 9:4, 22:7, & 26:14). Only thereafter did he regain his sight, and come to recognize Christ Jesus as His Lord. We find the same pattern also in the Holy Mass. The Liturgy of the Word comes before the Liturgy of the Eucharist, so we hear Him in the Scriptures before we see Him physically, substantially present on the altar.

This is the model for how we can go about satisfying our desire to see God’s face. We can pray, spend time with Him, and listen to His voice in silence. By hearing His voice, His face comes into focus.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Of course, the new [Easter Vigil] liturgy has greatly streamlined the symbology. But the exaggerated simplification has removed elements that used to have quite a hold on the mindset of the faithful. […] Is this Easter Vigil liturgy definitive?”

— Paul VI to Virgilio Noè (10 April 1971)

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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