SACRIFICIUM LAUDIS Paulus VI

Corpus Christi Watershed · February 13, 2026

Pope Paul VI • “Sacrificium Laudis” (15 Aug 1966)

“What words or melodies could ever replace the forms of Catholic devotion you have used until now?” —Pope Saint Paul VI

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“Hidden Chant” • For the Ordinary Form

Not even “GregoBase”—which is incredibly comprehensive—knows that music for this antiphon was published by the Vatican in the 1930s.

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—Jeff Ostrowski

“Citation Needed” • Dom Foote of ICEL

Father Basil Foote, OSB, was organist at WESTMINSTER ABBEY MISSION (British Columbia, Canada). In 1984 he published an article called “Chanting in the Vernacular.” Twenty years later, it was republished by ADOREMUS—and that’s how it came to my attention. In that article, Dom Foote makes a claim I consider somewhat outlandish. At the very least, his statement with regard to the Latin accent needs some sort of citation. He has served on the Music Sub-Committee of the International Commission on English in the Liturgy (ICEL).

—Jeff Ostrowski

Music List • “Corpus Christi” (Year A)

The 28-page Singers’ Booklet is included. Our children’s choir will join us for this Mass.

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—Jeff Ostrowski

Time and Again We Are Asked…

John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.

—Jeff Ostrowski

“Reminder” — Month of June (2026)

On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

“Thee” + “Thou” + “Thine”

Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).

—Jeff Ostrowski

SACRIFICIUM LAUDIS Paulus VI

Pope Paul VI • “Sacrificium Laudis” (15 Aug 1966)

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