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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pope Francis

Fr. David Friel · April 27, 2014

The Mercy of God Makes Saints

Unmasking the Media’s Mythical Divide Between Popes

Richard J. Clark · March 21, 2014

Reverent and welcoming parishes are not mutually exclusive.

Yes, the house is on fire. Yes, liturgy is important. Seriously? Yes.

Fr. David Friel · January 26, 2014

Comparing Canons

Does Using Eucharistic Prayer II Really “Save Time”?

Corpus Christi Watershed · January 13, 2014

Pope Francis Says Mass “Ad Orientem” … Again!

These images come to us from Msgr. Guido Marini’s Facebook page, which has more than 100,000 followers.

Jeff Ostrowski · January 5, 2014

Initial Response To Pope Francis’ Recent Actions Regarding Monsignori

What? You never heard of the “horse barn” mentality?

Jeff Ostrowski · December 16, 2013

Francis Clashes With Former Head Of Liturgical Institute

In my humble opinion, Pope Francis is spot on.

Dr. Peter Kwasniewski · December 12, 2013

General and Particular Examen

Many saintly authors recommend a “particular and general examination of conscience,” but seldom explain what is meant by this, apparently because it used to be extremely well known.

Corpus Christi Watershed · December 4, 2013

Francis on Benedict’s “Enlightened Conscience”

The Pope Emeritus “prays, reads, listens to music, dedicates himself to his correspondence, which is a lot, and receives visitors. Every day we walk together in the woods behind the monastery, reciting the rosary.” — Archbishop Ganswein (10/22/13)

Jeff Ostrowski · November 27, 2013

With Regard to the New Document by Francis: “Evangelii Gaudium”

I’ve encountered priests who believe their job during the sermon is to talk like Rush Limbaugh, Chris Matthews, or Bill O’Reilly.

Jeff Ostrowski · October 30, 2013

Definition Of Liturgical “Piccoluomini” ?

Human beings are “geared” toward annual events. Our minds, emotions, and memories simply aren’t programmed to work in 3-year cycles.

Jeff Ostrowski · October 28, 2013

A Culture Obsessed With Sensationalism

It’s bizarre that both conductor and pianist were too lazy to discuss things like tempi beforehand.

Fr. David Friel · October 27, 2013

Gerard Manley Hopkins & Beauty

Pondering Papal Poetic Preferences

Fr. David Friel · October 13, 2013

Aparecida

Consecration to the IHM

Fr. David Friel · October 6, 2013

Pope Francis in Context

Teach the Beauty of God’s Ways

Richard J. Clark · September 27, 2013

Pope Francis Leads Outside of Our Comfort Zone

Pope Francis is not afraid to open dialogue about difficult subjects. That alone marks enormous change. Perhaps, this kind of dialogue makes some of us uncomfortable. But this opens the possibility of growth.

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“With all the powers of modern music open to him, from romanticism through French impressionism to the German and Russian modernists, he is yet able to confine all these contradictory forces on the groundwork of the Gregorian tradition.”

— Theodor Rehmann (on Msgr. Jules Van Nuffel)

Recent Posts

  • Children’s Repertoire • Three More Recommendations by Keven Smith
  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir
  • Latin Liturgy Association
  • Important Quote by a Church Musician

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