Views from the Choir Loft

PDF Download • “O Esca Viatorum”

Jeff Ostrowski · August 18, 2017 ·

VEN AFTER ALL these years, some readers still don’t know how to download the individual rehearsal videos and PDF files. Click on the blue link called #4687.

Pardon my squeaky high notes, but I wanted to demonstrate how it sounds—so I recorded all the voice parts:

REHEARSAL VIDEOS for each individual voice await you at #4687.
The full PDF score can be downloaded there.

The complete score (English and Latin) is also there. I am deeply saddened that some people still don’t know where these items are located.

IT IS QUITE A POPULAR Eucharistic hymn. Indeed, it’s hard to find a single Catholic hymnal not containing it. A few examples, from the Brébeuf hymn website:

Cantate Omnes (1952)
Cantiones Sacrae (1878)
Laudate Hymnal (1942)
New Westminster Hymnal (1939)
De La Salle Hymnal (1913)
St. Rose Hymnal (1938) … combines it with “Tantum Ergo”
New Saint Basil Hymnal (1958)
Pius X Hymnal (1953)
St. Gregory Hymnal (1920)

Here’s how the melody appears in the 1912 hymn book created by Sir Richard Terry:

4632 Sir Richard Terry HYMNAL

British editors tend not to place the words under the notes. As someone who works with amateur choirs, I feel there are some disadvantages to this approach, along with certain undeniable positive aspects.

Here’s a translation by Msgr. Hugh Thomas Henry (d. 1946), who taught Gregorian chant at St. Charles Borromeo Seminary in Overbrook, Pennsylvania:

1. O Food to pilgrims given,
Bread of the hosts of heaven,
Thou Manna of the sky!
Feed with the blessed sweetness
Of Thy divine completeness
The hearts that for Thee sigh.

2. O Fountain ruby-glowing,
O Stream of love outflowing
From Jesus’ piercèd side!
This thought alone shall bless us,
This one desire possess us,
To drink of Thy sweet tide.

3. We love Thee, Jesus tender,
Who hid’st Thine awful splendor
Beneath these veils of grace:
Oh, let the veils be riven,
And our clear eye in heaven
Behold Thee face to face!

TAGS:

“Amazing Eucharistic Hymn”

“O Esca Viatorum”

About Jeff Ostrowski

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.

Could Pope St. Pius X Sing?

“On 12 March 1908, the complete publication of the Roman Gradual was issued by the Vatican Press. On that very day, Dom Pothier solemnly presented the first copy to the Holy Father. A witness of the audience says that Pius X wished to be the first to see the new book; he opened it at random, at page 128 of the supplement pro aliquibus locis—it was the Introit of the new Feast of Our Lady of Lourdes. The Pope sang it with perfect taste to the last note.” (Catholic Choirmaster, February 1915)

—Jeff Ostrowski

Julius Bas Accompaniment

A very prolific harmonizer of Gregorian chant in the early 20th century was Mr. Julius Bas. He often uses a very strange technique, wherein he employs rests to eliminate the Alto, Tenor, and Bass voices. Consider what he did with “Lumen ad revelationem” here:

* JPEG • Lumen ad revelationem

It seems quite lazy, and I’ve never seen anyone else use such a technique, although Dr. Peter Wagner often switched to parallel octaves when he ran out of ideas… (Yuck!)

—Jeff Ostrowski

Hitting wrong notes

Fr. Valentine Young, OFM, used to say: “The organist can play 1,000 correct notes and one wrong note—and the only thing people will care about is the wrong note.” Last Sunday I hit some wrong notes, and felt bad. Then I remembered a story about Rudolf Serkin and started to chuckle. Charles Rosen (or was it Leon Fleisher?) told the story of Serkin playing a Beethoven Sonata in front of a large audience. The theme is all in octaves; but Serkin hit some wrong notes, and played parallel 7ths instead. This so unnerved him that every time the theme returned, he played the entire thing in parallel 7ths! We must remember that even the greatest hit wrong notes. Alfred Cortot, Vladimir Horowitz, Wilhelm Backhaus, Edwin Fischer, Sviatoslav Richter, Egon Petri—they all hit wrong notes, which we can hear on recordings. (Josef Hofmann was an exception, but he was super-human so he doesn’t count!)

—Jeff Ostrowski

“I vividly remember going to church with him in Bournemouth. He was a devout Roman Catholic and it was soon after the Church had changed the liturgy (from Latin to English). My grandfather obviously didn’t agree with this and made all the responses very loudly in Latin while the rest of the congregation answered in English. I found the whole experience quite excruciating, but my grandfather was oblivious. He simply had to do what he believed to be right.”

— Simon Tolkien (2003)