• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

President's Corner

Jeff Ostrowski · February 16, 2021

15 February 2021 • To Capitalize…?

In the Introit for the 6th Sunday after Pentecost, there is a question regarding whether to capitalize the word “christi.” The Vulgata does not, because Psalm 27 is not specifically referring to Our Lord, but rather to God’s “anointed one.” However, Missals tend to capitalize it, such as the official 1962 Missal and also a […]

Jeff Ostrowski · February 15, 2021

15 February 2021 • “Sung vs. Spoken”

We have spoken quite a bit about “sung vs. spoken” antiphons. We have also noted that the texts of the Graduale Romanum sometimes don’t match the Missal texts (in the Extraordinary Form) because the Mass Propers are older than Saint Jerome’s Vulgate, and sometimes came from the ITALA versions of Sacred Scripture. On occasion, the […]

Jeff Ostrowski · February 14, 2021

PDF: “The Attack On The Vatican Edition: A Rejoinder”

Some readers have had difficulty finding this article, which we scanned and posted circa 2008, so here it is: The Attack On The Vatican Edition: A Rejoinder The Styria Press (Graz and Vienna), 1907. Reprinted in Caecilia, Vol 87, No. 1 (Spring, 1960). The article is by Dr. Peter Wagner, a student of Father Michael […]

Jeff Ostrowski · February 10, 2021

10 February 2021 • “Follow the text…”

Gregorian Chant does not follow the example of Baroque composers, who strongly emphasize (“slam”) the tonic accent. Cantus Gregorianus has a very sophisticated way of honoring the text—an approach which goes far beyond the “goo goo gah gah” approach of slamming the tonic accent. Thousands of examples in the Gregorian repertoire demonstrate this reality, but […]

Jeff Ostrowski · February 5, 2021

5 February 2021 • “Tainted”

We have witnessed the downfall of so many “famous” Catholics—including priests—who had pretended to be holy, but were caught committing terrible sins. In a particular way, EWTN was harmed because several of their biggest stars were exposed. I was thinking about whether something holy can be “tainted,” and what that means. Fulton Sheen made mistakes, […]

Jeff Ostrowski · February 4, 2021

3 February 2021 • “Politics”

A recent article—Glaring Omission from Post-Vatican II Lectionary—has generated enormous traffic, and has become one of our most popular articles. During that article, I made reference to our position on “political” articles. If anyone cares to know about my political views, please download: Only In Secret And With Horror. I have explained my views in […]

Jeff Ostrowski · January 21, 2021

20 January 2021 • REMINDER

We have no savings, no endowment, and no major donors. You can help us (please) by subscribing to our mailing list. It’s incredibly easy; just scroll to the bottom of any blog article and enter your email address. Thank you!

Jeff Ostrowski · January 19, 2021

19 January 2021 • Confusion over feasts

For several months, we have discussed the complicated history of the various Christmas feasts: the Baptism of the Lord, the feast of the Holy Family, the Epiphany, and so forth. During a discussion, someone questioned my assertion that in some places Christmas had been part of the Epiphany. As time went on, of course, the […]

Jeff Ostrowski · January 7, 2021

6 January 2021 • Anglicans on Plainsong

A book published by Anglicans in 1965 has this to say about Abbat Pothier’s Editio Vaticana, the musical edition reproduced by books such as the LIBER USUALIS (Solesmes Abbey): “No performing edition of the music of the Eucharistic Psalmody can afford to ignore the evidence of the current official edition of the Latin Graduale, which […]

Jeff Ostrowski · January 2, 2021

2 January 2021 • Temptation

When I see idiotic statements made on the internet, I go nuts. When I see heretics promoted by people who should know better, I get angry. Learning to ignore such items is difficult—very difficult. I try to remember the words of Fr. Valentine Young: “Do what God places in front of you each day.” When […]

Jeff Ostrowski · January 1, 2021

31 December 2020 • “COMITES CHRISTI”

The feasts for Saint Stephen Proto-Martyr (26 December), Saint John the Evangelist The Disciple Whom Jesus Loved (27 December), and the Feast of the Holy Innocents (28 December) seem untouched by any liturgical reforms. These are very powerful feasts—I believe they once possessed octaves—and I believe they could sometimes “overpower” a Sunday feast. The rules […]

Jeff Ostrowski · December 23, 2020

23 December 2020 • A 5th? or 4th?

I have noticed that where the Editio Vaticana has a descending perfect fourth for the Gradual of Christmas Midnight Mass, many ancient manuscripts have a descending perfect fifth, which is pretty cool: Example A — Example B. The Vatican Edition is a CENTO, and never made any claim to be anything other than a CENTO. […]

Jeff Ostrowski · December 10, 2020

“Martinelli’s Letter” (dated 18 February 1910)

My recent post on the repercussion has induced some to ask: “Can we just sing whatever rhythm we want for the Vatican Edition? What about mensuralism? What about Bonvin and Vollaerts?” For those of us who work in the Extraordinary Form, we must follow the rhythm of the Editio Vaticana, and this was addressed in […]

Jeff Ostrowski · December 9, 2020

9 December 2020 • A Cool Tradition

Before the reforms of the “Code of Rubrics” (1961), antiphons at Vespers were abbreviated in a cool way. For example, look at this antiphon, Ecce Veniet (from Vespers on the 4th Sunday of Advent). But that tradition—as far as I know—ended in 1961, with §191 which said: “The whole antiphon is always said before and […]

Jeff Ostrowski · November 30, 2020

30 November 2020 • “Case in point”

The Solesmes rhythmic markings, which often contradict the official rhythm, do such damage to the antiphons of the Divine Office that—in my humble opinion—they should be abandoned. (In reality, this will never happen.) But sometimes, they do great damage to the melody of the Graduale Romanum, and I would offer the Offertory for the 1st […]

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 31
  • Page 32
  • Page 33
  • Page 34
  • Page 35
  • Interim pages omitted …
  • Page 38
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“I would hope there is a place [at Mass] for the avant-garde in the same way I think there has to be a place—and we have to be careful with this—a place for Jazz and a place for Evangelical and all of that. […] On theological grounds, I do think we need interaction with the culture at the level of high art or at the level of more commercial pop culture.”

— Fr. Anthony Ruff (22 June 2016)

Recent Posts

  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.