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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Richard J. Clark · December 27, 2013

Why We Do What We Do

“The priest would listen to this heavenly music over and over, crying while listening to it. He was brought great comfort through the ministry of this music. He passed away earlier this fall.”

Jeff Ostrowski · December 26, 2013

The Liturgical Style of Pope Francis & John 12:5

Pope Francis is no Judas Iscariot!

Andrew R. Motyka · December 25, 2013

Once Upon a Mattress

In which Andrew’s wife Julie writes about the joys of being a music director’s wife at Christmas.

Fr. David Friel · December 25, 2013

The Song of the Angels

Divine Worship as a Formula for Peace

Richard J. Clark · December 24, 2013

Light Upon the World

Have a blessed Christmas, and know the Light of Christ shines upon you and dwells within you!

Gwyneth Holston · December 23, 2013

Good King Wenceslas Looked Out When?

The connection between the Feast of the Nativity and the Feast of St. Stephen.

Jeff Ostrowski · December 23, 2013

From CCW President’s Desk: Merry Christmas!

Any good we are able to accomplish here at Corpus Christi Watershed is only thanks to your kindness and generosity!

Richard J. Clark · December 22, 2013

Live Streaming: Lessons and Carols ~ Our Lady of Atonement

Mæstro Edmund Murray directs a special Festival at Our Lady of Atonement in San Antonio, TX.

Fr. David Friel · December 22, 2013

The Book of Non-Blessings

Of Advent Wreathes & Christmas Crèches

Richard J. Clark · December 20, 2013

Emotional Baggage and Changing Demographics

As a child growing up in the 1970s, I was well aware of the utter incompetence I was hearing on Sundays. As you can tell, I am still pretty upset about it.

Jeff Ostrowski · December 19, 2013

“Ministerial Creativity” by Bishop Donald Trautman

“In the United States we have a very healthy understanding of liturgy. We know something about liturgy, and I think we’re doing it rather well.” — Bishop Trautman (October 2005)

Dr. Peter Kwasniewski · December 19, 2013

Prayer and Action

If we want our apostolate or our daily round of duties to be fruitful, we need to begin and end with the continually burning fire of adoring union with God.

Jeff Ostrowski · December 18, 2013

Nothing Ordinary About It: The Mass Proper as Early Music Jigsaw Puzzle

Doug Shadle has published an article on the Catholic Mass Propers.

Jeff Ostrowski · December 18, 2013

“Beauty” by Most Rev. James D. Conley (Bishop of Lincoln, Nebraska)

“Fr. Morganroth would return to his room to play his piano — he played brilliantly. If you had an appointment with him he would leave the door ajar. You were to simply push the door open and take a seat in a chair next to the piano.”

Andrew R. Motyka · December 18, 2013

It’s What We Do

Explaining how to handle death at so many funerals.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“[Saint Jerome’s Latin] fairly frequently represents a purer text than does the existing Hebrew, sometimes yielding a plain sense when the Massoretic text fails to do so, and quite often providing a working interpretation of a passage where the Hebrew is doubtful.”

— Sebastian Bullough, O.P. (June 1949)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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