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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · May 18, 2015

Loading Choir Binders • Take II

I’m afraid this article has no point.

Jeff Ostrowski · May 18, 2015

PDF Downloads • Vernacular Mass Settings Published During The 1960s

If they were set upon avoiding the word “men,” I wish ICEL would have done something like “peace on earth to *those* of good will.”

Jeff Ostrowski · May 18, 2015

Josef Cardinal Frings & Pope Benedict XVI

Joseph Ratzinger, an expert at the Council, was also the private secretary of Cardinal Frings, Archbishop of Cologne.

Veronica Brandt · May 16, 2015

Memento Rerum Conditor

The hymn most frequently appearing in the Little Office of the Blessed Virgin Mary has finally made it to youtube!

Jeff Ostrowski · May 16, 2015

“Veni Sancte Spiritus” • Sing Directly From An Ancient Manuscript!

Including an (optional) organ accompaniment you won’t want to miss!

Jeff Ostrowski · May 16, 2015

Resources • Sunday after the Ascension (1962 Missal)

We are getting close to Pentecost, when the FSSP Superior General will visit our parish.

Jeff Ostrowski · May 16, 2015

Ascension • A Gorgeous Illumination

“We pay more attention to singing when we are nervous.”

Richard J. Clark · May 15, 2015

Do not mistake competence for conservatism.

The more knowledgeable a musician is about the Roman Rite, the Vatican II documents, and the GIRM, the more likely that musician is to be labeled “conservative” in their views. This is nonsense.

Andrew Leung · May 14, 2015

Novus Ordo Can Be Done Well!

The Novus Ordo Mass can be done well—St. Josemaria and his successor did it!

Jeff Ostrowski · May 13, 2015

Will You Be A Hero?

We need a few more people willing to give $5.00 per month—please help! Thank you!

Jeff Ostrowski · May 13, 2015

“Omnes Gentes Plaudite” • Sequence For Ascension

“The Staff used by Christ was the Cross…”

Jeff Ostrowski · May 12, 2015

Heretical Hymns & Transformation

I hope Dr. Tappan will tell us someday how such a transformation happened!

Dr. Lucas Tappan · May 12, 2015

The Ingredients of a Choir School (Part II)

A choir school can be an immense help toward our goal of establishing a liturgical choir worthy of its name.

Jeff Ostrowski · May 12, 2015

Stephen Colbert: “I’m Not A Fan Of Guitar Masses”

Perhaps it requires a comedian to realize that not all musical styles are appropriate for Mass.

Jeff Ostrowski · May 11, 2015

VIDEO • Watch Jeff Ostrowski Load Choir Binders

Wow—did you ever see anyone load them this fast?

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Then, when the later great Germans arrived, Haydn, Mozart, and Beethoven—all secular composers—and tried their hands at sacred music, they set Roman Catholic words to music which in form and spirit is Protestant.”

— Sir Richard Runciman Terry (1912)

Recent Posts

  • Children’s Repertoire • Three More Recommendations by Keven Smith
  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir
  • Latin Liturgy Association
  • Important Quote by a Church Musician

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