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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Three False Ideas about “Ad Orientem” Celebration

Andrew Leung · July 14, 2016

CTL False Ideas about Ad Orientem HIS PAST WEEK, I saw many discussions on the internet about Cardinal Sarah’s address at the Sacra Liturgia conference in London. Today I saw some people celebrating and rejoicing over the clarification by the Vatican. Jeff has already shared his reflection on the Vatican statement and I totally agree with him. The Cardinal Prefect of the CDW never forces anyone to celebrate the Mass “ad orientem”—he was simply making a suggestion and encouragement as a scholar, just like when Cardinal Ratzinger encouraged us in his book, The Spirit of the Liturgy. The clarification was made because of the “hardness of hearts” of some people and others who are misinterpreting the cardinal’s speech.

In Cardinal Sarah’s lecture, he stressed the importance of liturgical catechesis before implementing “ad orientem” worship. In my discussions with others, I realized that a lot of people dislike the idea of “ad orientem” because of three misconceptions or false ideas. These misconceptions can be solved through correct catechesis.

CTL False Ideas about Ad Orientem 2 (I) “I have to see everything” – A lot of people don’t like Masses celebrated “ad orientem” because they can’t see what is going on on the altar. I would ask them, “what are you hoping to see?” Mass is not a show! If the priests follow the rubrics, every Mass should be the same. What really happens at a Mass is internal and cannot be seen. The bread and wine turn into the Body and Blood of our Lord substantially while their external appearances remain the same. The Mass should be an act of faith, not an act of sight.

(II) “The priest celebrates the entire Mass “ad orientem” – Many Catholics have heard a lot about the “facing east” idea; both good things and bad things. But how many have actually experienced an Ordinary Form Mass celebrated “ad orientem?” In the Novus Ordo, the priest begins the Introductory Rite at the presider’s chair, which faces the people in most cases. The Liturgy of the Word takes place at the ambo facing the people. The part celebrated “ad orientem” is the Liturgy of the Eucharist, the sacrifice. It is the unbloody sacrifice of Christ to God the Father, and that is why the priest, being the alter Christus, turns his face towards God when he offers the sacrifice. After the Liturgy of the Eucharist, the priest returns to the presider’s chair for the Concluding Rite.

CTL False Ideas about Ad Orientem 3 (III) “Turning his back to people is a sign of rejection” – As I explained above, the priest celebrates Mass “ad orientem” so that he can face towards God. The “ad orientem” celebration is about facing God, not turning the back to the faithful. Turning the back to people is not always a sign of rejection, it is also a sign of leadership. I am pretty sure that Moses led God’s people out of Egypt facing the “Promised Land.” If Moses was facing the Israelites the entire time, they would have never gotten out of Egypt. I am sure that King David’s back was to his soldiers when he led them into battles. In the case of a Mass, the priest is our leader and he leads us to God. And besides, the priest is instructed by the rubrics to turn towards the people when he addresses them in the Liturgy of the Eucharist (at Oratre fratres; Pax Domini sit semper; and Ecce Agnus Dei).

HILE THE CURRENT EDITION OF THE ROMAN MISSAL assumes that Masses are to be celebrated “ad orientem,” it is also permitted to celebrate “facing the people”. So, both ways are allowed. To my brothers and sisters who still think that worshiping “ad orientem” is wrong and can’t accept this way of celebration of the Mass, please take a moment to think about how many saints have celebrated or attended Masses “facing east.” They have proven that this orientation cannot be wrong and I pray through their intercessions that the Holy Sacrifice of the Mass can continue to unify the people of God.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Robert Cardinal Sarah, Sacra Liturgia Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

On 26 July 1916—during the German occupation of Belgium—a student choir led by Van Nuffel performed his setting of the psalm “Super flumina Babylonis” in Saint Rumbold’s Cathedral. The text and the musical setting very aptly expressed the depressed and rebellious mood of the population. The acclaim was enormous, and it laid the foundation for Van Nuffel’s formation of the Saint Rumbold’s choir.

— Unknown

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