Views from the Choir Loft

Lent is near.

Richard J. Clark · January 22, 2016

ENT IS NEAR. And looming over church musicians is a quick transition of liturgical seasons.

Lent is is marked by preparation for baptism and penance. It is joyful with the expectation of resurrection. The Introit to Ash Wednesday, Misereris omnium sums it up well:

Your mercy extends to all things, O Lord, and you despise none of the things you have made. You overlook our sins for the sake of repentance. You grant them your pardon, because you are the Lord our God.” — Wisdom 11:24-25, 27

Here, are a few of my liturgical works for Lent, the Easter Vigil, and Easter. You can also listen to recordings:

• Communion Antiphons for Lent | SATB, Organ, Assembly • World Library Publications

• Christe qui lux es et dies | Based on Compline Hymn for Lent, SATB • RJC Cecilia Music

• Lumen Christi | Paschal Candle Procession | Deacon/Priest, Assembly, SATB • CanticaNOVA Publications

• O Sacrum Convivium | TTB or SSA • (includes optional text for tempore quadragesimæ • RJC Cecilia Music

• I Am Risen, Resurrexi | Introit for Easter Sunday, SATB, organ • RJC Cecilia Music

Just for fun, here is an unrelated non-liturgical work, simply to share another aspect of my composition inspired by the scriptures. In this setting of Psalm 137 (136) for soprano, cello, and piano, the cello introduction and coda quote the Gregorian Chant, Super flumina babylonis. The performances of Allesandra Cionco and Michael Dahlberg are sublime, for which I am truly grateful.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

New Bulletin Article • “14 September 2025”

My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.

—Jeff Ostrowski

PDF Download • Draft Copy (Pamphlet)

A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!

—Jeff Ostrowski

“Entrance Chant” • 23rd (Ordinary Time)

This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”

—Jeff Ostrowski

Karl Keating • “Canonization Questions”

We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.

—Corpus Christi Watershed

Vatican II Changed Wedding Propers?

It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.

—Corpus Christi Watershed

Solemn “Salve Regina” (Chant)

How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).

—Corpus Christi Watershed