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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Free Downloads • Works by Cardinal Bartolucci (Part 1)

Andrew Leung · January 21, 2016

CTL Cardinal Bartolucci HAVE POSTED about Aurelio Porfiri’s blog and Colin Mawby in the past. I would like to bring your attention to this blog, Castaway, again. I recently discovered the FREE DOWNLOADS section of the blog:

    * *  Free Downloads

There are a good number of pieces, among other composers, by the late Domenico Cardinal Bartolucci (1917-2013).

Cardinal Bartolucci was the Director Emeritus of the Sistine Chapel Choir. He held the position from 1956 to 1997. Before that, he had also served at St. John Lateran and St. Mary Major. He was appointed by Pope Pius XII after the dead of his predecessor, Msgr. Lorenzo Perosi. Bartolucci is known for defending the Church’s musical traditions during and after Vatican II. He is the reason why we can still hear Gregorian Chant in St. Peter’s Basilica nowadays. He was a very active composer and he often composed based on Gregorian Chant and the style of Palestrina.

He was created a cardinal in 2010 by Pope Benedict XVI, recognising him for his service to the Church in the area of Sacred Music. He was 93 when he was elevated into the College of Cardinal and was excused from the requirement that a cardinal be or become a bishop. His motto on his coat of arm is “Psallam Deo Meo“, I will sing to my God. He died in 2013 and at his funeral, Pope Francis described him as:

“A dear and esteemed priest, illustrious composer, and musician, who exercised his long ministry particularly through sacred music, which is born of faith and expresses faith.”

In the download section of the blog, there are some shorter pieces like a few Gospel Acclamation, but there are also some longer motets like his setting of O Sacrum Convivium, which is based on the original chant:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski
    “Pope Leo XIV Has Announced…”
    My pastor asked me to write brief articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The most recent article speaks about the recent announcement by Pope Leo XIV, which does have an impact on church musicians. Scheduled for publication on 2025 08 10th, it’s called: “Pope Leo XIV Has Announced…”
    —Jeff Ostrowski
    “Chants” • 18th Sunday in Ordinary Time
    All the chants for 3 August 2025—which is the 18th Sunday in Ordinary Time (Year C)—have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (from the book of Wisdom) is stunning. That feast website has been called “the best kept secret of Church music.”
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“…I started down the road of the liturgy, and this became a continuous process of growth into a grand reality transcending all particular individuals and generations, a reality that became an occasion for me of ever-new amazement and discovery. The incredible reality of the Catholic liturgy has accompanied me through all phases of life, and so I shall have to speak of it time and again.”

— Joseph Cardinal Ratzinger

Recent Posts

  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”
  • “Pope Leo XIV Has Announced…”
  • “Chants” • 18th Sunday in Ordinary Time
  • “Corn” From Heaven?

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