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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Most Pure Heart Schola Cantorum … in Rome!

Dr. Lucas Tappan · January 20, 2016

630 Most Pure Heart of Mary Schola Cantorum Rome E HAVE RETURNED from our Roman Pilgrimage and I would like to share a few highlights of the trip with everyone over the next couple of weeks. Overall, the greatest gift we received was to be in Rome during the Holy Year of Mercy—and in most of the holy sites I was able to leave the tour guide and head straight to the Blessed Sacrament Chapels to spend quiet time with the Good Lord.

Today I will share two recordings with you from Holy Mass on Sunday, January 3rd, at the Church of St. Peter in Chains. Mass was scheduled for 8 a.m., but true to Italian fashion, our tour guide got us to the church five minutes after the hour, where our pastor was told he could celebrate Mass at the side altar. I was trying to figure out where the choir would fit when we were ushered into the choir stalls in the apse surrounding the High Altar. We couldn’t see any of the Mass (thankfully we could hear it), but it was incredible to sing in under the frescoed vaults and the acoustics were amazing.

The first recording is an audio recording of Palestrina’s 4 part Alma Redemptoris Mater, which the Schola Cantorum sang during the Offertory:


The second is a video recording of Waddell’s Rosa Mystica, conducted by my assistant, John Deahl, during Holy Communion:

Editor’s Note: Thank you, Dr. Tappan, for sharing these magnificent recordings with us! And congratulations again on the tiny new baby you and your wife recently welcomed into the world!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Lucas Tappan Schola Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The plea that the laity as a body do not want liturgical change, whether in rite or in language, is, I submit, quite beside the point. … (it is) not a question of what people want; it is a question of what is good for them.”

— Dom Gregory A. Murray (14 March 1964)

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