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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

My New Assignment—Part 1

Andrew Leung · September 24, 2015

CTL New Assignment AM VERY SAD—but happy at the same time—to announce that I am leaving my current position at St. Pius X Catholic Church, here in Conyers, Georgia. Recently, I started the seminarian application process with the Diocese of Steubenville, Ohio and have been assigned by His Excellency, Bishop Jeffrey Monforton (Steubenville’s Ordinary) to BLESSED SACRAMENT PARISH in Wintersville, OH, where I will be doing a pastoral year and continue my discernment “full-time”. If it is God’s will, I will be entering the seminary to study next fall.

I have been serving Mass and involved in church music for over ten years now. I have always loved the Liturgy of the Roman Rite. For the past five years, I’ve been singing for the Extraordinary Form Mass and have witnessed—so many times—priests falling in love with the Liturgy after High Masses. They have always described it as an “incredible,” prayerful, and peaceful experience. Please pray for me as I continue to discern my vocation to the priesthood and hopefully, by the grace of God, I can celebrate the Holy Mass one day. I hope to continue being involved in Sacred Music, even though I won’t be serving as a music director. I will do my best to keep contributing to this blog regularly.

NE THING I am definitely going to miss about Conyers is the Monastery. I have been teaching Gregorian Chant to a group of Cistercian monks who are very passionate in rediscovering their musical tradition. This past year, we have explored basic vocal techniques, Solfège, and authentic interpretation of Gregorian Chant. I was also asked to teach a GREGORIAN CHANT APPRECIATION course to the novices over the summer. I had the last class with the monks yesterday and we had a great chant rehearsal. They definitely learned and grew tremendously this year. Below is a recording of the Terribilis est locus iste (Introit for the Anniversary of the Dedication of a church) from the rehearsal yesterday:

    * *  Mp3 Audio • TERRIBILIS EST LOCUS by Cistercian Monks

When I first got here, all they knew was simplified chant in English. This is what they have accomplished in a year, despite the quality of my phone recorder.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

Recent Posts

  • PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
  • “Music List” • 17th in Ordinary Time (Year C)
  • Flor Peeters In A Weird Mood?
  • Communion • “Ask & You Shall Receive”
  • Jeff’s Mother Joins Our Fundraiser

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