Views from the Choir Loft

My New Assignment—Part 1

Andrew Leung · September 24, 2015

AM VERY SAD—but happy at the same time—to announce that I am leaving my current position at St. Pius X Catholic Church, here in Conyers, Georgia. Recently, I started the seminarian application process with the Diocese of Steubenville, Ohio and have been assigned by His Excellency, Bishop Jeffrey Monforton (Steubenville’s Ordinary) to BLESSED SACRAMENT PARISH in Wintersville, OH, where I will be doing a pastoral year and continue my discernment “full-time”. If it is God’s will, I will be entering the seminary to study next fall.

I have been serving Mass and involved in church music for over ten years now. I have always loved the Liturgy of the Roman Rite. For the past five years, I’ve been singing for the Extraordinary Form Mass and have witnessed—so many times—priests falling in love with the Liturgy after High Masses. They have always described it as an “incredible,” prayerful, and peaceful experience. Please pray for me as I continue to discern my vocation to the priesthood and hopefully, by the grace of God, I can celebrate the Holy Mass one day. I hope to continue being involved in Sacred Music, even though I won’t be serving as a music director. I will do my best to keep contributing to this blog regularly.

NE THING I am definitely going to miss about Conyers is the Monastery. I have been teaching Gregorian Chant to a group of Cistercian monks who are very passionate in rediscovering their musical tradition. This past year, we have explored basic vocal techniques, Solfège, and authentic interpretation of Gregorian Chant. I was also asked to teach a GREGORIAN CHANT APPRECIATION course to the novices over the summer. I had the last class with the monks yesterday and we had a great chant rehearsal. They definitely learned and grew tremendously this year. Below is a recording of the Terribilis est locus iste (Introit for the Anniversary of the Dedication of a church) from the rehearsal yesterday:

* * Mp3 Audio • TERRIBILIS EST LOCUS by Cistercian Monks

When I first got here, all they knew was simplified chant in English. This is what they have accomplished in a year, despite the quality of my phone recorder.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

“Common” Responsorial Psalm?

I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.

—Jeff Ostrowski

“Music List” • 5th Sunday of Easter (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.

—Jeff Ostrowski

Communion Chant (5th Sunday of Easter)

This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.

—Jeff Ostrowski

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

When to Sit, Stand and Kneel like it’s 1962

There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop

—Veronica Brandt

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker