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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

World Meeting of Families 2015 & the Papal Visit to Philadelphia — Part 2 of 2

Fr. David Friel · October 18, 2015

T HAS BEEN one month since the World Meeting of Families began here in Philadelphia. Last week, I shared some behind-the-scenes photos of the events. This week, as promised, I will share with you the final words of admonition from Msgr. Marini before the papal Masses began.

Several months of planning go into a papal liturgy, particularly when it is to be celebrated abroad during an Apostolic journey. The first plans for the recent liturgies in Washington D.C., New York, and Philadelphia were presented to Msgr. Marini’s office in the spring. In early September, Marini and several assistants travelled to each city to see the various places that would be used for the liturgies and to make necessary changes. Then, during the week of the Holy Father’s visit, several more practices were held before each liturgy, each time resulting in further adjustments and refinements.

Msgr. Guido Marini serves as the chief Master of Ceremonies for liturgical celebrations in the presence of the Holy Father. There are also eight additional MC’s who assist with papal liturgies. Among them, Msgr. Marini is known as “the Maestro.” Accompanying Marini on the visit to Cuba and the USA were Msgr. Vincenzo Peroni and Msgr. John Cihak.

Before the large papal Masses in the Cathedral Basilica of Ss. Peter & Paul and on the Benjamin Franklin Parkway, Msgr. Marini met briefly with the seminarian servers and deacons in the sacristy to offer some final reflections before the start of the liturgies. As the MC working with the deacons, I had the opportunity to listen in to the Maestro’s final encouragement. The fervorino was similar both days, with Marini speaking in Italian as Msgr. Cihak translated into English. What follows are not direct quotes, but a good paraphrase of the three major points made by Marini:

1. We are preparing in a few moments to enter into the sacred liturgy. At this particular Mass, we will also be in the presence of the Holy Father, Pope Francis, which can cause us to be nervous. But I encourage you to enter into this Mass with a spirit of humility and faith. In many ways, the world looks upon the Holy Father as just another celebrity, no different from great athletes and rockstars and other famous personages. But that is not how we, as people of faith, look upon him. The Holy Father is the successor of Saint Peter, the Vicar of Christ on earth. When the Holy Father speaks, he speaks for God, and so we listen with what St. Paul calls “the obedience of faith.” It is a great honor to be in the presence of Peter and an even greater honor to serve the liturgy.

2. The sacred liturgy is much like the scene of the burning bush. You remember how in the Book of Exodus, the Lord reveals Himself through a bush that is flaming, yet not consumed. That image is a symbol of God’s self-revelation, His personal manifestation of Himself to mankind. This happens also in the sacred liturgy. God reveals Himself to us so that we might come to know Him and love Him more deeply.

3. There is another passage in Exodus that teaches us about the meaning of the liturgy. In Exodus 34, Moses goes before the Lord, face-to-face. Upon returning to the people, Moses face is seen to be radiant. It is still filled with the fullness of God’s light. It is shining with the splendor of God, which Moses had experienced in a moment of privileged encounter. This is what happens in the sacred liturgy. We should serve the liturgy (and leave the liturgy) with a certain radiance. It should stir up within us a deep, interior joy—not an ebullient joy that attracts attention to itself, but the sort of joy that humbly reflects upon the favors received from God.

These reflections are profound in themselves. What struck me most about them, though, was not their actual content, but their spirit. With moments to go before the beginning of very large, high-profile Masses, the focus of Msgr. Marini’s remarks was not on practical details. In fact, his focus was entirely impractical and spiritual. Having attended to so many practical details in the months & days & hours leading up to these liturgies, the papal MC challenged each of us to go deeper and to experience the sacred liturgy in the same way Moses experienced the burning bush. He used these moments not as a time for reminders and corrections, but as a time for prayer and spiritual encouragement.

Sacred musicians, sacristans, MC’s, and so many others who take part in preparing liturgies at the parish level could learn from Msgr. Marini’s good example. Let’s put forth our best efforts and be diligent in all of our preparations, for sure. When we enter the sacred liturgy, however, remember that the essence of what we do remains a spiritual reality.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Msgr Guido Marini, Pope Francis Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ with regard to 1960s switch to vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“The unity of language in the liturgy is so great a treasure for the Church that no advantage could compensate for its demise.”

— Dom Anselmo Albareda (2 January 1953), Father Nicola Giampietro, page 249

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