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Views from the Choir Loft

Don’t Tell Me What You Can Do: Show Me

Jeff Ostrowski · April 13, 2015

930 Ben Carson ANY ASPECTS of Dr. Ben Carson’s life are inspiring. His mother made him complete book reports every week when he was growing up. Carson didn’t realize that his mother (completely illiterate) couldn’t read his reports. He kept doing them because she gave him no choice in the matter. He eventually became a respected neurosurgeon—the first to successfully separate conjoined twins joined at the head.

However, I don’t believe Ben Carson will be elected president, and the reason can be tied to church music. Let me explain.

Dr. Ben Carson is attempting to go from having never held public office to the highest seat in the land. Everyone agrees that being governor of a state—for example—is easier than being president of all fifty states. If Dr. Carson, or Ross Perot, or any other civilian wants to be elected to the highest office, the least they can do is govern a state for a few years. If their ideas are sound, they will have no problems running that state; and they can then seek the presidency. Nobody would accept an argument which says, “Although incapable of properly running a single state, I would be capable of running all fifty states.”

HAVE YOU GUESSED ALREADY what this has to do with church music?

Anyone who’s been involved with church music soon realizes that everybody has advice for you. This is especially true on the internet. Some people spend all day criticizing other church musicians. They will pontificate for hours and hours. What they will never do is post actual recordings of their choirs. Believe it or not, the ones who pontificate the loudest usually have never conducted a choir before. Don’t forget that directing a choir is extremely difficult. The obstacles often seem insurmountable. It’s one of the hardest jobs in the entire world.

Anyone can talk about church music. The quickest way to silence somebody—especially on the internet—is by politely asking, “Why not post a recording of your choir from last Sunday?”

While teaching at the CMAA colloquium, I once used this tactic on someone who’d been loudly critical of efforts by the various groups. The fellow pulled me aside and said:

“Oh, I can’t show you how my choir sounds; I don’t have one. I got fired as assistant organist more than a decade ago. Moreover, I’ve never had a choir bigger than 3-4 people because my singers kept quitting, saying they can’t stand the way I direct.”

I was speechless!  I gently suggested something to the effect of, “Perhaps you should go easier on the CMAA directors, considering your own attempts.”

Years ago I knew a carpenter who constantly bragged about how great he was. Once, he was trying to get hired to work on a house, and I could hear him bragging to the foreman. The foreman immediately cut him off:

“Here’s a hammer. Don’t tell me what you can do: show me.”

Construction workers are not generally known for their eloquence, but I’ll never forget those words.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

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