• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Don’t Tell Me What You Can Do: Show Me

Jeff Ostrowski · April 13, 2015

930 Ben Carson ANY ASPECTS of Dr. Ben Carson’s life are inspiring. His mother made him complete book reports every week when he was growing up. Carson didn’t realize that his mother (completely illiterate) couldn’t read his reports. He kept doing them because she gave him no choice in the matter. He eventually became a respected neurosurgeon—the first to successfully separate conjoined twins joined at the head.

However, I don’t believe Ben Carson will be elected president, and the reason can be tied to church music. Let me explain.

Dr. Ben Carson is attempting to go from having never held public office to the highest seat in the land. Everyone agrees that being governor of a state—for example—is easier than being president of all fifty states. If Dr. Carson, or Ross Perot, or any other civilian wants to be elected to the highest office, the least they can do is govern a state for a few years. If their ideas are sound, they will have no problems running that state; and they can then seek the presidency. Nobody would accept an argument which says, “Although incapable of properly running a single state, I would be capable of running all fifty states.”

HAVE YOU GUESSED ALREADY what this has to do with church music?

Anyone who’s been involved with church music soon realizes that everybody has advice for you. This is especially true on the internet. Some people spend all day criticizing other church musicians. They will pontificate for hours and hours. What they will never do is post actual recordings of their choirs. Believe it or not, the ones who pontificate the loudest usually have never conducted a choir before. Don’t forget that directing a choir is extremely difficult. The obstacles often seem insurmountable. It’s one of the hardest jobs in the entire world.

Anyone can talk about church music. The quickest way to silence somebody—especially on the internet—is by politely asking, “Why not post a recording of your choir from last Sunday?”

While teaching at the CMAA colloquium, I once used this tactic on someone who’d been loudly critical of efforts by the various groups. The fellow pulled me aside and said:

“Oh, I can’t show you how my choir sounds; I don’t have one. I got fired as assistant organist more than a decade ago. Moreover, I’ve never had a choir bigger than 3-4 people because my singers kept quitting, saying they can’t stand the way I direct.”

I was speechless!  I gently suggested something to the effect of, “Perhaps you should go easier on the CMAA directors, considering your own attempts.”

Years ago I knew a carpenter who constantly bragged about how great he was. Once, he was trying to get hired to work on a house, and I could hear him bragging to the foreman. The foreman immediately cut him off:

“Here’s a hammer. Don’t tell me what you can do: show me.”

Construction workers are not generally known for their eloquence, but I’ll never forget those words.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“What matters is to prefer God to all else; to be ready to sacrifice all, rather than commit one sin.”

— Cardinal Merry Del Val (shortly before his death)

Recent Posts

  • The Real Miracle of Gregorian Chant
  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.