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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

When Is The Sequence Sung? Before The Alleluia?

Jeff Ostrowski · January 2, 2014

899 Sequence O STUDENT of Gregorian chant needs to be told how sequences came into being, nor why they were always sung after the Alleluia. However, in 1969, things changed somewhat. Let’s take one thing at a time here … this subject confuses many.

So, first of all, when the (ancient) Gregorian Alleluia is sung, the Sequence comes after the Alleluia. If you don’t believe me, read the official Novus Ordo rubrics by clicking here. We provided three (3) different translations of the Ordo Cantus Missae, so there’s no doubt what it says.

However, the Ordo Cantus Missae makes no mention of the Gospel Acclamation, which can replace the (ancient) Gregorian Alleluia. For this, we have to look in the General Instruction of the Roman Missal (GIRM). When the GIRM was first published around 1970, it didn’t specify when the Sequence is sung. It merely said “Sequences are optional, except on Easter Sunday and Pentecost.” However, the postconciliar books moved the Sequence, placing it before the Gospel Acclamation. You can see this by downloading the 1975 Missale Romanum.

If you don’t comprehend Latin, just look at the following:

      * *  1-page PDF • scanned from the very first Lectionary, ©1970

By the way, notice that in the 1970s they included a prose translation in addition to the “poetic” translation which was plagiarized and then horribly mangled (see this article).

THE ODD THING IS, THERE WAS AN EFFORT at restoring the Sequence to its proper place in the most recent edition of the Roman Missal. The Institutio Generalis Missalis Romani (©2000) said in section 64:

Sequentia, quae praeter quam diebus Paschae et Pentecostes, est ad libitum, cantatur post Alleluia.

Fr. Robert Skeris, writing in Sacred Music (Vol. 128, No. 1), correctly translates this as:

The Sequence, which is optional except on Easter and Pentecost, is sung after the Alleluia.   [§64]

Again, to be clear, the GIRM is speaking of the Gospel Acclamation (not the ancient Gregorian Alleluia). You can read more here.

However, a few years later, in the official edition of the Roman Missal, this sentence was altered, and nobody knows why this change was made. Perhaps certain parties were unhappy that the Sequence would be restored to where it always had been, prior to 1969.

The end result is that the current GIRM has the Sequence before the Gospel Acclamation, whereas the 2012 Gregorian Missal continues to place the Sequence after the Alleluia … and they’re both right!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Liturgical Sequences, Novus Ordo Lectionary Reform, Ordo Cantus Missae, Roman Missal Third Edition Last Updated: October 12, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Cardinal Pole’s great synod at Canterbury (1557) wanted a reformed Roman Missal for use everywhere in England.”

— Father Gerald Ellard, SJ

Recent Posts

  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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