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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

No Salvation From Decrees (3 of 3)

Jeff Ostrowski · September 23, 2013

EVER WILL I FORGET what our Pastor told me years ago: “Jeff, stop looking at disciplinary decrees of the Church as if they were equal to infallible declarations of Faith and Morals. Many disciplinary Church laws are bad or become outdated. For this reason, they are often replaced with new laws.”

This came as a revelation to me, during that period of my life.

Years later, another priest (who worked for four different Popes) explained the concept of Legal Positivism with regard to Church laws. Legal Positivism basically says that anything allowed or tolerated is automatically good. Legal Positivism is false, wrong, bad. If what I’m saying sounds bizarre to you, read this superb article by Fr. Georg May, a Canon lawyer who (incidentally) faithfully heard Confessions every Saturday, even after the Second Vatican Council:

      * *  Fr. Georg May • “Ecclesiastical Legislation on Liturgy and Church Music”

I wonder what Fr. Georg May would have said about the following quote, spoken by Pope Paul VI regarding his changes to the Roman Missal:

“You know the Roman saying — one Pope approves and another disapproves, and I don’t want anyone coming along after me and restoring everything to the present status quo.”

According to Annibale Bugnini, the Pope spoke these words in January of 1968. On the other hand, Bugnini is often not a reliable source of information, so I suppose we’ll never know if Pope Paul VI truly spoke those words.


Now, here’s my whole point:

THE SAINTS WERE NOT LEGALISTIC. They prayed. They responded to God’s Will. The reforming saints never said, “anything permitted is automatically good.” They looked at the true, beautiful, holy Catholic traditions and teachings and passed them on. For example, if Abbot Pothier had been content with the “approved” editions, we might still be singing from the Editio Medicæa.

So, the lesson is: avoid legal positivism. Look for what is true, beautiful, and holy, like the saints did. Take these things as your model. Don’t look for loopholes (more on this below).

WE BEGAN THIS SERIES noting that those who hate traditional Catholic music often twist Ecclesiastical decrees. We examined in particular this false statement:

“The Second Vatican Council said Gregorian chant has pride of place only with regard to Masses celebrated in Latin.”

It is interesting to consider how the people making this (false) argument would respond to questions like these:

“How well are you following the documents of the Council? Are you singing the Creed? The Council says you should be. Are you maintaining the difference between Low Mass and High Mass? The Council says you should be. If you’re in a monastery, are you chanting the office in Latin? Pope Paul VI, in Sacrificium Laudis, says you should be.”

The point is, people who twist the documents usually ignore the sections they dislike.

WE CANNOT, in such a small article as this, treat every point. There’s simply too much. We could talk about what Pope John XXIII said in Veterum Sapientia. We could talk about what Pope Paul VI said in Sacrificium Laudis. We could go on and on. We could type until our fingers fall off.

Let me share one more thing before calling it a day. I think Susan Benofy hit the nail on the head when she wrote in an article:

This illustrates a familiar (and highly effective) technique used by those who pushed for radical implementation of the reform. A practice, often one which had been explicitly rejected for general use, would be requested for “pastoral” reasons for a particular situation. Once permission was granted, liturgists would employ the innovation in other situations. Then its “widespread use” becomes an argument for general approval.   […]

What it did do was to establish a principle that other texts could be substituted for the official Proper. The Simple Gradual itself was rarely used, but the principle of substituting new texts, which Monsignor Frederick McManus saw as its primary significance, was used to replace the Proper with other songs.

Readers are probably sick of me talking about that section, but understanding the post-Conciliar destruction of the Mass Propers is crucial. Getting rid of them was absolutely opposed to the true spirit of Vatican II and the Liturgical movement. The Vatican II Consilium said this was “cheating the people.” The more I read about it, the more astounding I find it. How could such a thing happen? It helps to learn that people who lived through this period were deeply troubled about these types of issues. For instance, Msgr. Richard J. Schuler wrote in 1977:

It seems almost incredible that only ten years ago the Church was ordering that “in accordance with the norm of the Constitution on the Sacred Liturgy and the centuries old tradition of the Latin rite, the Latin language is to be retained for clerics in celebrating the divine office in choir.”

This article is part of a series:

Part 1   •   Part 2   •   Part 3

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

I am convinced that if the Church is to prosper in the present age, it cannot hesitate to embrace and support traditional Catholics, traditional liturgies and traditional moral values. “Do not conform yourself to this age,” St. Paul warned followers of Christ. (Rom 12:2)

— Most Rev. Thomas Tobin, Bishop of Providence (12 August 2022)

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